Understanding user experience of an open design-clothing product.
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , , , , |
Tipo de documento: | Relatório |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-01802022000200061 |
Resumo: | Abstract Few studies related open design to the clothing sector, but none explored how users would experience it. The study reported here aimed to investigate how people with some or without prior sewing knowledge - advanced and amateur users - experience an open design-clothing product. Following four fashion design heuristics, a garment was created and distributed as DIY kits among advanced and amateur users. Data were collected in two stages: assembly and personalization. The results indicate that although skills play a significant role during assembly, other factors, like cross-generational differences and personal taste, influence how users experience an open design product. Furthermore, the study shows that given the necessary support, the open design can be used by a heterogeneous public, amplifying the participation of users with little or without prior sewing skills in clothing co-creation. |
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Understanding user experience of an open design-clothing product.Co-creationDo-It-Yourself (DIY)Fashion DesignSewingAbstract Few studies related open design to the clothing sector, but none explored how users would experience it. The study reported here aimed to investigate how people with some or without prior sewing knowledge - advanced and amateur users - experience an open design-clothing product. Following four fashion design heuristics, a garment was created and distributed as DIY kits among advanced and amateur users. Data were collected in two stages: assembly and personalization. The results indicate that although skills play a significant role during assembly, other factors, like cross-generational differences and personal taste, influence how users experience an open design product. Furthermore, the study shows that given the necessary support, the open design can be used by a heterogeneous public, amplifying the participation of users with little or without prior sewing skills in clothing co-creation.Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco2022-11-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/reporttext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-01802022000200061Convergências - Revista de Investigação e Ensino das Artes v.15 n.30 2022reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-01802022000200061Perez,Iana UlianaArakaki,Marina GranjaAbreu,Ana Cláudia deIo,Vanessa MayumiZitkus,EmilenePaschoarelli,Luis Carlosinfo:eu-repo/semantics/openAccess2024-02-06T17:32:00Zoai:scielo:S2184-01802022000200061Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:34:55.671198Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Understanding user experience of an open design-clothing product. |
title |
Understanding user experience of an open design-clothing product. |
spellingShingle |
Understanding user experience of an open design-clothing product. Perez,Iana Uliana Co-creation Do-It-Yourself (DIY) Fashion Design Sewing |
title_short |
Understanding user experience of an open design-clothing product. |
title_full |
Understanding user experience of an open design-clothing product. |
title_fullStr |
Understanding user experience of an open design-clothing product. |
title_full_unstemmed |
Understanding user experience of an open design-clothing product. |
title_sort |
Understanding user experience of an open design-clothing product. |
author |
Perez,Iana Uliana |
author_facet |
Perez,Iana Uliana Arakaki,Marina Granja Abreu,Ana Cláudia de Io,Vanessa Mayumi Zitkus,Emilene Paschoarelli,Luis Carlos |
author_role |
author |
author2 |
Arakaki,Marina Granja Abreu,Ana Cláudia de Io,Vanessa Mayumi Zitkus,Emilene Paschoarelli,Luis Carlos |
author2_role |
author author author author author |
dc.contributor.author.fl_str_mv |
Perez,Iana Uliana Arakaki,Marina Granja Abreu,Ana Cláudia de Io,Vanessa Mayumi Zitkus,Emilene Paschoarelli,Luis Carlos |
dc.subject.por.fl_str_mv |
Co-creation Do-It-Yourself (DIY) Fashion Design Sewing |
topic |
Co-creation Do-It-Yourself (DIY) Fashion Design Sewing |
description |
Abstract Few studies related open design to the clothing sector, but none explored how users would experience it. The study reported here aimed to investigate how people with some or without prior sewing knowledge - advanced and amateur users - experience an open design-clothing product. Following four fashion design heuristics, a garment was created and distributed as DIY kits among advanced and amateur users. Data were collected in two stages: assembly and personalization. The results indicate that although skills play a significant role during assembly, other factors, like cross-generational differences and personal taste, influence how users experience an open design product. Furthermore, the study shows that given the necessary support, the open design can be used by a heterogeneous public, amplifying the participation of users with little or without prior sewing skills in clothing co-creation. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/report |
format |
report |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-01802022000200061 |
url |
http://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-01802022000200061 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
http://scielo.pt/scielo.php?script=sci_arttext&pid=S2184-01802022000200061 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html |
dc.publisher.none.fl_str_mv |
Escola Superior de Artes Aplicadas Instituto Politécnico Castelo Branco |
publisher.none.fl_str_mv |
Escola Superior de Artes Aplicadas Instituto Politécnico Castelo Branco |
dc.source.none.fl_str_mv |
Convergências - Revista de Investigação e Ensino das Artes v.15 n.30 2022 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799137404244721664 |