A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | , , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/138838 |
Resumo: | This article proposes to perform the historical rescue and analysis of the artistic and cultural experience of Casa da Tita, developed in the context of the island of Florianópolis, in the community of Rio Tavares. Thus, it seeks to know the process of collective construction of a musical scene, the motivations and objectives, as well as refl ect on the artistic, cultural and sociability practices present in this experience/ scene. Furthermore, the article aims to analyse the dynamics and forms of relationships established between Casa da Tita and the city's music scene. This is a case study of qualitative approach, which adopted the theoretical and methodological perspective of life history, in order to bring to light singular looks of individuals who participated in the experience addressed; understanding the (re)construction of social processes from the perspective of the intervening actors. The results highlight the potentialities of such a proposal, as the institution of a musical scene that was able to enter the wider social fabric and evoke new modes of aesthetic-political existence and resistance, also confi guring itself as a form of contemporary musical artivism. |
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A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivistaSociologiaSociologyThis article proposes to perform the historical rescue and analysis of the artistic and cultural experience of Casa da Tita, developed in the context of the island of Florianópolis, in the community of Rio Tavares. Thus, it seeks to know the process of collective construction of a musical scene, the motivations and objectives, as well as refl ect on the artistic, cultural and sociability practices present in this experience/ scene. Furthermore, the article aims to analyse the dynamics and forms of relationships established between Casa da Tita and the city's music scene. This is a case study of qualitative approach, which adopted the theoretical and methodological perspective of life history, in order to bring to light singular looks of individuals who participated in the experience addressed; understanding the (re)construction of social processes from the perspective of the intervening actors. The results highlight the potentialities of such a proposal, as the institution of a musical scene that was able to enter the wider social fabric and evoke new modes of aesthetic-political existence and resistance, also confi guring itself as a form of contemporary musical artivism.20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/138838por2525-775710.34019/2525-7757.2021.v7.33542Shames, TitaHoefel, Maria da Graça LuderitzGuerra, PaulaSevero, Denise OsórioSousa, SofiaOliveira, Anainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:51:23Zoai:repositorio-aberto.up.pt:10216/138838Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:10:08.381334Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista |
title |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista |
spellingShingle |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista Shames, Tita Sociologia Sociology |
title_short |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista |
title_full |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista |
title_fullStr |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista |
title_full_unstemmed |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista |
title_sort |
A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista |
author |
Shames, Tita |
author_facet |
Shames, Tita Hoefel, Maria da Graça Luderitz Guerra, Paula Severo, Denise Osório Sousa, Sofia Oliveira, Ana |
author_role |
author |
author2 |
Hoefel, Maria da Graça Luderitz Guerra, Paula Severo, Denise Osório Sousa, Sofia Oliveira, Ana |
author2_role |
author author author author author |
dc.contributor.author.fl_str_mv |
Shames, Tita Hoefel, Maria da Graça Luderitz Guerra, Paula Severo, Denise Osório Sousa, Sofia Oliveira, Ana |
dc.subject.por.fl_str_mv |
Sociologia Sociology |
topic |
Sociologia Sociology |
description |
This article proposes to perform the historical rescue and analysis of the artistic and cultural experience of Casa da Tita, developed in the context of the island of Florianópolis, in the community of Rio Tavares. Thus, it seeks to know the process of collective construction of a musical scene, the motivations and objectives, as well as refl ect on the artistic, cultural and sociability practices present in this experience/ scene. Furthermore, the article aims to analyse the dynamics and forms of relationships established between Casa da Tita and the city's music scene. This is a case study of qualitative approach, which adopted the theoretical and methodological perspective of life history, in order to bring to light singular looks of individuals who participated in the experience addressed; understanding the (re)construction of social processes from the perspective of the intervening actors. The results highlight the potentialities of such a proposal, as the institution of a musical scene that was able to enter the wider social fabric and evoke new modes of aesthetic-political existence and resistance, also confi guring itself as a form of contemporary musical artivism. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021 2021-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/138838 |
url |
https://hdl.handle.net/10216/138838 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
2525-7757 10.34019/2525-7757.2021.v7.33542 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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