A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista

Detalhes bibliográficos
Autor(a) principal: Shames, Tita
Data de Publicação: 2021
Outros Autores: Hoefel, Maria da Graça Luderitz, Guerra, Paula, Severo, Denise Osório, Sousa, Sofia, Oliveira, Ana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/138838
Resumo: This article proposes to perform the historical rescue and analysis of the artistic and cultural experience of Casa da Tita, developed in the context of the island of Florianópolis, in the community of Rio Tavares. Thus, it seeks to know the process of collective construction of a musical scene, the motivations and objectives, as well as refl ect on the artistic, cultural and sociability practices present in this experience/ scene. Furthermore, the article aims to analyse the dynamics and forms of relationships established between Casa da Tita and the city's music scene. This is a case study of qualitative approach, which adopted the theoretical and methodological perspective of life history, in order to bring to light singular looks of individuals who participated in the experience addressed; understanding the (re)construction of social processes from the perspective of the intervening actors. The results highlight the potentialities of such a proposal, as the institution of a musical scene that was able to enter the wider social fabric and evoke new modes of aesthetic-political existence and resistance, also confi guring itself as a form of contemporary musical artivism.
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spelling A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivistaSociologiaSociologyThis article proposes to perform the historical rescue and analysis of the artistic and cultural experience of Casa da Tita, developed in the context of the island of Florianópolis, in the community of Rio Tavares. Thus, it seeks to know the process of collective construction of a musical scene, the motivations and objectives, as well as refl ect on the artistic, cultural and sociability practices present in this experience/ scene. Furthermore, the article aims to analyse the dynamics and forms of relationships established between Casa da Tita and the city's music scene. This is a case study of qualitative approach, which adopted the theoretical and methodological perspective of life history, in order to bring to light singular looks of individuals who participated in the experience addressed; understanding the (re)construction of social processes from the perspective of the intervening actors. The results highlight the potentialities of such a proposal, as the institution of a musical scene that was able to enter the wider social fabric and evoke new modes of aesthetic-political existence and resistance, also confi guring itself as a form of contemporary musical artivism.20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/138838por2525-775710.34019/2525-7757.2021.v7.33542Shames, TitaHoefel, Maria da Graça LuderitzGuerra, PaulaSevero, Denise OsórioSousa, SofiaOliveira, Anainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T14:51:23Zoai:repositorio-aberto.up.pt:10216/138838Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:10:08.381334Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
title A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
spellingShingle A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
Shames, Tita
Sociologia
Sociology
title_short A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
title_full A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
title_fullStr A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
title_full_unstemmed A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
title_sort A Casa da Tita em Florianópolis: contributos para a formação de uma cena musical artivista
author Shames, Tita
author_facet Shames, Tita
Hoefel, Maria da Graça Luderitz
Guerra, Paula
Severo, Denise Osório
Sousa, Sofia
Oliveira, Ana
author_role author
author2 Hoefel, Maria da Graça Luderitz
Guerra, Paula
Severo, Denise Osório
Sousa, Sofia
Oliveira, Ana
author2_role author
author
author
author
author
dc.contributor.author.fl_str_mv Shames, Tita
Hoefel, Maria da Graça Luderitz
Guerra, Paula
Severo, Denise Osório
Sousa, Sofia
Oliveira, Ana
dc.subject.por.fl_str_mv Sociologia
Sociology
topic Sociologia
Sociology
description This article proposes to perform the historical rescue and analysis of the artistic and cultural experience of Casa da Tita, developed in the context of the island of Florianópolis, in the community of Rio Tavares. Thus, it seeks to know the process of collective construction of a musical scene, the motivations and objectives, as well as refl ect on the artistic, cultural and sociability practices present in this experience/ scene. Furthermore, the article aims to analyse the dynamics and forms of relationships established between Casa da Tita and the city's music scene. This is a case study of qualitative approach, which adopted the theoretical and methodological perspective of life history, in order to bring to light singular looks of individuals who participated in the experience addressed; understanding the (re)construction of social processes from the perspective of the intervening actors. The results highlight the potentialities of such a proposal, as the institution of a musical scene that was able to enter the wider social fabric and evoke new modes of aesthetic-political existence and resistance, also confi guring itself as a form of contemporary musical artivism.
publishDate 2021
dc.date.none.fl_str_mv 2021
2021-01-01T00:00:00Z
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dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/138838
url https://hdl.handle.net/10216/138838
dc.language.iso.fl_str_mv por
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