THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.29073/heranca.v5i2.489 |
Resumo: | This article deals with the art of sculpting saints in wood and clay in Brazilian Catholicism as a way of materializing the religious experience of artisans and devotees. Starting from a brief summary of the history of devotion to images in the formation of devotional Catholicism in colonial Brazil, it presents a clipping of the current scenario of santeira art (saint sculpture art), produced in several Brazilian states, showing how it eventually detached itself from sacred art and started to produce images with personal characteristics conceived by each artisan, which distinguish them and transform them into objects of art and consumption, desired by collectors, not always devotees. |
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THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGIONAS ESCULTURAS DE SANTOS COMO EXPRESSÃO DA ARTE E DA RELIGIÃO MATERIAL BRASILEIRASArte SanteiraEsculturaMadeiraBarroCatolicismo PopularHistória da ArteSanteira ArtSculptureWood ClayPopular CatholicismArt HistoryThis article deals with the art of sculpting saints in wood and clay in Brazilian Catholicism as a way of materializing the religious experience of artisans and devotees. Starting from a brief summary of the history of devotion to images in the formation of devotional Catholicism in colonial Brazil, it presents a clipping of the current scenario of santeira art (saint sculpture art), produced in several Brazilian states, showing how it eventually detached itself from sacred art and started to produce images with personal characteristics conceived by each artisan, which distinguish them and transform them into objects of art and consumption, desired by collectors, not always devotees.Este artigo trata da arte de esculpir santos de madeira e de barro no catolicismo brasileiro como forma de materializar a experiência religiosa de artesãos e devotos. Partindo de um breve resumo sobre a história da devoção às imagens na formação do catolicismo devocional no Brasil colonial, apresenta um recorte do cenário da arte santeira atual, produzida em vários estados brasileiros, mostrando como ela, eventualmente, se desvinculou da arte sacra e passou a produzir imagens com características pessoais concebidas por cada artesão, que as distinguem e transformam em objeto de arte e de consumo, desejadas por colecionadores, nem sempre devotos. Ponteditora2022-12-18info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdftext/xmlhttps://doi.org/10.29073/heranca.v5i2.489https://doi.org/10.29073/heranca.v5i2.489Herança - Journal of History, Heritage and Culture; Vol. 5 No. 2 (2022): Herança - Revista de História, Património e Cultura; 179-198Herança - Revista de História, Património e Cultura; Vol. 5 N.º 2 (2022): Herança - Revista de História, Património e Cultura; 179-1982184-309010.29073/heranca.v5i2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ponteditora.org/index.php/heranca/article/view/489https://revistas.ponteditora.org/index.php/heranca/article/view/489/545https://revistas.ponteditora.org/index.php/heranca/article/view/489/456Direitos de Autor (c) 2022 Herança - Revista de História, Património e Culturainfo:eu-repo/semantics/openAccessFontes de Sá, Marco Antonio2023-06-10T05:36:05ZPortal AgregadorONG |
dc.title.none.fl_str_mv |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION AS ESCULTURAS DE SANTOS COMO EXPRESSÃO DA ARTE E DA RELIGIÃO MATERIAL BRASILEIRAS |
title |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION |
spellingShingle |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION Fontes de Sá, Marco Antonio Arte Santeira Escultura Madeira Barro Catolicismo Popular História da Arte Santeira Art Sculpture Wood Clay Popular Catholicism Art History |
title_short |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION |
title_full |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION |
title_fullStr |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION |
title_full_unstemmed |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION |
title_sort |
THE SCULPTURES OF SAINTS AS EXPRESSION OF BRAZILIAN ART AND MATERIAL RELIGION |
author |
Fontes de Sá, Marco Antonio |
author_facet |
Fontes de Sá, Marco Antonio |
author_role |
author |
dc.contributor.author.fl_str_mv |
Fontes de Sá, Marco Antonio |
dc.subject.por.fl_str_mv |
Arte Santeira Escultura Madeira Barro Catolicismo Popular História da Arte Santeira Art Sculpture Wood Clay Popular Catholicism Art History |
topic |
Arte Santeira Escultura Madeira Barro Catolicismo Popular História da Arte Santeira Art Sculpture Wood Clay Popular Catholicism Art History |
description |
This article deals with the art of sculpting saints in wood and clay in Brazilian Catholicism as a way of materializing the religious experience of artisans and devotees. Starting from a brief summary of the history of devotion to images in the formation of devotional Catholicism in colonial Brazil, it presents a clipping of the current scenario of santeira art (saint sculpture art), produced in several Brazilian states, showing how it eventually detached itself from sacred art and started to produce images with personal characteristics conceived by each artisan, which distinguish them and transform them into objects of art and consumption, desired by collectors, not always devotees. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-18 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.29073/heranca.v5i2.489 https://doi.org/10.29073/heranca.v5i2.489 |
url |
https://doi.org/10.29073/heranca.v5i2.489 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ponteditora.org/index.php/heranca/article/view/489 https://revistas.ponteditora.org/index.php/heranca/article/view/489/545 https://revistas.ponteditora.org/index.php/heranca/article/view/489/456 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2022 Herança - Revista de História, Património e Cultura info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2022 Herança - Revista de História, Património e Cultura |
eu_rights_str_mv |
openAccess |
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application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Ponteditora |
publisher.none.fl_str_mv |
Ponteditora |
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Herança - Journal of History, Heritage and Culture; Vol. 5 No. 2 (2022): Herança - Revista de História, Património e Cultura; 179-198 Herança - Revista de História, Património e Cultura; Vol. 5 N.º 2 (2022): Herança - Revista de História, Património e Cultura; 179-198 2184-3090 10.29073/heranca.v5i2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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