Contemporary slave labor and visuality: photography and gaze practices
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Acervo (Rio de Janeiro. Online) |
Texto Completo: | https://revista.an.gov.br/index.php/revistaacervo/article/view/1915 |
Resumo: | The article aims to problematize, through the photographs of Sérgio Carvalho and João Ripper, the contemporary slave labor based on images from the book Slave portrait (2010). It seeks to contextualize the political dimension and the ethical and social engagement before the production that was commissioned by the International Labor Organization and sponsored by the Vale Foundation. They are documentary photographs that assume a public function, through their circuits of production, agency, circulation and experiences in the visual field. Keywords: contemporary slave labor; public photography; special mobile inspection group. |
id |
RAN-0_15837c8c8a9f60abde27c7c2a7ebea66 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/1915 |
network_acronym_str |
RAN-0 |
network_name_str |
Acervo (Rio de Janeiro. Online) |
repository_id_str |
|
spelling |
Contemporary slave labor and visuality: photography and gaze practicesTrabajo esclavo contemporáneo y visualidad: fotografía y prácticas de mirarTrabalho escravo contemporâneo e visualidade: fotografia e práticas do olharThe article aims to problematize, through the photographs of Sérgio Carvalho and João Ripper, the contemporary slave labor based on images from the book Slave portrait (2010). It seeks to contextualize the political dimension and the ethical and social engagement before the production that was commissioned by the International Labor Organization and sponsored by the Vale Foundation. They are documentary photographs that assume a public function, through their circuits of production, agency, circulation and experiences in the visual field. Keywords: contemporary slave labor; public photography; special mobile inspection group.El artículo pretende problematizar, a través de las fotografías de Sérgio Carvalho y João Ripper, el trabajo esclavo contemporáneo basado en imágenes del libro Retrato de esclavo (2010). Busca contextualizar la dimensión política y el compromiso ético y social en la producción que fue encargada por la Organización Internacional del Trabajo y patrocinada por la Fundación Vale. Se trata de fotografías documentales que asumen una función pública, a través de sus circuitos de producción, agencia, circulación y experiencias en el campo visual. Palabras clave: trabajo esclavo contemporáneo; fotografía pública; grupo especial de vigilancia móvil.O artigo tem como objetivo problematizar, por meio das fotografias de Sérgio Carvalho e João Ripper, o trabalho escravo contemporâneo a partir de imagens do livro Retrato escravo (2010). Busca-se contextualizar a dimensão política e o engajamento ético e social diante da produção que foi encomendada pela Organização Internacional do Trabalho e patrocinada pela Fundação Vale. São fotografias documentais que assumem uma função pública, mediante seus circuitos de produção, agenciamento, circulação e experiências no campo visual. Palavras-chave: trabalho escravo contemporâneo; fotografia pública; grupo especial de fiscalização móvel.Arquivo Nacional2023-11-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://revista.an.gov.br/index.php/revistaacervo/article/view/1915Acervo; Vol. 36 No. 3 (set./dez. - 2023): The Archive as object: written culture, power, and memory; 1-20Acervo; Vol. 36 Núm. 3 (set./dez. - 2023): El archivo como objeto: cultura escrita, poder y memoria; 1-20Acervo; v. 36 n. 3 (set./dez. - 2023): O arquivo como objeto: cultura escrita, poder e memória; 1-202237-87230102-700Xreponame:Acervo (Rio de Janeiro. Online)instname:Arquivo Nacional (AN)instacron:RANporhttps://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1918https://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1919Copyright (c) 2023 Geovanni Gomes Cabralhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCabral, Geovanni Gomes2024-01-15T20:45:59Zoai:ojs.pkp.sfu.ca:article/1915Revistahttps://revista.an.gov.br//index.php/revistaacervoPUBhttps://revista.an.gov.br//index.php/revistaacervo/oairevista.acervo@arquivonacional.gov.br || revista.acervo@arquivonacional.gov.br2237-87230102-700-Xopendoar:2024-01-15T20:45:59Acervo (Rio de Janeiro. Online) - Arquivo Nacional (AN)false |
dc.title.none.fl_str_mv |
Contemporary slave labor and visuality: photography and gaze practices Trabajo esclavo contemporáneo y visualidad: fotografía y prácticas de mirar Trabalho escravo contemporâneo e visualidade: fotografia e práticas do olhar |
title |
Contemporary slave labor and visuality: photography and gaze practices |
spellingShingle |
Contemporary slave labor and visuality: photography and gaze practices Cabral, Geovanni Gomes |
title_short |
Contemporary slave labor and visuality: photography and gaze practices |
title_full |
Contemporary slave labor and visuality: photography and gaze practices |
title_fullStr |
Contemporary slave labor and visuality: photography and gaze practices |
title_full_unstemmed |
Contemporary slave labor and visuality: photography and gaze practices |
title_sort |
Contemporary slave labor and visuality: photography and gaze practices |
author |
Cabral, Geovanni Gomes |
author_facet |
Cabral, Geovanni Gomes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cabral, Geovanni Gomes |
description |
The article aims to problematize, through the photographs of Sérgio Carvalho and João Ripper, the contemporary slave labor based on images from the book Slave portrait (2010). It seeks to contextualize the political dimension and the ethical and social engagement before the production that was commissioned by the International Labor Organization and sponsored by the Vale Foundation. They are documentary photographs that assume a public function, through their circuits of production, agency, circulation and experiences in the visual field. Keywords: contemporary slave labor; public photography; special mobile inspection group. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-11-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revista.an.gov.br/index.php/revistaacervo/article/view/1915 |
url |
https://revista.an.gov.br/index.php/revistaacervo/article/view/1915 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1918 https://revista.an.gov.br/index.php/revistaacervo/article/view/1915/1919 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Geovanni Gomes Cabral https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Geovanni Gomes Cabral https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Arquivo Nacional |
publisher.none.fl_str_mv |
Arquivo Nacional |
dc.source.none.fl_str_mv |
Acervo; Vol. 36 No. 3 (set./dez. - 2023): The Archive as object: written culture, power, and memory; 1-20 Acervo; Vol. 36 Núm. 3 (set./dez. - 2023): El archivo como objeto: cultura escrita, poder y memoria; 1-20 Acervo; v. 36 n. 3 (set./dez. - 2023): O arquivo como objeto: cultura escrita, poder e memória; 1-20 2237-8723 0102-700X reponame:Acervo (Rio de Janeiro. Online) instname:Arquivo Nacional (AN) instacron:RAN |
instname_str |
Arquivo Nacional (AN) |
instacron_str |
RAN |
institution |
RAN |
reponame_str |
Acervo (Rio de Janeiro. Online) |
collection |
Acervo (Rio de Janeiro. Online) |
repository.name.fl_str_mv |
Acervo (Rio de Janeiro. Online) - Arquivo Nacional (AN) |
repository.mail.fl_str_mv |
revista.acervo@arquivonacional.gov.br || revista.acervo@arquivonacional.gov.br |
_version_ |
1798042238195859456 |