Problem-based learning: composing in the classroom as a music learning challenge
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10773/40335 |
Resumo: | Problem-based Learning (PBL), one of the most widespread student-centered teaching models,prioritizescooperative and challenge-based learning,withteachers actingas "facilitators", andformative assessmentprocesses. In music, the search for ways to enhance the (co)construction of learning and complementary responses to expository methods resonates with composition centered proposals,with some incorporated intoMusic Education curricula as in the Portuguese case. What characterizes PBL, what data exists on its application and what links can we establish with musical learning to systematize its implementation and study through composition reflectthe questions motivatingthis literature review. Thinking in sound, thinking in music, holistic learning, creative thinking,providethe constructs and references through which we discuss the foundations of thismodel. The summaries, in turn, produce the following conclusions: the study of PBL generates both benefits and constraints, and research on its theoretical principles continues to be far more abundant; composition initself represents a problem-solving process, and musical learning through composition, when viewed according to the aforementioned constructs, can take shape in a way that aligns with PBL;itworksas a guiding model for musical and educational planning, action and research, particularly through composition. |
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Problem-based learning: composing in the classroom as a music learning challengeProblem-based learningCooperative learningMusic educationMusical compositionProblem-based Learning (PBL), one of the most widespread student-centered teaching models,prioritizescooperative and challenge-based learning,withteachers actingas "facilitators", andformative assessmentprocesses. In music, the search for ways to enhance the (co)construction of learning and complementary responses to expository methods resonates with composition centered proposals,with some incorporated intoMusic Education curricula as in the Portuguese case. What characterizes PBL, what data exists on its application and what links can we establish with musical learning to systematize its implementation and study through composition reflectthe questions motivatingthis literature review. Thinking in sound, thinking in music, holistic learning, creative thinking,providethe constructs and references through which we discuss the foundations of thismodel. The summaries, in turn, produce the following conclusions: the study of PBL generates both benefits and constraints, and research on its theoretical principles continues to be far more abundant; composition initself represents a problem-solving process, and musical learning through composition, when viewed according to the aforementioned constructs, can take shape in a way that aligns with PBL;itworksas a guiding model for musical and educational planning, action and research, particularly through composition.El Aprendizaje Basado en Problemas (ABP), uno de los modelos centrados en el estudiante, prioriza el aprendizaje cooperativo/basado en desafíos, los docentes como “facilitadores”yprocesos de evaluación formativa. En música, la búsqueda de formas para mejorar la (co)construcción del aprendizaje y respuestas complementarias a los métodos expositivos resuena con propuestas decomposición, algunas de las cuales se han incorporado en los planes de estudios de Educación Musicalen Portugal. Lo que caracteriza el ABP, qué datos existen sobre su aplicación y qué vínculos podemos establecer con el aprendizaje musical para sistematizar su implementación y estudio a través de la composición reflejan las preguntas deesta revisión bibliográfica. Pensar en el sonido/música, aprendizaje holístico, pensamiento creativo,proporcionan los conceptos a través de los cuales discutimos los fundamentos delmodelo. Los resúmenes generan las siguientesconclusiones: el estudio del ABP arrojatanto beneficios como limitaciones, y la investigación sobre sus principios teóricos es más abundante; la composición representa un proceso de resolución de problemas, y el aprendizaje musical a través de la composiciónpuede tomar forma que se alinee con el ABP; el ABP funciona como un modelo orientador para la planificación, acción e investigación musical/educativa, particularmente a través de la composición.University of Valencia2023-01-01T00:00:00Z2023-01-01T00:00:00Z2023info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttp://hdl.handle.net/10773/40335eng1575-956310.7203/LEEME.52.26865Vasconcelos, Maria JoãoCaspurro, HelenaCosta, Nilzainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-03-04T01:45:54Zoai:ria.ua.pt:10773/40335Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T03:10:13.201892Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Problem-based learning: composing in the classroom as a music learning challenge |
title |
Problem-based learning: composing in the classroom as a music learning challenge |
spellingShingle |
Problem-based learning: composing in the classroom as a music learning challenge Vasconcelos, Maria João Problem-based learning Cooperative learning Music education Musical composition |
title_short |
Problem-based learning: composing in the classroom as a music learning challenge |
title_full |
Problem-based learning: composing in the classroom as a music learning challenge |
title_fullStr |
Problem-based learning: composing in the classroom as a music learning challenge |
title_full_unstemmed |
Problem-based learning: composing in the classroom as a music learning challenge |
title_sort |
Problem-based learning: composing in the classroom as a music learning challenge |
author |
Vasconcelos, Maria João |
author_facet |
Vasconcelos, Maria João Caspurro, Helena Costa, Nilza |
author_role |
author |
author2 |
Caspurro, Helena Costa, Nilza |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Vasconcelos, Maria João Caspurro, Helena Costa, Nilza |
dc.subject.por.fl_str_mv |
Problem-based learning Cooperative learning Music education Musical composition |
topic |
Problem-based learning Cooperative learning Music education Musical composition |
description |
Problem-based Learning (PBL), one of the most widespread student-centered teaching models,prioritizescooperative and challenge-based learning,withteachers actingas "facilitators", andformative assessmentprocesses. In music, the search for ways to enhance the (co)construction of learning and complementary responses to expository methods resonates with composition centered proposals,with some incorporated intoMusic Education curricula as in the Portuguese case. What characterizes PBL, what data exists on its application and what links can we establish with musical learning to systematize its implementation and study through composition reflectthe questions motivatingthis literature review. Thinking in sound, thinking in music, holistic learning, creative thinking,providethe constructs and references through which we discuss the foundations of thismodel. The summaries, in turn, produce the following conclusions: the study of PBL generates both benefits and constraints, and research on its theoretical principles continues to be far more abundant; composition initself represents a problem-solving process, and musical learning through composition, when viewed according to the aforementioned constructs, can take shape in a way that aligns with PBL;itworksas a guiding model for musical and educational planning, action and research, particularly through composition. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-01-01T00:00:00Z 2023-01-01T00:00:00Z 2023 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10773/40335 |
url |
http://hdl.handle.net/10773/40335 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
1575-9563 10.7203/LEEME.52.26865 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
University of Valencia |
publisher.none.fl_str_mv |
University of Valencia |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799137751938891776 |