Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.51427/cet.sdc.2021.0012 |
Resumo: | Despite the late consolidation of improvisation theatre in the country, the Portuguese artistic scene has seen the emergence in the last two decades of several impro companies with different approaches – many of them acquiring significant recognition among the public. However, the mapping of this practice and its relationship with the historical‑cultural Framework with which it is necessarily linked was never done before. This article contributes to fill this gap, not only tracing its genealogy in the context of contemporary history of the performing arts in Portugal, but also in the wider context of Portuguese socio‑cultural development since the Revolution of April 25, 1974. More specifically, the research in which this article is based upon allowed us to identify a significant correlation between the process of theatrical renovation initiated by the generation of the 1990s and the precursors of this genre in Portugal. In this context, it stands out the role of Companhia do Chapitô, which inspired and provided the technical bases for many of the actors who later would dedicate themselves to the development of impro theatre. Following the genealogy review of this genre in Portugal, this article also contributes to the reflection on the nature of the dialogue that is established between the practice of impro and the cultural and political framework in which it manifests itself. IMPROV THEATER / IMPROVISATION / BODY / PORTUGUESE “GENERATION WITHOUT BORDERS ” / 1990S GENERATION |
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Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990sGenealogia do teatro de improviso em Portugal: as sementes lançadas pela «geração sem fronteiras» dos anos 90Improv theatreImprovisationBodyPortuguese "Generation without borders"1990s generationTeatro de improvisoImprovisaçãoCorpoGeração portuguesa sem fronteirasGeração dos anos 90Despite the late consolidation of improvisation theatre in the country, the Portuguese artistic scene has seen the emergence in the last two decades of several impro companies with different approaches – many of them acquiring significant recognition among the public. However, the mapping of this practice and its relationship with the historical‑cultural Framework with which it is necessarily linked was never done before. This article contributes to fill this gap, not only tracing its genealogy in the context of contemporary history of the performing arts in Portugal, but also in the wider context of Portuguese socio‑cultural development since the Revolution of April 25, 1974. More specifically, the research in which this article is based upon allowed us to identify a significant correlation between the process of theatrical renovation initiated by the generation of the 1990s and the precursors of this genre in Portugal. In this context, it stands out the role of Companhia do Chapitô, which inspired and provided the technical bases for many of the actors who later would dedicate themselves to the development of impro theatre. Following the genealogy review of this genre in Portugal, this article also contributes to the reflection on the nature of the dialogue that is established between the practice of impro and the cultural and political framework in which it manifests itself. IMPROV THEATER / IMPROVISATION / BODY / PORTUGUESE “GENERATION WITHOUT BORDERS ” / 1990S GENERATIONApesar da consolidação tardia do teatro de improvisação no país, a cena artística portuguesa viu surgir nas últimas duas décadas várias companhias de improvisação com abordagens diferentes - muitas delas adquirindo um reconhecimento significativo entre o público. No entanto, o mapeamento desta prática e a sua relação com o quadro histórico-cultural com o qual está necessariamente ligada nunca foi feito antes. Este artigo contribui para preencher esta lacuna, não só traçando a sua genealogia no contexto da história contemporânea das artes performativas em Portugal, mas também no contexto mais vasto do desenvolvimento sócio-cultural português desde a Revolução de 25 de Abril de 1974. Mais especificamente, a investigação em que este artigo se baseia permitiu-nos identificar uma correlação significativa entre o processo de renovação teatral iniciado pela geração dos anos 90 e os precursores deste género em Portugal. Neste contexto, destaca-se o papel da Companhia do Chapitô, que inspirou e forneceu as bases técnicas para muitos dos actores que mais tarde se dedicariam ao desenvolvimento do teatro improvisado. Na sequência da revisão genealógica deste género em Portugal, este artigo contribui também para a reflexão sobre a natureza do diálogo que se estabelece entre a prática do impro e o quadro cultural e político em que este se manifesta. TEATRO DE MELHORIA / IMPROVISAÇÃO / CORPO / PORTUGUÊS "GERAÇÃO SEM FRONTEIRAS" / GERAÇÃO DE 1990 Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2021-04-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2021.0012https://doi.org/10.51427/cet.sdc.2021.0012Sinais de Cena; 2nd series, nr. 5 (2021); 180-196Sinais de Cena; 2e série, n°5 (2021); 180-196Sinais de Cena; 2.