Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century

Detalhes bibliográficos
Autor(a) principal: Saffer, Greta Stephanie
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/33434
Resumo: This report corresponds to a six-month internship, which took place from September 1st, 2019 to February 29th, 2020, in the marketing department of Saffer Wein GmbH in Munich, Germany. The aim of this report is to investigate how a well-established wine importer like Saffer Wein GmbH treats wine as a cultural product. Using Goode and Harrop’s definition of authentic wine, and the official OIV term terroir, this report discusses the immaterial elements of wine in the context of cultural marketing. Beginning with the contextualization of wine as a cultural product through Hall and du Gay’s circuit of culture, this research analyses the culture of wine through the circuit’s five moments of production, representation, consumption, regulation and identity, concentrating specifically on Italian wine as a cultural product in the German market. My internship involved developing a cultural marketing program that communicated the intangible cultural elements of Italian wine to German consumers, who have recently become interested in the cultural components of their products. This awareness is a relatively new phenomenon in Germany, and goes hand-in-hand with an increased awareness of sustainability, all of which is part of an evolution towards aesthetics and specialization within contemporary consumption. This report investigates the role of culture in the appreciation of wine, and how Saffer Wein GmbH integrates this phenomenon into their marketing strategy. So how can wine importers respond to these evolving expectations and demands? What responsibilities do importers have to both producers and customers, to preserve and support the heritage of the former, and to educate the latter? These questions will be explored in the case study of Bertoldi Prosecco. Ultimately, this report makes the case for cultural marketing as a form of cultural translation, responding to the needs of the market and the ethics of the consumer.
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spelling Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st centuryWine as a cultural phenomenonSustainabilityAuthenticityWine tradeItalian wineGerman distributionCircuit of cultureAestheticization of consumptionProseccoSaffer wein GmbHO vinho como fenómeno culturalSustentabilidadeAutenticidadeComércio de vinhoVinho italianoDistribuidor alemãoCircuito da culturaEstetização do consumoDomínio/Área Científica::Ciências Sociais::SociologiaThis report corresponds to a six-month internship, which took place from September 1st, 2019 to February 29th, 2020, in the marketing department of Saffer Wein GmbH in Munich, Germany. The aim of this report is to investigate how a well-established wine importer like Saffer Wein GmbH treats wine as a cultural product. Using Goode and Harrop’s definition of authentic wine, and the official OIV term terroir, this report discusses the immaterial elements of wine in the context of cultural marketing. Beginning with the contextualization of wine as a cultural product through Hall and du Gay’s circuit of culture, this research analyses the culture of wine through the circuit’s five moments of production, representation, consumption, regulation and identity, concentrating specifically on Italian wine as a cultural product in the German market. My internship involved developing a cultural marketing program that communicated the intangible cultural elements of Italian wine to German consumers, who have recently become interested in the cultural components of their products. This awareness is a relatively new phenomenon in Germany, and goes hand-in-hand with an increased awareness of sustainability, all of which is part of an evolution towards aesthetics and specialization within contemporary consumption. This report investigates the role of culture in the appreciation of wine, and how Saffer Wein GmbH integrates this phenomenon into their marketing strategy. So how can wine importers respond to these evolving expectations and demands? What responsibilities do importers have to both producers and customers, to preserve and support the heritage of the former, and to educate the latter? These questions will be explored in the case study of Bertoldi Prosecco. Ultimately, this report makes the case for cultural marketing as a form of cultural translation, responding to the needs of the market and the ethics of the consumer.Este relatório corresponde a um estágio de seis meses, realizado entre 1 de Setembro de 2019 e 29 de Fevereiro de 2020, no departamento de marketing de Saffer Wein GmbH, em Munique, na Alemanha. O objectivo do relatório foi investigar o modo como um conhecido importador de vinhos como Saffer Wein GmbH trata o vinho como um produto cultural. Usando a definição de vinho autêntico apresentada por Goode e Harrop, bem como o termo oficial terroir da OIV (The International Organisation of Vine and Wine), o relatório discute os elementos imateriais do vinho no contexto do marketing cultural. Começando com uma contextualização do vinho como produto, ou objecto, cultural, através do uso da ferramenta circuito da cultura desenvolvida por Stuart Hall e Paul du Gay, esta investigação analisa a cultura do vinho através dos cinco momentos do circuito – produção, representação, consumo, regulação e identidade – concentrando-se especificamente em vinhos italianos como produtos culturais no mercado alemão. O meu estágio incluiu o desenvolvimento de um programa de