Metacinema: thinking about film literacy in Portuguese schools
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34632/investigacaoeducacional.2022.11742 |
Resumo: | The filmic languages that dominate most of today mediated content – consumed, produced and distributed in the digital circuits of technologically developed societies – represent a large (if not the largest) slice in the everyday of people in terms of time retention. Especially for the younger ones, and more permeable to the powerful effects of moving images, cinema became a means of escapism and catharsis, decisive for their cultural structure. However, the Education through and with Cinema has not been a priority area in the Portuguese national curriculum, not having the same weight as other artistic expressions such as Musical, Physical-Motor and even the Dramatic ones. It is with the structuring and dissemination of the National Cinema Plan that this reality begins to change, with this protocol, in 2021, promoted in a dispatch within a decade by the government. In order to evaluate the impact of moving images on the habits and practices of children and adolescents, a school-session called METACINEMA was designed which took its pilot in six cities, reaching more than 1000 students and teachers. It was possible to verify, among other fragilities, that students often watch content rated higher than their age without parental control or monitoring, which often results in ambiguities, distortions and fears, shared during this activity. As a complement, a review of the newsletters of the National Cinema Plan was undertaken, with the purpose of identifying initiatives that report pedagogical work of deconstruction and reframing in this field. |
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Metacinema: thinking about film literacy in Portuguese schoolsMetacinema: reflexões de uma atividade de literacia para o cinema em escolas portuguesasThe filmic languages that dominate most of today mediated content – consumed, produced and distributed in the digital circuits of technologically developed societies – represent a large (if not the largest) slice in the everyday of people in terms of time retention. Especially for the younger ones, and more permeable to the powerful effects of moving images, cinema became a means of escapism and catharsis, decisive for their cultural structure. However, the Education through and with Cinema has not been a priority area in the Portuguese national curriculum, not having the same weight as other artistic expressions such as Musical, Physical-Motor and even the Dramatic ones. It is with the structuring and dissemination of the National Cinema Plan that this reality begins to change, with this protocol, in 2021, promoted in a dispatch within a decade by the government. In order to evaluate the impact of moving images on the habits and practices of children and adolescents, a school-session called METACINEMA was designed which took its pilot in six cities, reaching more than 1000 students and teachers. It was possible to verify, among other fragilities, that students often watch content rated higher than their age without parental control or monitoring, which often results in ambiguities, distortions and fears, shared during this activity. As a complement, a review of the newsletters of the National Cinema Plan was undertaken, with the purpose of identifying initiatives that report pedagogical work of deconstruction and reframing in this field.As linguagens fílmicas que dominam hoje a maioria dos conteúdos mediatizados – consumidos, produzidos e distribuídos nos circuitos digitais das sociedades tecnologicamente desenvolvidas – representam na vida dos indivíduos uma larga fatia (se não a maior) no que à retenção de tempo diz respeito. Sobretudo para as camadas mais jovens, e mais permeáveis aos poderosos efeitos das imagens em movimento, o cinema tornou-se um meio de escapismo e catarse, determinante para a sua estruturação cultural. Não obstante, a Literacia para o Cinema não tem sido uma área priorizada no currículo nacional, não tendo o mesmo peso que têm outras expressões artísticas como a musical, a físico-motora e até a dramática. É com a estruturação e disseminação do Plano Nacional de Cinema que esta realidade começa a mudar, sendo este protocolo, em 2021, promovido em despacho no horizonte de uma década pelo Governo português. Por forma a auscultar o impacto de conteúdos do tipo cinematográfico nos hábitos e práticas de crianças e pré-adolescentes, constituiu-se a atividade METACINEMA, uma sessão-escolas cuja edição piloto decorreu em seis cidades para uma amostra de mais de mil alunos e professores. Foi possível constatar que, entre outras fragilidades, os alunos assistem com frequência a conteúdos de classificação superior à sua idade, sem controlo ou acompanhamento parental, o que resulta muitas vezes em ambiguidades, distorções e medos, compartilhados