Contemporary slave labor and visuality: photography and gaze practices

Detalhes bibliográficos
Autor(a) principal: Cabral, Geovanni Gomes
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Acervo (Rio de Janeiro. Online)
Texto Completo: https://revista.an.gov.br/index.php/revistaacervo/article/view/1915
Resumo: The article aims to problematize, through the photographs of Sérgio Carvalho and João Ripper, the contemporary slave labor based on images from the book Slave portrait (2010). It seeks to contextualize the political dimension and the ethical and social engagement before the production that was commissioned by the International Labor Organization and sponsored by the Vale Foundation. They are documentary photographs that assume a public function, through their circuits of production, agency, circulation and experiences in the visual field. Keywords: contemporary slave labor; public photography; special mobile inspection group.
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spelling Contemporary slave labor and visuality: photography and gaze practicesTrabajo esclavo contemporáneo y visualidad: fotografía y prácticas de mirarTrabalho escravo contemporâneo e visualidade: fotografia e práticas do olharThe article aims to problematize, through the photographs of Sérgio Carvalho and João Ripper, the contemporary slave labor based on images from the book Slave portrait (2010). It seeks to contextualize the political dimension and the ethical and social engagement before the production that was commissioned by the International Labor Organization and sponsored by the Vale Foundation. They are documentary photographs that assume a public function, through their circuits of production, agency, circulation and experiences in the visual field. Keywords: contemporary slave labor; public photography; special mobile inspection group.El artículo pretende problematizar, a través de las fotografías de Sérgio Carvalho y João Ripper, el trabajo esclavo contemporáneo basado en imágenes del libro Retrato de esclavo (2010). Busca contextualizar la dimensión política y el compromiso ético y social en la producción que fue encargada por la Organización Internacional del Trabajo y patrocinada por la Fundación Vale. Se trata de fotografías documentales que asumen una función pública, a través de sus circuitos de producción, agencia, circulación y experiencias en el campo visual. Palabras clave: trabajo esclavo contemporáneo; fotografía pública; grupo especial de vigilancia móvil.O artigo tem como objetivo problematizar, por meio das fotografias de Sérgio Carvalho e João Ripper, o trabalho escravo contemporâneo a partir de imagens do livro Retrato escravo (2010). Busca-se contextualizar a dimensão política e o engajamento ético e social diante da produção que foi encomendada pela Organização Internacional do Trabalho e patrocinada pela Fundação Vale. São fotografias documentais que assumem uma função pública, mediante seus circuitos de produção, agenciamento, circulação e experiências no campo visual. Palavras-chave: trabalho escravo contemporâneo; fotografia pública; grupo especial de fiscalização móvel.Arquivo Nacional2023-11-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revista.an.gov.br/index.php/revistaacervo/article/view/1915Acervo; Vol. 36 No. 3 (set./dez. - 2023): The Archive as object: written culture, power, and memory; 1-20Acervo; Vol. 36 Núm. 3 (set./dez. - 2023): El archivo como objeto: cultura escrita, poder y memoria; 1-20Acervo; v. 36 n. 3 (set./dez. - 2023): O arquivo como objeto: cultura escrita, poder e memória; 1-202237-87230102-700Xreponame:Acervo (Rio de Janeiro. Online)instname:Arquivo Nacional (AN)instacron:RANporhttps://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1918https://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1919Copyright (c) 2023 Geovanni Gomes Cabralhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCabral, Geovanni Gomes2024-01-15T20:45:59Zoai:ojs.pkp.sfu.ca:article/1915Revistahttps://revista.an.gov.br//index.php/revistaacervoPUBhttps://revista.an.gov.br//index.php/revistaacervo/oairevista.acervo@arquivonacional.gov.br || revista.acervo@arquivonacional.gov.br2237-87230102-700-Xopendoar:2024-01-15T20:45:59Acervo (Rio de Janeiro. Online) - Arquivo Nacional (AN)false
dc.title.none.fl_str_mv Contemporary slave labor and visuality: photography and gaze practices
Trabajo esclavo contemporáneo y visualidad: fotografía y prácticas de mirar
Trabalho escravo contemporâneo e visualidade: fotografia e práticas do olhar
title Contemporary slave labor and visuality: photography and gaze practices
spellingShingle Contemporary slave labor and visuality: photography and gaze practices
Cabral, Geovanni Gomes
title_short Contemporary slave labor and visuality: photography and gaze practices
title_full Contemporary slave labor and visuality: photography and gaze practices
title_fullStr Contemporary slave labor and visuality: photography and gaze practices
title_full_unstemmed Contemporary slave labor and visuality: photography and gaze practices
title_sort Contemporary slave labor and visuality: photography and gaze practices
author Cabral, Geovanni Gomes
author_facet Cabral, Geovanni Gomes
author_role author
dc.contributor.author.fl_str_mv Cabral, Geovanni Gomes
description The article aims to problematize, through the photographs of Sérgio Carvalho and João Ripper, the contemporary slave labor based on images from the book Slave portrait (2010). It seeks to contextualize the political dimension and the ethical and social engagement before the production that was commissioned by the International Labor Organization and sponsored by the Vale Foundation. They are documentary photographs that assume a public function, through their circuits of production, agency, circulation and experiences in the visual field. Keywords: contemporary slave labor; public photography; special mobile inspection group.
publishDate 2023
dc.date.none.fl_str_mv 2023-11-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revista.an.gov.br/index.php/revistaacervo/article/view/1915
url https://revista.an.gov.br/index.php/revistaacervo/article/view/1915
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1918
https://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1919
dc.rights.driver.fl_str_mv Copyright (c) 2023 Geovanni Gomes Cabral
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Geovanni Gomes Cabral
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Arquivo Nacional
publisher.none.fl_str_mv Arquivo Nacional
dc.source.none.fl_str_mv Acervo; Vol. 36 No. 3 (set./dez. - 2023): The Archive as object: written culture, power, and memory; 1-20
Acervo; Vol. 36 Núm. 3 (set./dez. - 2023): El archivo como objeto: cultura escrita, poder y memoria; 1-20
Acervo; v. 36 n. 3 (set./dez. - 2023): O arquivo como objeto: cultura escrita, poder e memória; 1-20
2237-8723
0102-700X
reponame:Acervo (Rio de Janeiro. Online)
instname:Arquivo Nacional (AN)
instacron:RAN
instname_str Arquivo Nacional (AN)
instacron_str RAN
institution RAN
reponame_str Acervo (Rio de Janeiro. Online)
collection Acervo (Rio de Janeiro. Online)
repository.name.fl_str_mv Acervo (Rio de Janeiro. Online) - Arquivo Nacional (AN)
repository.mail.fl_str_mv revista.acervo@arquivonacional.gov.br || revista.acervo@arquivonacional.gov.br
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