Um roteiro da arte contemporânea em Lisboa, a partir da Coleção Berardo : uma proposta de trabalho em rede no Serviço Educativo

• Autor(a) principal: Silva, Catarina Isabel e, 1990-
• Data de Publicação: 2018
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: http://hdl.handle.net/10451/35107
• topic: Museu Colecção Berardo; Museu do Chiado; Fundação Calouste Gulbenkian. Museu; Solomon R. Guggenheim Museum (Nova Iorque, Estados Unidos); Serviço educativo; Coleção Berardo; Arte moderna; Museologia; Trabalho em rede; Educação artística; useologia e Museografia

Art in general way, plays an extremely important role in society, in its culture and its wisdom. On the other hand, modernism had and still has a great influence in art, in generality, in the work of art, in the history of art, and in history and culture. The art exhibition in museums, specific to modern art, was once a failing, scarce or inexistent point in Portugal. In order to get this problem corrected, a museum was created, a museum which through a vast collection of modern and contemporary works of art would be able to complete this gap - the Berardo Museum. However, there are two other museums - the Chiado Museum and the Calouste Gulbenkian Museum, which work in the same fields of art as the Berardo Museum. Working together, these three museums form a union capable of enriching not only modern art, through its visualization and study, but also society, the country, and the world, offering through its collections and exhibitions a wider spectrum of works of art and information on the history of modern art, inside and outside the country. The museum is seen as a place of knowledge and learning, of enrichment. The museum is the entity that offers culture, history, and openness to all age groups and social situations. Thus, through the work done by these museums, in their educational services and in what they offer to the public visitation, these museums are seen as places of personal and cultural development. Networking makes the offer more interesting, more comprehensive, wider, causes greater involvement, and thus being, it becomes capable of making the development even greater. From the city of Lisbon, through these entities, the opportunity arises to create a guidebook of modern art that envelops them, and interconnects them, bringing knowledge from the inside out, to the enjoyment of all