marketing cultural que comunicasse os elementos culturais intangíveis do vinho italiano aos consumidores alemães, que começaram, recentemente, a manifestar interesse pela componente cultural dos seus produtos. Este interesse é um fenómeno relativamente novo na Alemanha e acompanha o crescente interesse pela sustentabilidade, fazendo ambos parte de uma evolução em direção a um interesse pela estética e especialização no contexto do consumo contemporâneo. Este relatório investiga o papel da cultura na apreciação do vinho e como Saffer Wein GmbH integra esse fenómeno na sua estratégia de marketing. Como podem, então, os importadores de vinho dar resposta a estas expectativas e exigências? Que responsabilidades têm para com os produtores e consumidores, a fim de preservar e apoiar o património dos primeiros e educar os segundos? Estas questões serão exploradas através do estudo de caso do Bertoldi Prosecco. Em última instância, este relatório advoga o marketing cultural como uma forma de tradução cultural, dando resposta às necessidades do mercado e à ética do consumidor.Barba, Maria Luísa Homem Leal de Faria GeraldesVeritati - Repositório Institucional da Universidade Católica PortuguesaSaffer, Greta Stephanie2021-06-04T14:10:30Z2021-01-2220202021-01-22T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/10400.14/33434TID:202723887enginfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:39:05Zoai:repositorio.ucp.pt:10400.14/33434Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:27:11.307509Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
title Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
spellingShingle Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
Saffer, Greta Stephanie
Wine as a cultural phenomenon
Sustainability
Authenticity
Wine trade
Italian wine
German distribution
Circuit of culture
Aestheticization of consumption
Prosecco
Saffer wein GmbH
O vinho como fenómeno cultural
Sustentabilidade
Autenticidade
Comércio de vinho
Vinho italiano
Distribuidor alemão
Circuito da cultura
Estetização do consumo
Domínio/Área Científica::Ciências Sociais::Sociologia
title_short Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
title_full Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
title_fullStr Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
title_full_unstemmed Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
title_sort Wine in the circuit of culture : "authentic wines" as cultural objects in the 21st century
author Saffer, Greta Stephanie
author_facet Saffer, Greta Stephanie
author_role author
dc.contributor.none.fl_str_mv Barba, Maria Luísa Homem Leal de Faria Geraldes
Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Saffer, Greta Stephanie
dc.subject.por.fl_str_mv Wine as a cultural phenomenon
Sustainability
Authenticity
Wine trade
Italian wine
German distribution
Circuit of culture
Aestheticization of consumption
Prosecco
Saffer wein GmbH
O vinho como fenómeno cultural
Sustentabilidade
Autenticidade
Comércio de vinho
Vinho italiano
Distribuidor alemão
Circuito da cultura
Estetização do consumo
Domínio/Área Científica::Ciências Sociais::Sociologia
topic Wine as a cultural phenomenon
Sustainability
Authenticity
Wine trade
Italian wine
German distribution
Circuit of culture
Aestheticization of consumption
Prosecco
Saffer wein GmbH
O vinho como fenómeno cultural
Sustentabilidade
Autenticidade
Comércio de vinho
Vinho italiano
Distribuidor alemão
Circuito da cultura
Estetização do consumo
Domínio/Área Científica::Ciências Sociais::Sociologia
description This report corresponds to a six-month internship, which took place from September 1st, 2019 to February 29th, 2020, in the marketing department of Saffer Wein GmbH in Munich, Germany. The aim of this report is to investigate how a well-established wine importer like Saffer Wein GmbH treats wine as a cultural product. Using Goode and Harrop’s definition of authentic wine, and the official OIV term terroir, this report discusses the immaterial elements of wine in the context of cultural marketing. Beginning with the contextualization of wine as a cultural product through Hall and du Gay’s circuit of culture, this research analyses the culture of wine through the circuit’s five moments of production, representation, consumption, regulation and identity, concentrating specifically on Italian wine as a cultural product in the German market. My internship involved developing a cultural marketing program that communicated the intangible cultural elements of Italian wine to German consumers, who have recently become interested in the cultural components of their products. This awareness is a relatively new phenomenon in Germany, and goes hand-in-hand with an increased awareness of sustainability, all of which is part of an evolution towards aesthetics and specialization within contemporary consumption. This report investigates the role of culture in the appreciation of wine, and how Saffer Wein GmbH integrates this phenomenon into their marketing strategy. So how can wine importers respond to these evolving expectations and demands? What responsibilities do importers have to both producers and customers, to preserve and support the heritage of the former, and to educate the latter? These questions will be explored in the case study of Bertoldi Prosecco. Ultimately, this report makes the case for cultural marketing as a form of cultural translation, responding to the needs of the market and the ethics of the consumer.
publishDate 2020
dc.date.none.fl_str_mv 2020
2021-06-04T14:10:30Z
2021-01-22
2021-01-22T00:00:00Z
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