Metodologias na banda desenhada : realização de um álbum de BD

Detalhes bibliográficos
Autor(a) principal: Afonso, Joana, 1989-
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/23733
Resumo: This dissertation is an explanation of a methodology applied to the making of a comic book, with all that implies. The various stages of this process will be described, from the time when there was the decision to have ideas for the script to its finalization and subsequent publication of the album "Deixa-me Entrar". With this we intend to scrutinize how the inherent problems were solved in all these steps, either in the narrative construction method, as the visual part, such as drawing, coloring and subtitling were performed always seeking quality, not compromising the quality of the work. The time frame of the book was short since it was aimed for release during the twenty-fifth International Comics Festival of Amadora 2014, one of the main events of this kind in comic book releases. It can be said that this is one of the many events that are part of the context in which the practical component of this work fits, and so it is indispensable to context Comics in Portugal, specifically in a time window since the early twenty-first century, talking about relevant authors in recent years. In this explanation were also described some contractual bureaucracies that had to comply with the publisher "Polvo" and how the dialogue between author and publisher was done. Were also exposed advertising strategies through various platforms as well as how the book was received and concluded how the applied methodology resulted in this case study
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spelling Metodologias na banda desenhada : realização de um álbum de BDBanda desenhadaDesenhoPranchasNarrativa ficcionalLayoutPublicaçãoDesenhoThis dissertation is an explanation of a methodology applied to the making of a comic book, with all that implies. The various stages of this process will be described, from the time when there was the decision to have ideas for the script to its finalization and subsequent publication of the album "Deixa-me Entrar". With this we intend to scrutinize how the inherent problems were solved in all these steps, either in the narrative construction method, as the visual part, such as drawing, coloring and subtitling were performed always seeking quality, not compromising the quality of the work. The time frame of the book was short since it was aimed for release during the twenty-fifth International Comics Festival of Amadora 2014, one of the main events of this kind in comic book releases. It can be said that this is one of the many events that are part of the context in which the practical component of this work fits, and so it is indispensable to context Comics in Portugal, specifically in a time window since the early twenty-first century, talking about relevant authors in recent years. In this explanation were also described some contractual bureaucracies that had to comply with the publisher "Polvo" and how the dialogue between author and publisher was done. Were also exposed advertising strategies through various platforms as well as how the book was received and concluded how the applied methodology resulted in this case studyRamos, Artur, 1966-Repositório da Universidade de LisboaAfonso, Joana, 1989-2016-05-19T09:59:13Z2015-12-162016-05-192015-12-16T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/23733TID:201467380porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:11:59Zoai:repositorio.ul.pt:10451/23733Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:41:00.040415Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Metodologias na banda desenhada : realização de um álbum de BD
title Metodologias na banda desenhada : realização de um álbum de BD
spellingShingle Metodologias na banda desenhada : realização de um álbum de BD
Afonso, Joana, 1989-
Banda desenhada
Desenho
Pranchas
Narrativa ficcional
Layout
Publicação
Desenho
title_short Metodologias na banda desenhada : realização de um álbum de BD
title_full Metodologias na banda desenhada : realização de um álbum de BD
title_fullStr Metodologias na banda desenhada : realização de um álbum de BD
title_full_unstemmed Metodologias na banda desenhada : realização de um álbum de BD
title_sort Metodologias na banda desenhada : realização de um álbum de BD
author Afonso, Joana, 1989-
author_facet Afonso, Joana, 1989-
author_role author
dc.contributor.none.fl_str_mv Ramos, Artur, 1966-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Afonso, Joana, 1989-
dc.subject.por.fl_str_mv Banda desenhada
Desenho
Pranchas
Narrativa ficcional
Layout
Publicação
Desenho
topic Banda desenhada
Desenho
Pranchas
Narrativa ficcional
Layout
Publicação
Desenho
description This dissertation is an explanation of a methodology applied to the making of a comic book, with all that implies. The various stages of this process will be described, from the time when there was the decision to have ideas for the script to its finalization and subsequent publication of the album "Deixa-me Entrar". With this we intend to scrutinize how the inherent problems were solved in all these steps, either in the narrative construction method, as the visual part, such as drawing, coloring and subtitling were performed always seeking quality, not compromising the quality of the work. The time frame of the book was short since it was aimed for release during the twenty-fifth International Comics Festival of Amadora 2014, one of the main events of this kind in comic book releases. It can be said that this is one of the many events that are part of the context in which the practical component of this work fits, and so it is indispensable to context Comics in Portugal, specifically in a time window since the early twenty-first century, talking about relevant authors in recent years. In this explanation were also described some contractual bureaucracies that had to comply with the publisher "Polvo" and how the dialogue between author and publisher was done. Were also exposed advertising strategies through various platforms as well as how the book was received and concluded how the applied methodology resulted in this case study
publishDate 2015
dc.date.none.fl_str_mv 2015-12-16
2015-12-16T00:00:00Z
2016-05-19T09:59:13Z
2016-05-19
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/23733
TID:201467380
url http://hdl.handle.net/10451/23733
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instacron:RCAAP
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