ª série, n.º 5 (2021); 180-1962184-95521646-0715reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/sdc/article/view/24813https://revistas.rcaap.pt/sdc/article/view/24813/18284Direitos de Autor (c) 2021 Zeca Carvalho, Gustavo Vicenteinfo:eu-repo/semantics/openAccessCarvalho, ZecaVicente, Gustavo2023-09-23T05:43:12Zoai:ojs.revistas.rcaap.pt:article/24813Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:38:01.786370Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s Genealogia do teatro de improviso em Portugal: as sementes lançadas pela «geração sem fronteiras» dos anos 90 |
title |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s |
spellingShingle |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s Carvalho, Zeca Improv theatre Improvisation Body Portuguese "Generation without borders" 1990s generation Teatro de improviso Improvisação Corpo Geração portuguesa sem fronteiras Geração dos anos 90 |
title_short |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s |
title_full |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s |
title_fullStr |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s |
title_full_unstemmed |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s |
title_sort |
Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s |
author |
Carvalho, Zeca |
author_facet |
Carvalho, Zeca Vicente, Gustavo |
author_role |
author |
author2 |
Vicente, Gustavo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Carvalho, Zeca Vicente, Gustavo |
dc.subject.por.fl_str_mv |
Improv theatre Improvisation Body Portuguese "Generation without borders" 1990s generation Teatro de improviso Improvisação Corpo Geração portuguesa sem fronteiras Geração dos anos 90 |
topic |
Improv theatre Improvisation Body Portuguese "Generation without borders" 1990s generation Teatro de improviso Improvisação Corpo Geração portuguesa sem fronteiras Geração dos anos 90 |
description |
Despite the late consolidation of improvisation theatre in the country, the Portuguese artistic scene has seen the emergence in the last two decades of several impro companies with different approaches – many of them acquiring significant recognition among the public. However, the mapping of this practice and its relationship with the historical‑cultural Framework with which it is necessarily linked was never done before. This article contributes to fill this gap, not only tracing its genealogy in the context of contemporary history of the performing arts in Portugal, but also in the wider context of Portuguese socio‑cultural development since the Revolution of April 25, 1974. More specifically, the research in which this article is based upon allowed us to identify a significant correlation between the process of theatrical renovation initiated by the generation of the 1990s and the precursors of this genre in Portugal. In this context, it stands out the role of Companhia do Chapitô, which inspired and provided the technical bases for many of the actors who later would dedicate themselves to the development of impro theatre. Following the genealogy review of this genre in Portugal, this article also contributes to the reflection on the nature of the dialogue that is established between the practice of impro and the cultural and political framework in which it manifests itself. IMPROV THEATER / IMPROVISATION / BODY / PORTUGUESE “GENERATION WITHOUT BORDERS ” / 1990S GENERATION |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.51427/cet.sdc.2021.0012 https://doi.org/10.51427/cet.sdc.2021.0012 |
url |
https://doi.org/10.51427/cet.sdc.2021.0012 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.rcaap.pt/sdc/article/view/24813 https://revistas.rcaap.pt/sdc/article/view/24813/18284 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2021 Zeca Carvalho, Gustavo Vicente info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2021 Zeca Carvalho, Gustavo Vicente |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa |
publisher.none.fl_str_mv |
Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa |
dc.source.none.fl_str_mv |
Sinais de Cena; 2nd series, nr. 5 (2021); 180-196 Sinais de Cena; 2e série, n°5 (2021); 180-196 Sinais de Cena; 2.ª série, n.º 5 (2021); 180-196 2184-9552 1646-0715 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799130243381854208 |