Gaiola de esperar tempestades
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_RS |
Texto Completo: | http://tede2.pucrs.br/tede2/handle/tede/8595 |
Resumo: | This work is divided into two parts: an essay and a fiction. The essay consists of a knowledge production and research project that can be divided into three stages. The first one addresses the crisis of the modern paradigm, based on objectivity, on cause and effect relations, on the compartmentalization of complex phenomena and on the predictability of stable laws. It presents the factual and ideological reasons that led to the shudder of rational epistemology, whose application leveraged multiple scientific discoveries until the twentieth century. In the sequence, the most significant ideas and conceptions that emerged in this field of uncertainties that we call postmodernity, as opposed to the previous model, are outlined. The second section of the essay establishes the link between the considerations of the opening chapters and the specific theme of literature. Studying the techniques used by contemporary narratives to confront complex reality, we can see how the characteristics associated with the postmodern paradigm are absorbed by literary writing. Representative authors, with works published between the end of the twentieth century and the first decades of the twenty-first century, serve as a basis for the analysis. Finally, in order to transform the study into an achievable project of writing, some directions and positions that literature can take on the polyphonic truths and disbeliefs that seem to be inextricably entangled in the contemporary world are proposed. Since it brings into fictional conflicts the real problems that the artistic sensibility is capable of perceiving, literature is taken as a means of recovering - with the aesthetic and intellectual artifices inherent to it - the reality that has lost its perspective. The fictional part is composed by the novel Gaiola de Esperar Tempestades, written from the reflections, readings and ideas that constitute the essay. |
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Tietzmann, Robertohttp://lattes.cnpq.br/2403852593758632http://lattes.cnpq.br/6350580930896095Richinitti, Gabriela Ewald2019-05-23T20:10:13Z2019-02-28http://tede2.pucrs.br/tede2/handle/tede/8595This work is divided into two parts: an essay and a fiction. The essay consists of a knowledge production and research project that can be divided into three stages. The first one addresses the crisis of the modern paradigm, based on objectivity, on cause and effect relations, on the compartmentalization of complex phenomena and on the predictability of stable laws. It presents the factual and ideological reasons that led to the shudder of rational epistemology, whose application leveraged multiple scientific discoveries until the twentieth century. In the sequence, the most significant ideas and conceptions that emerged in this field of uncertainties that we call postmodernity, as opposed to the previous model, are outlined. The second section of the essay establishes the link between the considerations of the opening chapters and the specific theme of literature. Studying the techniques used by contemporary narratives to confront complex reality, we can see how the characteristics associated with the postmodern paradigm are absorbed by literary writing. Representative authors, with works published between the end of the twentieth century and the first decades of the twenty-first century, serve as a basis for the analysis. Finally, in order to transform the study into an achievable project of writing, some directions and positions that literature can take on the polyphonic truths and disbeliefs that seem to be inextricably entangled in the contemporary world are proposed. Since it brings into fictional conflicts the real problems that the artistic sensibility is capable of perceiving, literature is taken as a means of recovering - with the aesthetic and intellectual artifices inherent to it - the reality that has lost its perspective. The fictional part is composed by the novel Gaiola de Esperar Tempestades, written from the reflections, readings and ideas that constitute the essay.Este trabalho divide-se em duas partes: uma ensa?stica e outra ficcional. O ensaio consiste em um projeto de pesquisa e produ??o de conhecimento que pode ser dividido em tr?s etapas. Na primeira delas, aborda-se a crise do paradigma moderno, baseado na objetividade, nas rela??es de causa e efeito, na compartimenta??o dos fen?menos complexos e na previsibilidade de leis est?veis. Apresentam-se os motivos factuais e ideol?gicos que levaram ao estremecimento da epistemologia racional, cuja aplica??o alavancou m?ltiplas descobertas cient?ficas at? o s?culo XX. Na sequ?ncia, delineiam-se as mais significativas ideias e concep??es que emergiram nesse terreno de incertezas a que chamamos p?s-modernidade, em oposi??o ao modelo antecedente. A segunda se??o do ensaio estabelece o v?nculo entre as considera??es dos cap?tulos iniciais e o tema espec?fico da literatura. Estudando as t?cnicas empregadas pelas narrativas contempor?neas para enfrentar a realidade complexa, percebe-se de que maneira as caracter?sticas associadas ao paradigma p?s-moderno se entranham na escrita liter?ria. Autores representativos, com obras publicadas entre o final do s?culo XX e as primeiras d?cadas do s?culo XXI, servir?o de base ? an?lise. Por fim, para transformar o estudo em um projeto realiz?vel de escrita, ser?o propostas algumas dire??es e posturas que a literatura pode assumir diante das polif?nicas verdades e descren?as que parecem enredar-se inextrincavelmente no mundo contempor?neo. Trazendo para os conflitos ficcionais os problemas que a sensibilidade art?stica ? capaz de perceber, toma-se a literatura como meio de recompor ? com os artif?cios