Consumption and social distinction in the cultural field of music

Detalhes bibliográficos
Autor(a) principal: Morel, Aline Pereira Sales
Data de Publicação: 2021
Outros Autores: Rezende, Daniel Carvalho de, Oliveira, Alessandro Silva de
Tipo de documento: Artigo
Idioma: eng
Título da fonte: REMark - Revista Brasileira de Marketing
Texto Completo: https://periodicos.uninove.br/remark/article/view/17619
Resumo: Objective: This study aims to identify patterns of consumption and taste in the cultural field of music.Method: A quantitative approach was used: 1,168 people were consulted through semistructured questionnaires. The questionnaires were distributed in three cities: Belo Horizonte, Juiz de Fora and Lavras. The data were subjected to Multiple Correspondence Analysis (MCA).Relevance/Originality: Understanding the mechanics and social consequences of status consumption has been the focus of rich theoretical debate. But researchers have pointed out the need for further research, because empirical data is drawn almost exclusively from European countries or the United States. So, this study can help address part of the theoretical gap and generate data to understanding the patterns of musical taste and consumption in a developing country.Main results: MCA confirmed that a sharp division exists between taste for culturally legitimated and popular musical genres, that are tied especially to differences in education and cultural capital. Only 4.5% of the respondents were classified as omnivores. Thus, it is argued that although many scholars find evidence of the cultural omnivore theory, the differences in musical taste found in this study are better explained by homology and snobbish taste.Theoretical/Methodological Contributions: Information can be valuable for academics to deepen their studies or elaborate new research questions, allowing also to make comparisons between different regions or different time lapse. This study, also, generates insights for the refinement of analyzes and classifications referring to cultural capital and cultural omnivore.
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spelling Consumption and social distinction in the cultural field of musicConsumo e distinção social no campo cultural da músicaStatus consumption; Musical taste; Homology; Cultural omnivore; Class distinctionConsumo de status; Gosto musical; Homologia; Onívoro cultural; Distinção de classe;Objective: This study aims to identify patterns of consumption and taste in the cultural field of music.Method: A quantitative approach was used: 1,168 people were consulted through semistructured questionnaires. The questionnaires were distributed in three cities: Belo Horizonte, Juiz de Fora and Lavras. The data were subjected to Multiple Correspondence Analysis (MCA).Relevance/Originality: Understanding the mechanics and social consequences of status consumption has been the focus of rich theoretical debate. But researchers have pointed out the need for further research, because empirical data is drawn almost exclusively from European countries or the United States. So, this study can help address part of the theoretical gap and generate data to understanding the patterns of musical taste and consumption in a developing country.Main results: MCA confirmed that a sharp division exists between taste for culturally legitimated and popular musical genres, that are tied especially to differences in education and cultural capital. Only 4.5% of the respondents were classified as omnivores. Thus, it is argued that although many scholars find evidence of the cultural omnivore theory, the differences in musical taste found in this study are better explained by homology and snobbish taste.Theoretical/Methodological Contributions: Information can be valuable for academics to deepen their studies or elaborate new research questions, allowing also to make comparisons between different regions or different time lapse. This study, also, generates insights for the refinement of analyzes and classifications referring to cultural capital and cultural omnivore.Objetivo: Este estudo tem por objetivo identificar padrões de consumo e de gosto no campo cultural da música no Brasil e caracterizar a influência de variáveis sociodemográficas.Método: Foi utilizada a abordagem quantitativa: 1.168 pessoas foram consultadas por meio da aplicação de questionários semiestruturados em três cidades do estado de Minas Gerais: Belo Horizonte, Juiz de Fora e Lavras. Para análise dos dados, foi utilizada a Análise de Correspondência Múltipla (MCA).Relevância/Originalidade: O entendimento dos mecanismos e das consequências sociais do consumo de status tem sido o centro de um rico debate teórico. No entanto, estudiosos tem apontado a necessidade de mais pesquisas, visto que os dados empíricos são extraídos quase que exclusivamente em países europeus ou nos Estados Unidos. Portanto, este estudo pode contribuir ao suprir parte da lacuna teórica e gerar dados para a compreensão dos padrões de gosto e consumo musical em um país em desenvolvimento.Principais Resultados: A MCA confirmou a existência de uma acentuada divisão entre o gosto por gêneros musicais culturalmente legitimados e gêneros musicais populares, sendo essas diferenças operadas, especialmente, pela escolaridade e capital cultural dos indivíduos. Apenas 4,5% dos respondentes foram classificados como onívoros. Desta forma, defende-se que, embora muitos estudiosos encontrem evidências da teoria do onívoro cultural, é por meio da homologia e do gosto esnobe que as diferenças de gosto musicais, no contexto estudado, são melhor explicadas.Contribuições Teóricas/Metodológicas: As informações podem ser valiosas para os acadêmicos aprofundarem seus estudos ou elaborarem novas questões de pesquisa, abrindo espaço também para a comparação entre diferentes regiões e países. Este estudo também gera insights para o refinamento de análises e classificações referentes aos conceitos de capital cultural e ao onívoro cultural, e aponta para o papel