All the Sites: Fragments of a Close Landscape

Detalhes bibliográficos
Autor(a) principal: Castanho, André
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34632/jsta.2022.11515
Resumo: All The Sites (Todos Os Sítios) is an exercise of critical reflection on the contemporary landscape. It brings together a set of photographs, which constitute its body of visual documents, and a written argument that aims to inform the intentions and paradigms of the photographs. This article organizes this reflection through two moments: the first concerns the definition of the term site, based on a perception of the landscape as a cultural construction, an expression coined by WJT Mitchell, and the second, through the work of three photographers – Eugène Atget, Walker Evans and Guido Guidi, seeks to situate the visual paradigms of photographs of All the Sites and the discourse that is inherent to them.
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spelling All the Sites: Fragments of a Close LandscapeAll The Sites (Todos Os Sítios) is an exercise of critical reflection on the contemporary landscape. It brings together a set of photographs, which constitute its body of visual documents, and a written argument that aims to inform the intentions and paradigms of the photographs. This article organizes this reflection through two moments: the first concerns the definition of the term site, based on a perception of the landscape as a cultural construction, an expression coined by WJT Mitchell, and the second, through the work of three photographers – Eugène Atget, Walker Evans and Guido Guidi, seeks to situate the visual paradigms of photographs of All the Sites and the discourse that is inherent to them.Universidade Católica Portuguesa2022-07-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34632/jsta.2022.11515https://doi.org/10.34632/jsta.2022.11515Journal of Science and Technology of the Arts; Vol 14 No 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 41-77Journal of Science and Technology of the Arts; v. 14 n. 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 41-772183-00881646-979810.34632/jsta.2022.14.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/11515https://revistas.ucp.pt/index.php/jsta/article/view/11515/11247Copyright (c) 2022 André Castanhohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCastanho, André2023-02-17T07:15:14Zoai:ojs.revistas.ucp.pt:article/11515Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:13:21.971757Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv All the Sites: Fragments of a Close Landscape
title All the Sites: Fragments of a Close Landscape
spellingShingle All the Sites: Fragments of a Close Landscape
Castanho, André
title_short All the Sites: Fragments of a Close Landscape
title_full All the Sites: Fragments of a Close Landscape
title_fullStr All the Sites: Fragments of a Close Landscape
title_full_unstemmed All the Sites: Fragments of a Close Landscape
title_sort All the Sites: Fragments of a Close Landscape
author Castanho, André
author_facet Castanho, André
author_role author
dc.contributor.author.fl_str_mv Castanho, André
description All The Sites (Todos Os Sítios) is an exercise of critical reflection on the contemporary landscape. It brings together a set of photographs, which constitute its body of visual documents, and a written argument that aims to inform the intentions and paradigms of the photographs. This article organizes this reflection through two moments: the first concerns the definition of the term site, based on a perception of the landscape as a cultural construction, an expression coined by WJT Mitchell, and the second, through the work of three photographers – Eugène Atget, Walker Evans and Guido Guidi, seeks to situate the visual paradigms of photographs of All the Sites and the discourse that is inherent to them.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-28
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34632/jsta.2022.11515
https://doi.org/10.34632/jsta.2022.11515
url https://doi.org/10.34632/jsta.2022.11515
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/11515
https://revistas.ucp.pt/index.php/jsta/article/view/11515/11247
dc.rights.driver.fl_str_mv Copyright (c) 2022 André Castanho
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 André Castanho
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 14 No 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 41-77
Journal of Science and Technology of the Arts; v. 14 n. 2 (2022): Post-Photographic Truths: Poetics Vs Politics; 41-77
2183-0088
1646-9798
10.34632/jsta.2022.14.2
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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