Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor
Autor(a) principal: | |
---|---|
Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/1822/54543 |
Resumo: | The Chaconne, the last movement of the partita in D minor for violin solo by Johann Sebastian Bach, has been, to this day, a reference work for violinists; however, over the years, it has also been a subject of interest by numerous leading personalities within the musical sphere, who made several versions for their own instruments. Among the many transcriptions those made for piano stand out, in particular that of Ferruccio Busoni, probably the most universally disseminated. However, this version is often criticized, among other reasons, for allegedly disrespecting the Bachian musical spirit. This article intends to analyze some technical and interpretative solutions (notably through the use of insightful fingering options) that, respecting the magnitude of Busoni 's text, can duly emphasize the original spirit of Bach' s work. |
id |
RCAP_0e4304082dd28eccafbc0f3dfb35a603 |
---|---|
oai_identifier_str |
oai:repositorium.sdum.uminho.pt:1822/54543 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minorBachBusoniChaconneFingeringOriginal spiritHumanidades::ArtesThe Chaconne, the last movement of the partita in D minor for violin solo by Johann Sebastian Bach, has been, to this day, a reference work for violinists; however, over the years, it has also been a subject of interest by numerous leading personalities within the musical sphere, who made several versions for their own instruments. Among the many transcriptions those made for piano stand out, in particular that of Ferruccio Busoni, probably the most universally disseminated. However, this version is often criticized, among other reasons, for allegedly disrespecting the Bachian musical spirit. This article intends to analyze some technical and interpretative solutions (notably through the use of insightful fingering options) that, respecting the magnitude of Busoni 's text, can duly emphasize the original spirit of Bach' s work.info:eu-repo/semantics/publishedVersionUniversidade do MinhoPipa, Luís Filipe Barbosa Loureiro20152015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/1822/54543engPipa, L. (2015) Bach, or Busoni? – How insightful fingering options may enlighten the original spirit of the Chaconne in D minor. Piano Journal no. 106 2015 , pp. 24-28. London: EPTA0267-7253info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-21T12:23:12Zoai:repositorium.sdum.uminho.pt:1822/54543Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T19:16:51.724249Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor |
title |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor |
spellingShingle |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor Pipa, Luís Filipe Barbosa Loureiro Bach Busoni Chaconne Fingering Original spirit Humanidades::Artes |
title_short |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor |
title_full |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor |
title_fullStr |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor |
title_full_unstemmed |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor |
title_sort |
Bach, or Busoni? How insightful fingering options may enlighten the original spirit of the Chaconne in D minor |
author |
Pipa, Luís Filipe Barbosa Loureiro |
author_facet |
Pipa, Luís Filipe Barbosa Loureiro |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade do Minho |
dc.contributor.author.fl_str_mv |
Pipa, Luís Filipe Barbosa Loureiro |
dc.subject.por.fl_str_mv |
Bach Busoni Chaconne Fingering Original spirit Humanidades::Artes |
topic |
Bach Busoni Chaconne Fingering Original spirit Humanidades::Artes |
description |
The Chaconne, the last movement of the partita in D minor for violin solo by Johann Sebastian Bach, has been, to this day, a reference work for violinists; however, over the years, it has also been a subject of interest by numerous leading personalities within the musical sphere, who made several versions for their own instruments. Among the many transcriptions those made for piano stand out, in particular that of Ferruccio Busoni, probably the most universally disseminated. However, this version is often criticized, among other reasons, for allegedly disrespecting the Bachian musical spirit. This article intends to analyze some technical and interpretative solutions (notably through the use of insightful fingering options) that, respecting the magnitude of Busoni 's text, can duly emphasize the original spirit of Bach' s work. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015 2015-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/1822/54543 |
url |
http://hdl.handle.net/1822/54543 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Pipa, L. (2015) Bach, or Busoni? – How insightful fingering options may enlighten the original spirit of the Chaconne in D minor. Piano Journal no. 106 2015 , pp. 24-28. London: EPTA 0267-7253 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799132619238014976 |