Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s

Detalhes bibliográficos
Autor(a) principal: Carvalho, Zeca
Data de Publicação: 2021
Outros Autores: Vicente, Gustavo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.51427/cet.sdc.2021.0012
Resumo: Despite the late consolidation of improvisation theatre in the country, the Portuguese artistic scene has seen the emergence in the last two decades of several impro companies with different approaches – many of them acquiring significant recognition among the public. However, the mapping of this practice and its relationship with the historical‑cultural Framework with which it is necessarily linked was never done before. This article contributes to fill this gap, not only tracing its genealogy in the context of contemporary history of the performing arts in Portugal, but also in the wider context of Portuguese socio‑cultural development since the Revolution of April 25, 1974. More specifically, the research in which this article is based upon allowed us to identify a significant correlation between the process of theatrical renovation initiated by the generation of the 1990s and the precursors of this genre in Portugal. In this context, it stands out the role of Companhia do Chapitô, which inspired and provided the technical bases for many of the actors who later would dedicate themselves to the development of impro theatre. Following the genealogy review of this genre in Portugal, this article also contributes to the reflection on the nature of the dialogue that is established between the practice of impro and the cultural and political framework in which it manifests itself.   IMPROV THEATER / IMPROVISATION / BODY / PORTUGUESE “GENERATION WITHOUT BORDERS ” / 1990S GENERATION
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spelling Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990sGenealogia do teatro de improviso em Portugal: as sementes lançadas pela «geração sem fronteiras» dos anos 90Improv theatreImprovisationBodyPortuguese "Generation without borders"1990s generationTeatro de improvisoImprovisaçãoCorpoGeração portuguesa sem fronteirasGeração dos anos 90Despite the late consolidation of improvisation theatre in the country, the Portuguese artistic scene has seen the emergence in the last two decades of several impro companies with different approaches – many of them acquiring significant recognition among the public. However, the mapping of this practice and its relationship with the historical‑cultural Framework with which it is necessarily linked was never done before. This article contributes to fill this gap, not only tracing its genealogy in the context of contemporary history of the performing arts in Portugal, but also in the wider context of Portuguese socio‑cultural development since the Revolution of April 25, 1974. More specifically, the research in which this article is based upon allowed us to identify a significant correlation between the process of theatrical renovation initiated by the generation of the 1990s and the precursors of this genre in Portugal. In this context, it stands out the role of Companhia do Chapitô, which inspired and provided the technical bases for many of the actors who later would dedicate themselves to the development of impro theatre. Following the genealogy review of this genre in Portugal, this article also contributes to the reflection on the nature of the dialogue that is established between the practice of impro and the cultural and political framework in which it manifests itself.   IMPROV THEATER / IMPROVISATION / BODY / PORTUGUESE “GENERATION WITHOUT BORDERS ” / 1990S GENERATIONApesar da consolidação tardia do teatro de improvisação no país, a cena artística portuguesa viu surgir nas últimas duas décadas várias companhias de improvisação com abordagens diferentes - muitas delas adquirindo um reconhecimento significativo entre o público. No entanto, o mapeamento desta prática e a sua relação com o quadro histórico-cultural com o qual está necessariamente ligada nunca foi feito antes. Este artigo contribui para preencher esta lacuna, não só traçando a sua genealogia no contexto da história contemporânea das artes performativas em Portugal, mas também no contexto mais vasto do desenvolvimento sócio-cultural português desde a Revolução de 25 de Abril de 1974. Mais especificamente, a investigação em que este artigo se baseia permitiu-nos identificar uma correlação significativa entre o processo de renovação teatral iniciado pela geração dos anos 90 e os precursores deste género em Portugal. Neste contexto, destaca-se o papel da Companhia do Chapitô, que inspirou e forneceu as bases técnicas para muitos dos actores que mais tarde se dedicariam ao desenvolvimento do teatro improvisado. Na sequência da revisão genealógica deste género em Portugal, este artigo contribui também para a reflexão sobre a natureza do diálogo que se estabelece entre a prática do impro e o quadro cultural e político em que este se manifesta.   