Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.24840/2183-8976_2019-0004_0001_05 |
Resumo: | This essay analyses a visual reinvention of architecture in media by using Idris Khan’s photographs to show how the expression of a new reality of the Anthropocene changes the experience of architectural space in our collective imagination. From ancient ideas of how to animate form, to attempts by early cinema at decomposing life’s movement, and to the most recent features by groundbreaking digital technologies manipulating visual narratives, the relentless recreation of the world has long been the concern of artistic expression. Could inanimate representations, such as photography, committed to the literal recording of reality as perceived from the eyes of the observer, be considered as a mechanism for animating form? |
id |
RCAP_09c7006e60a9073555eaf04cdeb60da1 |
---|---|
oai_identifier_str |
oai:www.up.pt/revistas:article/221 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographsphotographarchitectureanimate formpre-cinematictimeThis essay analyses a visual reinvention of architecture in media by using Idris Khan’s photographs to show how the expression of a new reality of the Anthropocene changes the experience of architectural space in our collective imagination. From ancient ideas of how to animate form, to attempts by early cinema at decomposing life’s movement, and to the most recent features by groundbreaking digital technologies manipulating visual narratives, the relentless recreation of the world has long been the concern of artistic expression. Could inanimate representations, such as photography, committed to the literal recording of reality as perceived from the eyes of the observer, be considered as a mechanism for animating form?CITYSCOPIO, CULTURAL ASSOCIATION2019-12-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.24840/2183-8976_2019-0004_0001_05https://doi.org/10.24840/2183-8976_2019-0004_0001_05Sophia Journal ; Vol. 4 No. 1 (2019): Visual Spaces of Change: Unveiling the Publicness of Urban Space through Photography and Image ; 18-27Sophia Journal ; Vol. 4 N.º 1 (2019): Visual Spaces of Change: Unveiling the Publicness of Urban Space through Photography and Image ; 18-272183-94682183-897610.24840/2183-8976_2019-0004_0001reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.up.pt/revistas/index.php/sophia/article/view/221https://www.up.pt/revistas/index.php/sophia/article/view/221/325Copyright (c) 2019 Katarina Andjelkovicinfo:eu-repo/semantics/openAccessAndjelkovic, Katarina2023-12-09T05:10:57Zoai:www.up.pt/revistas:article/221Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:41:42.376871Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs |
title |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs |
spellingShingle |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs Andjelkovic, Katarina photograph architecture animate form pre-cinematic time |
title_short |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs |
title_full |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs |
title_fullStr |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs |
title_full_unstemmed |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs |
title_sort |
Visually reinventing architecture in the pre-cinematic scenario of Idris Khan’s photographs |
author |
Andjelkovic, Katarina |
author_facet |
Andjelkovic, Katarina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Andjelkovic, Katarina |
dc.subject.por.fl_str_mv |
photograph architecture animate form pre-cinematic time |
topic |
photograph architecture animate form pre-cinematic time |
description |
This essay analyses a visual reinvention of architecture in media by using Idris Khan’s photographs to show how the expression of a new reality of the Anthropocene changes the experience of architectural space in our collective imagination. From ancient ideas of how to animate form, to attempts by early cinema at decomposing life’s movement, and to the most recent features by groundbreaking digital technologies manipulating visual narratives, the relentless recreation of the world has long been the concern of artistic expression. Could inanimate representations, such as photography, committed to the literal recording of reality as perceived from the eyes of the observer, be considered as a mechanism for animating form? |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.24840/2183-8976_2019-0004_0001_05 https://doi.org/10.24840/2183-8976_2019-0004_0001_05 |
url |
https://doi.org/10.24840/2183-8976_2019-0004_0001_05 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.up.pt/revistas/index.php/sophia/article/view/221 https://www.up.pt/revistas/index.php/sophia/article/view/221/325 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Katarina Andjelkovic info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Katarina Andjelkovic |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
dc.source.none.fl_str_mv |
Sophia Journal ; Vol. 4 No. 1 (2019): Visual Spaces of Change: Unveiling the Publicness of Urban Space through Photography and Image ; 18-27 Sophia Journal ; Vol. 4 N.º 1 (2019): Visual Spaces of Change: Unveiling the Publicness of Urban Space through Photography and Image ; 18-27 2183-9468 2183-8976 10.24840/2183-8976_2019-0004_0001 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799136319485509632 |