central do consumo de status nos gostos musicais no contexto brasileiro.Universidade Nove de Julho - UninoveWe thank Fundação de Amparo à Pesquisa de Minas Gerais (FAPEMIG) for the financial support to carry out the research.Morel, Aline Pereira SalesRezende, Daniel Carvalho deOliveira, Alessandro Silva de2021-11-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por ParesPeer-reviewed Articleapplication/pdfhttps://periodicos.uninove.br/remark/article/view/1761910.5585/remark.v20i4.17619ReMark - Revista Brasileira de Marketing; v. 20, n. 4 (2021): (out.dez.); 362 - 3922177-5184reponame:REMark - Revista Brasileira de Marketinginstname:Universidade Nove de Julho (UNINOVE)instacron:RBMenghttps://periodicos.uninove.br/remark/article/view/17619/9326Direitos autorais 2021 Revista Brasileira de Marketinghttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccess2021-12-20T12:06:29Zoai:https://periodicos.uninove.br:article/17619Revistahttps://periodicos.uninove.br/remarkPRIhttps://periodicos.uninove.br/remark/oaiclaudiaraac@uol.com.br || admin@revistabrasileiramarketing.org || admin@revistabrasileiramarketing.org2177-51842177-5184opendoar:2021-12-20T12:06:29REMark - Revista Brasileira de Marketing - Universidade Nove de Julho (UNINOVE)false
dc.title.none.fl_str_mv Consumption and social distinction in the cultural field of music
Consumo e distinção social no campo cultural da música
title Consumption and social distinction in the cultural field of music
spellingShingle Consumption and social distinction in the cultural field of music
Morel, Aline Pereira Sales
Status consumption; Musical taste; Homology; Cultural omnivore; Class distinction
Consumo de status; Gosto musical; Homologia; Onívoro cultural; Distinção de classe;
title_short Consumption and social distinction in the cultural field of music
title_full Consumption and social distinction in the cultural field of music
title_fullStr Consumption and social distinction in the cultural field of music
title_full_unstemmed Consumption and social distinction in the cultural field of music
title_sort Consumption and social distinction in the cultural field of music
author Morel, Aline Pereira Sales
author_facet Morel, Aline Pereira Sales
Rezende, Daniel Carvalho de
Oliveira, Alessandro Silva de
author_role author
author2 Rezende, Daniel Carvalho de
Oliveira, Alessandro Silva de
author2_role author
author
dc.contributor.none.fl_str_mv We thank Fundação de Amparo à Pesquisa de Minas Gerais (FAPEMIG) for the financial support to carry out the research.

dc.contributor.author.fl_str_mv Morel, Aline Pereira Sales
Rezende, Daniel Carvalho de
Oliveira, Alessandro Silva de
dc.subject.por.fl_str_mv Status consumption; Musical taste; Homology; Cultural omnivore; Class distinction
Consumo de status; Gosto musical; Homologia; Onívoro cultural; Distinção de classe;
topic Status consumption; Musical taste; Homology; Cultural omnivore; Class distinction
Consumo de status; Gosto musical; Homologia; Onívoro cultural; Distinção de classe;
description Objective: This study aims to identify patterns of consumption and taste in the cultural field of music.Method: A quantitative approach was used: 1,168 people were consulted through semistructured questionnaires. The questionnaires were distributed in three cities: Belo Horizonte, Juiz de Fora and Lavras. The data were subjected to Multiple Correspondence Analysis (MCA).Relevance/Originality: Understanding the mechanics and social consequences of status consumption has been the focus of rich theoretical debate. But researchers have pointed out the need for further research, because empirical data is drawn almost exclusively from European countries or the United States. So, this study can help address part of the theoretical gap and generate data to understanding the patterns of musical taste and consumption in a developing country.Main results: MCA confirmed that a sharp division exists between taste for culturally legitimated and popular musical genres, that are tied especially to differences in education and cultural capital. Only 4.5% of the respondents were classified as omnivores. Thus, it is argued that although many scholars find evidence of the cultural omnivore theory, the differences in musical taste found in this study are better explained by homology and snobbish taste.Theoretical/Methodological Contributions: Information can be valuable for academics to deepen their studies or elaborate new research questions, allowing also to make comparisons between different regions or different time lapse. This study, also, generates insights for the refinement of analyzes and classifications referring to cultural capital and cultural omnivore.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado por Pares
Peer-reviewed Article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.uninove.br/remark/article/view/17619
10.5585/remark.v20i4.17619
url https://periodicos.uninove.br/remark/article/view/17619
identifier_str_mv 10.5585/remark.v20i4.17619
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.uninove.br/remark/article/view/17619/9326
dc.rights.driver.fl_str_mv Direitos autorais 2021 Revista Brasileira de Marketing
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos autorais 2021 Revista Brasileira de Marketing
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Nove de Julho - Uninove
publisher.none.fl_str_mv Universidade Nove de Julho - Uninove
dc.source.none.fl_str_mv ReMark - Revista Brasileira de Marketing; v. 20, n. 4 (2021): (out.dez.); 362 - 392
2177-5184
reponame:REMark - Revista Brasileira de Marketing
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reponame_str REMark - Revista Brasileira de Marketing
collection REMark - Revista Brasileira de Marketing
repository.name.fl_str_mv REMark - Revista Brasileira de Marketing - Universidade Nove de Julho (UNINOVE)
repository.mail.fl_str_mv claudiaraac@uol.com.br || admin@revistabrasileiramarketing.org || admin@revistabrasileiramarketing.org
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