Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | fra |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.2/7095 |
Resumo: | The Censor’s Blue Pen: Works by French Authors Banned in Portugal between 1933 and 1974. The dictatorial regime imposed by the Estado Novo regime in force in Portugal between 1933 and 1974 imposed a severe censorship of publications in general and more specifically to books published in Portugal and abroad. Because of the influence that French culture had, many authors, ancient and contemporary, from Flaubert to Sartre going through Sagan, had their works banned. The reasons for the ban were several: the persecution of the author, the work and sometimes to the editor, as exemplified by Francisco Lyon de Castro and his Europa-América publishing company. Besides the memories of those who directly suffered from censorship, writers, publishers and booksellers, there are other evidences in these legal proceedings instructed by the Black Book about the Fascist regime that published in 1981 Books banned by the fascist regime, censorship circulars and arrest proceedings. The extensive list includes French works in the original language or translated such as Madame Bovary, Bonjour Tristesse or Bel Ami, which will be discussed in more detail in this article, analyzing the circumstances of its prohibitions. If the censorship of the press was systematic and permanent, the book’s was erratic and circumstantial, largely for lack of means and resources as indicated by Álvaro Salvação Barreto, General Director of censorship between 1932 and 1944. Thus, sometimes apparently inexplicably, the same work could be banned and some time later this ban could be lifted, as with Mademoiselle Fifi of Maupassant. |
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Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974CensorshipFrench literature in PortugalEstado novo regimeTranslationThe Censor’s Blue Pen: Works by French Authors Banned in Portugal between 1933 and 1974. The dictatorial regime imposed by the Estado Novo regime in force in Portugal between 1933 and 1974 imposed a severe censorship of publications in general and more specifically to books published in Portugal and abroad. Because of the influence that French culture had, many authors, ancient and contemporary, from Flaubert to Sartre going through Sagan, had their works banned. The reasons for the ban were several: the persecution of the author, the work and sometimes to the editor, as exemplified by Francisco Lyon de Castro and his Europa-América publishing company. Besides the memories of those who directly suffered from censorship, writers, publishers and booksellers, there are other evidences in these legal proceedings instructed by the Black Book about the Fascist regime that published in 1981 Books banned by the fascist regime, censorship circulars and arrest proceedings. The extensive list includes French works in the original language or translated such as Madame Bovary, Bonjour Tristesse or Bel Ami, which will be discussed in more detail in this article, analyzing the circumstances of its prohibitions. If the censorship of the press was systematic and permanent, the book’s was erratic and circumstantial, largely for lack of means and resources as indicated by Álvaro Salvação Barreto, General Director of censorship between 1932 and 1944. Thus, sometimes apparently inexplicably, the same work could be banned and some time later this ban could be lifted, as with Mademoiselle Fifi of Maupassant.University of Tartu PressRepositório AbertoGonçalves, Luís Carlos Pimenta2018-02-09T12:54:02Z2017-092017-09-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.2/7095fraGonçalves, Luís carlos Pimenta - Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974. "Interlitteraria" [Em linha]. ISSN 1406-0701 (Print) 2228-4729 (Online). Vol. 22, nº 1 (2017), p. 66-781406-0701 (Print)https://doi.org/10.12697/IL.2017.22.1.7info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-16T15:26:00Zoai:repositorioaberto.uab.pt:10400.2/7095Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:47:27.152763Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 |
title |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 |
spellingShingle |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 Gonçalves, Luís Carlos Pimenta Censorship French literature in Portugal Estado novo regime Translation |
title_short |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 |
title_full |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 |
title_fullStr |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 |
title_full_unstemmed |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 |
title_sort |
Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974 |
author |
Gonçalves, Luís Carlos Pimenta |
author_facet |
Gonçalves, Luís Carlos Pimenta |
author_role |
author |
dc.contributor.none.fl_str_mv |
Repositório Aberto |
dc.contributor.author.fl_str_mv |
Gonçalves, Luís Carlos Pimenta |
dc.subject.por.fl_str_mv |
Censorship French literature in Portugal Estado novo regime Translation |
topic |
Censorship French literature in Portugal Estado novo regime Translation |
description |
The Censor’s Blue Pen: Works by French Authors Banned in Portugal between 1933 and 1974. The dictatorial regime imposed by the Estado Novo regime in force in Portugal between 1933 and 1974 imposed a severe censorship of publications in general and more specifically to books published in Portugal and abroad. Because of the influence that French culture had, many authors, ancient and contemporary, from Flaubert to Sartre going through Sagan, had their works banned. The reasons for the ban were several: the persecution of the author, the work and sometimes to the editor, as exemplified by Francisco Lyon de Castro and his Europa-América publishing company. Besides the memories of those who directly suffered from censorship, writers, publishers and booksellers, there are other evidences in these legal proceedings instructed by the Black Book about the Fascist regime that published in 1981 Books banned by the fascist regime, censorship circulars and arrest proceedings. The extensive list includes French works in the original language or translated such as Madame Bovary, Bonjour Tristesse or Bel Ami, which will be discussed in more detail in this article, analyzing the circumstances of its prohibitions. If the censorship of the press was systematic and permanent, the book’s was erratic and circumstantial, largely for lack of means and resources as indicated by Álvaro Salvação Barreto, General Director of censorship between 1932 and 1944. Thus, sometimes apparently inexplicably, the same work could be banned and some time later this ban could be lifted, as with Mademoiselle Fifi of Maupassant. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-09 2017-09-01T00:00:00Z 2018-02-09T12:54:02Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.2/7095 |
url |
http://hdl.handle.net/10400.2/7095 |
dc.language.iso.fl_str_mv |
fra |
language |
fra |
dc.relation.none.fl_str_mv |
Gonçalves, Luís carlos Pimenta - Le crayon bleu de la censure : oeuvres d’auteurs français interdites au Portugal entre 1933 et 1974. "Interlitteraria" [Em linha]. ISSN 1406-0701 (Print) 2228-4729 (Online). Vol. 22, nº 1 (2017), p. 66-78 1406-0701 (Print) https://doi.org/10.12697/IL.2017.22.1.7 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
University of Tartu Press |
publisher.none.fl_str_mv |
University of Tartu Press |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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