On Paul Durcan and the visual arts: gender, genre, medium

Detalhes bibliográficos
Autor(a) principal: Homem, Rui Carvalho
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/137820
Resumo: The poetry of Paul Durcan finds one of its major attractions in its acknowledgement and crossing of boundaries. Such borderlines are of various types: they are semiotic and intermedial, involving Paul Durcan's deployment of verbal resources to co-opt or challenge representations in other systems of signification - especially visual media; they are cultural and political, concerning the poet's processing of elements from both Irish and global cultures; and they are those proper to gendered identities, highlighting the positions of men and women as both subjects and objects of a variety of inscriptions. This essay approaches Durcan's (literally) transgressive writing and the intellectual and disciplinary challenges it poses by questioning our ability to read poems and pictures, and accept the ostensible selfcontainment of political conformations and modes of identity.
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spelling On Paul Durcan and the visual arts: gender, genre, mediumHumanidadesHumanitiesThe poetry of Paul Durcan finds one of its major attractions in its acknowledgement and crossing of boundaries. Such borderlines are of various types: they are semiotic and intermedial, involving Paul Durcan's deployment of verbal resources to co-opt or challenge representations in other systems of signification - especially visual media; they are cultural and political, concerning the poet's processing of elements from both Irish and global cultures; and they are those proper to gendered identities, highlighting the positions of men and women as both subjects and objects of a variety of inscriptions. This essay approaches Durcan's (literally) transgressive writing and the intellectual and disciplinary challenges it poses by questioning our ability to read poems and pictures, and accept the ostensible selfcontainment of political conformations and modes of identity.20202020-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/137820eng2595-812710.37389/abei.v22i2.180776Homem, Rui Carvalhoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T15:09:20Zoai:repositorio-aberto.up.pt:10216/137820Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:16:57.777201Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv On Paul Durcan and the visual arts: gender, genre, medium
title On Paul Durcan and the visual arts: gender, genre, medium
spellingShingle On Paul Durcan and the visual arts: gender, genre, medium
Homem, Rui Carvalho
Humanidades
Humanities
title_short On Paul Durcan and the visual arts: gender, genre, medium
title_full On Paul Durcan and the visual arts: gender, genre, medium
title_fullStr On Paul Durcan and the visual arts: gender, genre, medium
title_full_unstemmed On Paul Durcan and the visual arts: gender, genre, medium
title_sort On Paul Durcan and the visual arts: gender, genre, medium
author Homem, Rui Carvalho
author_facet Homem, Rui Carvalho
author_role author
dc.contributor.author.fl_str_mv Homem, Rui Carvalho
dc.subject.por.fl_str_mv Humanidades
Humanities
topic Humanidades
Humanities
description The poetry of Paul Durcan finds one of its major attractions in its acknowledgement and crossing of boundaries. Such borderlines are of various types: they are semiotic and intermedial, involving Paul Durcan's deployment of verbal resources to co-opt or challenge representations in other systems of signification - especially visual media; they are cultural and political, concerning the poet's processing of elements from both Irish and global cultures; and they are those proper to gendered identities, highlighting the positions of men and women as both subjects and objects of a variety of inscriptions. This essay approaches Durcan's (literally) transgressive writing and the intellectual and disciplinary challenges it poses by questioning our ability to read poems and pictures, and accept the ostensible selfcontainment of political conformations and modes of identity.
publishDate 2020
dc.date.none.fl_str_mv 2020
2020-01-01T00:00:00Z
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/137820
url https://hdl.handle.net/10216/137820
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2595-8127
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