Latent images, blind comments on photography

Detalhes bibliográficos
Autor(a) principal: Feray, Jenny
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.7559/citarj.v5i1.102
Resumo: Photographs, or images as the final result of a process, merely mark out the moment when the eye is helplessly limited to what it sees. Thus, what escapes the eye in the physical sense, i.e. what the eye will never see, is what occurs before the product- image, within the act itself. The latent image, the desire-image, unfolds throughout the duration of the photographic act. When the picture is ‘taken’, then the desire subsides until the next desire for another image arises. Based on the photographic experiment by Jerry Chan, member of a group of blind people, this article aims at rethinking the photographic act as the real- life experience of an impression process, leading the blind apprentice photographer to experience sightedness within his very flesh.
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spelling Latent images, blind comments on photographyPhotographs, or images as the final result of a process, merely mark out the moment when the eye is helplessly limited to what it sees. Thus, what escapes the eye in the physical sense, i.e. what the eye will never see, is what occurs before the product- image, within the act itself. The latent image, the desire-image, unfolds throughout the duration of the photographic act. When the picture is ‘taken’, then the desire subsides until the next desire for another image arises. Based on the photographic experiment by Jerry Chan, member of a group of blind people, this article aims at rethinking the photographic act as the real- life experience of an impression process, leading the blind apprentice photographer to experience sightedness within his very flesh.Universidade Católica Portuguesa2013-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v5i1.102oai:ojs.revistas.ucp.pt:article/7201Journal of Science and Technology of the Arts; Vol 5 No 1 (2013); 53-60Journal of Science and Technology of the Arts; v. 5 n. 1 (2013); 53-602183-00881646-979810.34632/citarj.2013.5.1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7201https://doi.org/10.7559/citarj.v5i1.102https://revistas.ucp.pt/index.php/jsta/article/view/7201/6995Copyright (c) 2013 Jenny Ferayhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFeray, Jenny2022-09-22T16:19:17Zoai:ojs.revistas.ucp.pt:article/7201Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:58:59.563286Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Latent images, blind comments on photography
title Latent images, blind comments on photography
spellingShingle Latent images, blind comments on photography
Feray, Jenny
title_short Latent images, blind comments on photography
title_full Latent images, blind comments on photography
title_fullStr Latent images, blind comments on photography
title_full_unstemmed Latent images, blind comments on photography
title_sort Latent images, blind comments on photography
author Feray, Jenny
author_facet Feray, Jenny
author_role author
dc.contributor.author.fl_str_mv Feray, Jenny
description Photographs, or images as the final result of a process, merely mark out the moment when the eye is helplessly limited to what it sees. Thus, what escapes the eye in the physical sense, i.e. what the eye will never see, is what occurs before the product- image, within the act itself. The latent image, the desire-image, unfolds throughout the duration of the photographic act. When the picture is ‘taken’, then the desire subsides until the next desire for another image arises. Based on the photographic experiment by Jerry Chan, member of a group of blind people, this article aims at rethinking the photographic act as the real- life experience of an impression process, leading the blind apprentice photographer to experience sightedness within his very flesh.
publishDate 2013
dc.date.none.fl_str_mv 2013-01-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
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dc.identifier.uri.fl_str_mv https://doi.org/10.7559/citarj.v5i1.102
oai:ojs.revistas.ucp.pt:article/7201
url https://doi.org/10.7559/citarj.v5i1.102
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dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/jsta/article/view/7201
https://doi.org/10.7559/citarj.v5i1.102
https://revistas.ucp.pt/index.php/jsta/article/view/7201/6995
dc.rights.driver.fl_str_mv Copyright (c) 2013 Jenny Feray
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Jenny Feray
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Journal of Science and Technology of the Arts; Vol 5 No 1 (2013); 53-60
Journal of Science and Technology of the Arts; v. 5 n. 1 (2013); 53-60
2183-0088
1646-9798
10.34632/citarj.2013.5.1
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