est?ticos e intelectuais que lhe s?o inerentes ? a realidade que perdeu sua perspectiva. A parte ficcional ? composta pelo romance Gaiola de Esperar Tempestades, escrito a partir das reflex?es, leituras e ideias que constituem o ensaio.Submitted by PPG Letras (letraspg@pucrs.br) on 2019-04-25T12:21:09Z No. of bitstreams: 1 Disserta??o_Gabriela Ewald Richinitti.pdf: 1223351 bytes, checksum: e25d7e5c10bcb43d41c83512aa9aa9f1 (MD5)Approved for entry into archive by Sheila Dias (sheila.dias@pucrs.br) on 2019-05-23T20:01:52Z (GMT) No. of bitstreams: 1 Disserta??o_Gabriela Ewald Richinitti.pdf: 1223351 bytes, checksum: e25d7e5c10bcb43d41c83512aa9aa9f1 (MD5)Made available in DSpace on 2019-05-23T20:10:13Z (GMT). No. of bitstreams: 1 Disserta??o_Gabriela Ewald Richinitti.pdf: 1223351 bytes, checksum: e25d7e5c10bcb43d41c83512aa9aa9f1 (MD5) Previous issue date: 2019-02-28Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPESapplication/pdfhttp://tede2.pucrs.br:80/tede2/retrieve/175117/DIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdf.jpgporPontif?cia Universidade Cat?lica do Rio Grande do SulPrograma de P?s-Gradua??o em LetrasPUCRSBrasilEscola de HumanidadesLiteratura Contempor?neaParadigma CartesianoP?s-ModernidadeRomanceLINGUISTICA, LETRAS E ARTES::LETRASGaiola de esperar tempestadesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisTrabalho ser? publicado como artigo ou livro60 meses23/05/2024407477848473845987500500500600-6557531471218110192-54094192628864980883590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSTHUMBNAILDIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdf.jpgDIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdf.jpgimage/jpeg4090http://tede2.pucrs.br/tede2/bitstream/tede/8595/4/DIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdf.jpgb27474b48094a41265d4a8f47e575318MD54TEXTDIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdf.txtDIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdf.txttext/plain1559http://tede2.pucrs.br/tede2/bitstream/tede/8595/3/DIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdf.txtc66d02a846664c9d673544ff8f8f6731MD53ORIGINALDIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdfDIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdfapplication/pdf334437http://tede2.pucrs.br/tede2/bitstream/tede/8595/2/DIS_GABRIELA_EWALD_RICHINITTI_CONFIDENCIAL.pdfb6c2794579f366e7dd7210402eb481eaMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-8590http://tede2.pucrs.br/tede2/bitstream/tede/8595/1/license.txt220e11f2d3ba5354f917c7035aadef24MD51tede/85952019-05-23 20:00:55.303oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2019-05-23T23:00:55Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
Gaiola de esperar tempestades |
title |
Gaiola de esperar tempestades |
spellingShingle |
Gaiola de esperar tempestades Richinitti, Gabriela Ewald Literatura Contempor?nea Paradigma Cartesiano P?s-Modernidade Romance LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Gaiola de esperar tempestades |
title_full |
Gaiola de esperar tempestades |
title_fullStr |
Gaiola de esperar tempestades |
title_full_unstemmed |
Gaiola de esperar tempestades |
title_sort |
Gaiola de esperar tempestades |
author |
Richinitti, Gabriela Ewald |
author_facet |
Richinitti, Gabriela Ewald |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Tietzmann, Roberto |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2403852593758632 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6350580930896095 |
dc.contributor.author.fl_str_mv |
Richinitti, Gabriela Ewald |
contributor_str_mv |
Tietzmann, Roberto |
dc.subject.por.fl_str_mv |
Literatura Contempor?nea Paradigma Cartesiano P?s-Modernidade Romance |
topic |
Literatura Contempor?nea Paradigma Cartesiano P?s-Modernidade Romance LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This work is divided into two parts: an essay and a fiction. The essay consists of a knowledge production and research project that can be divided into three stages. The first one addresses the crisis of the modern paradigm, based on objectivity, on cause and effect relations, on the compartmentalization of complex phenomena and on the predictability of stable laws. It presents the factual and ideological reasons that led to the shudder of rational epistemology, whose application leveraged multiple scientific discoveries until the twentieth century. In the sequence, the most significant ideas and conceptions that emerged in this field of uncertainties that we call postmodernity, as opposed to the previous model, are outlined. The second section of the essay establishes the link between the considerations of the opening chapters and the specific theme of literature. Studying the techniques used by contemporary narratives to confront complex reality, we can see how the characteristics associated with the postmodern paradigm are absorbed by literary writing. Representative authors, with works published between the end of the twentieth century and the first decades of the twenty-first century, serve as a basis for the analysis. Finally, in order to transform the study into an achievable project of writing, some directions and positions that literature can take on the polyphonic truths and disbeliefs that seem to be inextricably entangled in the contemporary world are proposed. Since it brings into fictional conflicts the real problems that the artistic sensibility is capable of perceiving, literature is taken as a means of recovering - with the aesthetic and intellectual artifices inherent to it - the reality that has lost its perspective. The fictional part is composed by the novel Gaiola de Esperar Tempestades, written from the reflections, readings and ideas that constitute the essay. |
publishDate |
2019 |
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2019-02-28 |
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