Diante - dentro : distância e aproximação como revelação e deformação

• Autor(a) principal: Salgueiro, Maria Madalena Marques Cabica de Oliveira
• Data de Publicação: 2022
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://hdl.handle.net/10451/53301
• topic: Imagem e movimento; Distância; Aproximação; Visibilidade; Velocidade; Zoom (Cinema); Cinema; Escultura; Projeto Zoom in, Zoom out; Domínio/Área Científica::Humanidades::Artes

Starting from the development of a set of videos that show a continuous zoom towards or from different windows, this research work explores the way in which the movements of approaching or distancing affect the way we observe something. Playing with the observer and the observed, we explore what happens in the distance between them. Based on Georges Didi-Huberman's work What We See Looks Back at Us, we approach the issue of the visible and how we interpret it beyond it, reflecting on how distance can be a way of building an idea. The window, as an architectural element that separates a public from a private space, allows us both to observe the outside and to imagine what is happening inside. By seeing beyond the visible, the gaze we cast on something can also be returned to us, creating a back-and-forth movement that connects to the zoom in and zoom out technique. The movement of approximation or distancing is also analysed in other references, where the work Wavelength by Michael Snow stands out. Confronting audio-visual and sculptural works that contain or propose movements of approximation and distancing, we will question how distance can reveal as much or more than approximation.