durante a atividade. Como complemento, foi feita uma revisão aos boletins informativos do Plano Nacional de Cinema, com o intuito de identificar iniciativas que reportem trabalho pedagógico de desconstrução e significação neste sentido.Universidade Católica Portuguesa2023-07-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/investigacaoeducacional.2022.11742https://doi.org/10.34632/investigacaoeducacional.2022.11742Revista Portuguesa de Investigação Educacional; No 24 (2022): Mudar a escola tarefa [im]possível; 1-26Revista Portuguesa de Investigação Educacional; n. 24 (2022): Mudar a escola tarefa [im]possível; 1-262182-46141645-400610.34632/investigacaoeducacional.2022.n24reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ucp.pt/index.php/investigacaoeducacional/article/view/11742https://revistas.ucp.pt/index.php/investigacaoeducacional/article/view/11742/11302Direitos de Autor (c) 2022 Mariana Bento Lopes, António Moreira, José Alberto Rodrigueshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLopes, Mariana BentoMoreira, AntónioRodrigues, José Alberto2024-02-02T06:00:58Zoai:ojs.revistas.ucp.pt:article/11742Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:45:22.676804Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Metacinema: thinking about film literacy in Portuguese schools Metacinema: reflexões de uma atividade de literacia para o cinema em escolas portuguesas |
title |
Metacinema: thinking about film literacy in Portuguese schools |
spellingShingle |
Metacinema: thinking about film literacy in Portuguese schools Lopes, Mariana Bento |
title_short |
Metacinema: thinking about film literacy in Portuguese schools |
title_full |
Metacinema: thinking about film literacy in Portuguese schools |
title_fullStr |
Metacinema: thinking about film literacy in Portuguese schools |
title_full_unstemmed |
Metacinema: thinking about film literacy in Portuguese schools |
title_sort |
Metacinema: thinking about film literacy in Portuguese schools |
author |
Lopes, Mariana Bento |
author_facet |
Lopes, Mariana Bento Moreira, António Rodrigues, José Alberto |
author_role |
author |
author2 |
Moreira, António Rodrigues, José Alberto |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Lopes, Mariana Bento Moreira, António Rodrigues, José Alberto |
description |
The filmic languages that dominate most of today mediated content – consumed, produced and distributed in the digital circuits of technologically developed societies – represent a large (if not the largest) slice in the everyday of people in terms of time retention. Especially for the younger ones, and more permeable to the powerful effects of moving images, cinema became a means of escapism and catharsis, decisive for their cultural structure. However, the Education through and with Cinema has not been a priority area in the Portuguese national curriculum, not having the same weight as other artistic expressions such as Musical, Physical-Motor and even the Dramatic ones. It is with the structuring and dissemination of the National Cinema Plan that this reality begins to change, with this protocol, in 2021, promoted in a dispatch within a decade by the government. In order to evaluate the impact of moving images on the habits and practices of children and adolescents, a school-session called METACINEMA was designed which took its pilot in six cities, reaching more than 1000 students and teachers. It was possible to verify, among other fragilities, that students often watch content rated higher than their age without parental control or monitoring, which often results in ambiguities, distortions and fears, shared during this activity. As a complement, a review of the newsletters of the National Cinema Plan was undertaken, with the purpose of identifying initiatives that report pedagogical work of deconstruction and reframing in this field. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34632/investigacaoeducacional.2022.11742 https://doi.org/10.34632/investigacaoeducacional.2022.11742 |
url |
https://doi.org/10.34632/investigacaoeducacional.2022.11742 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/investigacaoeducacional/article/view/11742 https://revistas.ucp.pt/index.php/investigacaoeducacional/article/view/11742/11302 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2022 Mariana Bento Lopes, António Moreira, José Alberto Rodrigues http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2022 Mariana Bento Lopes, António Moreira, José Alberto Rodrigues http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Revista Portuguesa de Investigação Educacional; No 24 (2022): Mudar a escola tarefa [im]possível; 1-26 Revista Portuguesa de Investigação Educacional; n. 24 (2022): Mudar a escola tarefa [im]possível; 1-26 2182-4614 1645-4006 10.34632/investigacaoeducacional.2022.n24 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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