THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION

Detalhes bibliográficos
Autor(a) principal: Fontes de Sá, Marco Antonio
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.29073/heranca.v5i2.489
Resumo: This article deals with the art of sculpting saints in wood and clay in Brazilian Catholicism as a way of materializing the religious experience of artisans and devotees. Starting from a brief summary of the history of devotion to images in the formation of devotional Catholicism in colonial Brazil, it presents a clipping of the current scenario of santeira art (saint sculpture art), produced in several Brazilian states, showing how it eventually detached itself from sacred art and started to produce images with personal characteristics conceived by each artisan, which distinguish them and transform them into objects of art and consumption, desired by collectors, not always devotees.
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spelling THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGIONAS ESCULTURAS DE SANTOS COMO EXPRESSÃO DA ARTE E DA RELIGIÃO MATERIAL BRASILEIRASArte SanteiraEsculturaMadeiraBarroCatolicismo PopularHistória da ArteSanteira ArtSculptureWood ClayPopular CatholicismArt HistoryThis article deals with the art of sculpting saints in wood and clay in Brazilian Catholicism as a way of materializing the religious experience of artisans and devotees. Starting from a brief summary of the history of devotion to images in the formation of devotional Catholicism in colonial Brazil, it presents a clipping of the current scenario of santeira art (saint sculpture art), produced in several Brazilian states, showing how it eventually detached itself from sacred art and started to produce images with personal characteristics conceived by each artisan, which distinguish them and transform them into objects of art and consumption, desired by collectors, not always devotees.Este artigo trata da arte de esculpir santos de madeira e de barro no catolicismo brasileiro como forma de materializar a experiência religiosa de artesãos e devotos. Partindo de um breve resumo sobre a história da devoção às imagens na formação do catolicismo devocional no Brasil colonial, apresenta um recorte do cenário da arte santeira atual, produzida em vários estados brasileiros, mostrando como ela, eventualmente, se desvinculou da arte sacra e passou a produzir imagens com características pessoais concebidas por cada artesão, que as distinguem e transformam em objeto de arte e de consumo, desejadas por colecionadores, nem sempre devotos.  Ponteditora2022-12-18info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdftext/xmlhttps://doi.org/10.29073/heranca.v5i2.489https://doi.org/10.29073/heranca.v5i2.489Herança - Journal of History, Heritage and Culture; Vol. 5 No. 2 (2022): Herança - Revista de História, Património e Cultura; 179-198Herança - Revista de História, Património e Cultura; Vol. 5 N.º 2 (2022): Herança - Revista de História, Património e Cultura; 179-1982184-309010.29073/heranca.v5i2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ponteditora.org/index.php/heranca/article/view/489https://revistas.ponteditora.org/index.php/heranca/article/view/489/545https://revistas.ponteditora.org/index.php/heranca/article/view/489/456Direitos de Autor (c) 2022 Herança - Revista de História, Património e Culturainfo:eu-repo/semantics/openAccessFontes de Sá, Marco Antonio2023-06-10T05:36:05ZPortal AgregadorONG
dc.title.none.fl_str_mv THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
AS ESCULTURAS DE SANTOS COMO EXPRESSÃO DA ARTE E DA RELIGIÃO MATERIAL BRASILEIRAS
title THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
spellingShingle THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
Fontes de Sá, Marco Antonio
Arte Santeira
Escultura
Madeira
Barro
Catolicismo Popular
História da Arte
Santeira Art
Sculpture
Wood Clay
Popular Catholicism
Art History
title_short THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
title_full THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
title_fullStr THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
title_full_unstemmed THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
title_sort THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
author Fontes de Sá, Marco Antonio
author_facet Fontes de Sá, Marco Antonio
author_role author
dc.contributor.author.fl_str_mv Fontes de Sá, Marco Antonio
dc.subject.por.fl_str_mv Arte Santeira
Escultura
Madeira
Barro
Catolicismo Popular
História da Arte
Santeira Art
Sculpture
Wood Clay
Popular Catholicism
Art History
topic Arte Santeira
Escultura
Madeira
Barro
Catolicismo Popular
História da Arte
Santeira Art
Sculpture
Wood Clay
Popular Catholicism
Art History
description This article deals with the art of sculpting saints in wood and clay in Brazilian Catholicism as a way of materializing the religious experience of artisans and devotees. Starting from a brief summary of the history of devotion to images in the formation of devotional Catholicism in colonial Brazil, it presents a clipping of the current scenario of santeira art (saint sculpture art), produced in several Brazilian states, showing how it eventually detached itself from sacred art and started to produce images with personal characteristics conceived by each artisan, which distinguish them and transform them into objects of art and consumption, desired by collectors, not always devotees.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-18
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.29073/heranca.v5i2.489
https://doi.org/10.29073/heranca.v5i2.489
url https://doi.org/10.29073/heranca.v5i2.489
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ponteditora.org/index.php/heranca/article/view/489
https://revistas.ponteditora.org/index.php/heranca/article/view/489/545
https://revistas.ponteditora.org/index.php/heranca/article/view/489/456
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2022 Herança - Revista de História, Património e Cultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2022 Herança - Revista de História, Património e Cultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Ponteditora
publisher.none.fl_str_mv Ponteditora
dc.source.none.fl_str_mv Herança - Journal of History, Heritage and Culture; Vol. 5 No. 2 (2022): Herança - Revista de História, Património e Cultura; 179-198
Herança - Revista de História, Património e Cultura; Vol. 5 N.º 2 (2022): Herança - Revista de História, Património e Cultura; 179-198
2184-3090
10.29073/heranca.v5i2
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv
repository.mail.fl_str_mv
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