Retrofuturismo do processo em animação

Detalhes bibliográficos
Autor(a) principal: Carvalho, Duarte Filipe Neves
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/50543
Resumo: This project has the objective of showing the interaction between new and old animation methods in the production of one animation. The use of new and classical processes isn’t only limited to the physical part of the project but also to the conceptual part. This use of both processes is visible across in theme, story, character and environmental design, among others. As so, all the steps towards the making of the animation are described here. This document that goes along with the animation is divided in main themes: State of the art, The three themes, Pre-production, Production and Post-production. All these themes, except State of the art, consist in the analysis and decomposition of the steps of production. The state of the art, shows what at this time, is made in the field of animation nationally in Portugal and internationally, dividing these into academic, independent animation and industry animation. The three themes are about the appearance of the initial ideas, what are the reasons for the choice of the one developed, and the reasons for the rejections of the others, taking into account time constraints and the connection with the retrofuturism theme. The section of Pre-production has the intention to clarify the whole initial phase of production, identification of cinema genre, the showing and the choice behind all the visual elements that make the animation’s world, production of a storyboard, and the making of an animatic, that makes up a mockup of the animation essential to the whole production. The Production section explains what’s the methodology behind the production, and all the technical knowledge necessary to the making of this animation. Post-production is the section that explains the last steps that consist of the final assembly of the animation
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spelling Retrofuturismo do processo em animaçãoDesenhoAnimaçãoCinema de animaçãoRetrofuturismoArte conceptualDomínio/Área Científica::Humanidades::ArtesThis project has the objective of showing the interaction between new and old animation methods in the production of one animation. The use of new and classical processes isn’t only limited to the physical part of the project but also to the conceptual part. This use of both processes is visible across in theme, story, character and environmental design, among others. As so, all the steps towards the making of the animation are described here. This document that goes along with the animation is divided in main themes: State of the art, The three themes, Pre-production, Production and Post-production. All these themes, except State of the art, consist in the analysis and decomposition of the steps of production. The state of the art, shows what at this time, is made in the field of animation nationally in Portugal and internationally, dividing these into academic, independent animation and industry animation. The three themes are about the appearance of the initial ideas, what are the reasons for the choice of the one developed, and the reasons for the rejections of the others, taking into account time constraints and the connection with the retrofuturism theme. The section of Pre-production has the intention to clarify the whole initial phase of production, identification of cinema genre, the showing and the choice behind all the visual elements that make the animation’s world, production of a storyboard, and the making of an animatic, that makes up a mockup of the animation essential to the whole production. The Production section explains what’s the methodology behind the production, and all the technical knowledge necessary to the making of this animation. Post-production is the section that explains the last steps that consist of the final assembly of the animationCosta, Henrique Prata DiasRepositório da Universidade de LisboaCarvalho, Duarte Filipe Neves2021-12-23T10:20:51Z2021-10-222021-10-22T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/50543TID:202777545porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:54:47Zoai:repositorio.ul.pt:10451/50543Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:01:59.093526Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Retrofuturismo do processo em animação
title Retrofuturismo do processo em animação
spellingShingle Retrofuturismo do processo em animação
Carvalho, Duarte Filipe Neves
Desenho
Animação
Cinema de animação
Retrofuturismo
Arte conceptual
Domínio/Área Científica::Humanidades::Artes
title_short Retrofuturismo do processo em animação
title_full Retrofuturismo do processo em animação
title_fullStr Retrofuturismo do processo em animação
title_full_unstemmed Retrofuturismo do processo em animação
title_sort Retrofuturismo do processo em animação
author Carvalho, Duarte Filipe Neves
author_facet Carvalho, Duarte Filipe Neves
author_role author
dc.contributor.none.fl_str_mv Costa, Henrique Prata Dias
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Carvalho, Duarte Filipe Neves
dc.subject.por.fl_str_mv Desenho
Animação
Cinema de animação
Retrofuturismo
Arte conceptual
Domínio/Área Científica::Humanidades::Artes
topic Desenho
Animação
Cinema de animação
Retrofuturismo
Arte conceptual
Domínio/Área Científica::Humanidades::Artes
description This project has the objective of showing the interaction between new and old animation methods in the production of one animation. The use of new and classical processes isn’t only limited to the physical part of the project but also to the conceptual part. This use of both processes is visible across in theme, story, character and environmental design, among others. As so, all the steps towards the making of the animation are described here. This document that goes along with the animation is divided in main themes: State of the art, The three themes, Pre-production, Production and Post-production. All these themes, except State of the art, consist in the analysis and decomposition of the steps of production. The state of the art, shows what at this time, is made in the field of animation nationally in Portugal and internationally, dividing these into academic, independent animation and industry animation. The three themes are about the appearance of the initial ideas, what are the reasons for the choice of the one developed, and the reasons for the rejections of the others, taking into account time constraints and the connection with the retrofuturism theme. The section of Pre-production has the intention to clarify the whole initial phase of production, identification of cinema genre, the showing and the choice behind all the visual elements that make the animation’s world, production of a storyboard, and the making of an animatic, that makes up a mockup of the animation essential to the whole production. The Production section explains what’s the methodology behind the production, and all the technical knowledge necessary to the making of this animation. Post-production is the section that explains the last steps that consist of the final assembly of the animation
publishDate 2021
dc.date.none.fl_str_mv 2021-12-23T10:20:51Z
2021-10-22
2021-10-22T00:00:00Z
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TID:202777545
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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