TEATRO DE MELHORIA / IMPROVISAÇÃO / CORPO / PORTUGUÊS "GERAÇÃO SEM FRONTEIRAS" / GERAÇÃO DE 1990    Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa2021-04-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.51427/cet.sdc.2021.0012https://doi.org/10.51427/cet.sdc.2021.0012Sinais de Cena; 2nd series, nr. 5 (2021); 180-196Sinais de Cena; 2e série, n°5 (2021); 180-196Sinais de Cena; 2.ª série, n.º 5 (2021); 180-1962184-95521646-0715reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.rcaap.pt/sdc/article/view/24813https://revistas.rcaap.pt/sdc/article/view/24813/18284Direitos de Autor (c) 2021 Zeca Carvalho, Gustavo Vicenteinfo:eu-repo/semantics/openAccessCarvalho, ZecaVicente, Gustavo2023-09-23T05:43:12Zoai:ojs.revistas.rcaap.pt:article/24813Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:38:01.786370Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
Genealogia do teatro de improviso em Portugal: as sementes lançadas pela «geração sem fronteiras» dos anos 90
title Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
spellingShingle Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
Carvalho, Zeca
Improv theatre
Improvisation
Body
Portuguese "Generation without borders"
1990s generation
Teatro de improviso
Improvisação
Corpo
Geração portuguesa sem fronteiras
Geração dos anos 90
title_short Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
title_full Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
title_fullStr Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
title_full_unstemmed Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
title_sort Genealogy of improvisational theatre in Portugal: the seeds sown by the "generation without borders" of the 1990s
author Carvalho, Zeca
author_facet Carvalho, Zeca
Vicente, Gustavo
author_role author
author2 Vicente, Gustavo
author2_role author
dc.contributor.author.fl_str_mv Carvalho, Zeca
Vicente, Gustavo
dc.subject.por.fl_str_mv Improv theatre
Improvisation
Body
Portuguese "Generation without borders"
1990s generation
Teatro de improviso
Improvisação
Corpo
Geração portuguesa sem fronteiras
Geração dos anos 90
topic Improv theatre
Improvisation
Body
Portuguese "Generation without borders"
1990s generation
Teatro de improviso
Improvisação
Corpo
Geração portuguesa sem fronteiras
Geração dos anos 90
description Despite the late consolidation of improvisation theatre in the country, the Portuguese artistic scene has seen the emergence in the last two decades of several impro companies with different approaches – many of them acquiring significant recognition among the public. However, the mapping of this practice and its relationship with the historical‑cultural Framework with which it is necessarily linked was never done before. This article contributes to fill this gap, not only tracing its genealogy in the context of contemporary history of the performing arts in Portugal, but also in the wider context of Portuguese socio‑cultural development since the Revolution of April 25, 1974. More specifically, the research in which this article is based upon allowed us to identify a significant correlation between the process of theatrical renovation initiated by the generation of the 1990s and the precursors of this genre in Portugal. In this context, it stands out the role of Companhia do Chapitô, which inspired and provided the technical bases for many of the actors who later would dedicate themselves to the development of impro theatre. Following the genealogy review of this genre in Portugal, this article also contributes to the reflection on the nature of the dialogue that is established between the practice of impro and the cultural and political framework in which it manifests itself.   IMPROV THEATER / IMPROVISATION / BODY / PORTUGUESE “GENERATION WITHOUT BORDERS ” / 1990S GENERATION
publishDate 2021
dc.date.none.fl_str_mv 2021-04-01
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.51427/cet.sdc.2021.0012
https://doi.org/10.51427/cet.sdc.2021.0012
url https://doi.org/10.51427/cet.sdc.2021.0012
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.rcaap.pt/sdc/article/view/24813
https://revistas.rcaap.pt/sdc/article/view/24813/18284
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2021 Zeca Carvalho, Gustavo Vicente
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2021 Zeca Carvalho, Gustavo Vicente
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
publisher.none.fl_str_mv Centro de Estudos de Teatro da Faculdade de Letras da Universidade de Lisboa
dc.source.none.fl_str_mv Sinais de Cena; 2nd series, nr. 5 (2021); 180-196
Sinais de Cena; 2e série, n°5 (2021); 180-196
Sinais de Cena; 2.ª série, n.º 5 (2021); 180-196
2184-9552
1646-0715
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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