All the sites: fragments of a close landscape

Detalhes bibliográficos
Autor(a) principal: Castanho, André
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/39546
Resumo: All The Sites (Todos Os Sítios) is an exercise of critical reflection on the contemporary landscape. It brings together a set of photographs, which constitute its body of visual documents, and a written argument that aims to inform the intentions and paradigms of the photographs. This article organizes this reflection through two moments: the first concerns the definition of the term site, based on a perception of the landscape as a cultural construction, an expression coined by WJT Mitchell, and the second, through the work of three photographers – Eugène Atget, Walker Evans and Guido Guidi, seeks to situate the visual paradigms of photographs of All the Sites and the discourse that is inherent to them.
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spelling All the sites: fragments of a close landscapeContemporaryLandscapePhotographySitesAll The Sites (Todos Os Sítios) is an exercise of critical reflection on the contemporary landscape. It brings together a set of photographs, which constitute its body of visual documents, and a written argument that aims to inform the intentions and paradigms of the photographs. This article organizes this reflection through two moments: the first concerns the definition of the term site, based on a perception of the landscape as a cultural construction, an expression coined by WJT Mitchell, and the second, through the work of three photographers – Eugène Atget, Walker Evans and Guido Guidi, seeks to situate the visual paradigms of photographs of All the Sites and the discourse that is inherent to them.Veritati - Repositório Institucional da Universidade Católica PortuguesaCastanho, André2022-12-13T15:41:18Z2022-07-282022-07-28T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/39546eng1646-979810.34632/jsta.2022.1151585175025131000886546100003info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-14T01:36:32Zoai:repositorio.ucp.pt:10400.14/39546Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:32:22.201261Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv All the sites: fragments of a close landscape
title All the sites: fragments of a close landscape
spellingShingle All the sites: fragments of a close landscape
Castanho, André
Contemporary
Landscape
Photography
Sites
title_short All the sites: fragments of a close landscape
title_full All the sites: fragments of a close landscape
title_fullStr All the sites: fragments of a close landscape
title_full_unstemmed All the sites: fragments of a close landscape
title_sort All the sites: fragments of a close landscape
author Castanho, André
author_facet Castanho, André
author_role author
dc.contributor.none.fl_str_mv Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Castanho, André
dc.subject.por.fl_str_mv Contemporary
Landscape
Photography
Sites
topic Contemporary
Landscape
Photography
Sites
description All The Sites (Todos Os Sítios) is an exercise of critical reflection on the contemporary landscape. It brings together a set of photographs, which constitute its body of visual documents, and a written argument that aims to inform the intentions and paradigms of the photographs. This article organizes this reflection through two moments: the first concerns the definition of the term site, based on a perception of the landscape as a cultural construction, an expression coined by WJT Mitchell, and the second, through the work of three photographers – Eugène Atget, Walker Evans and Guido Guidi, seeks to situate the visual paradigms of photographs of All the Sites and the discourse that is inherent to them.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-13T15:41:18Z
2022-07-28
2022-07-28T00:00:00Z
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dc.language.iso.fl_str_mv eng
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