Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom

Detalhes bibliográficos
Autor(a) principal: de Lima, Maria Helena
Data de Publicação: 2019
Outros Autores: Keller, Damián, Vargas Flores, Luciano
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/musichildren.v0i0.1132
Resumo: In this article, we describe a longitudinal study featuring group collaborations within the context of educational research done by teenagers in high school. An eco-compositional activity took place during 2015 in an elective course offered to secondary students at the UFRGS Application School (CAp). Fifteen students took part in the course, four of which were already Scientific Initiation students within the context of the Ubiquitous Music Research Project at CAp. The course addressed theoretical and practical aspects of Ubiquitous Music (ubimus). Its goal was to produce a collective composition - Sounds of CAp - applying ubimus eco-compositional strategies. During the course, several activities were planned and conducted by the research-students in and outside of the classroom, under teacher/researcher advice. The focus of the experiments was to foster creative experiences through technological support. We describe the experience, the procedures, tools, and the process of collective composition, presentation and assessment of creative products. We also present contributions from the emerging and multidisciplinary research field of Ubiquitous Music for creative studies and educational practices. Ubimus’ research focuses on music making in everyday settings, employing creativity-centered design strategies to support creative experiences within artistic and educational endeavors. More specifically, we discuss undergraduate research in the field, done by basic education students advised by the authors and lead researchers. Hence, we also explore the implications of these experiences to promote and enhance the students’ educational activities.
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spelling Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroomEco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroomIn this article, we describe a longitudinal study featuring group collaborations within the context of educational research done by teenagers in high school. An eco-compositional activity took place during 2015 in an elective course offered to secondary students at the UFRGS Application School (CAp). Fifteen students took part in the course, four of which were already Scientific Initiation students within the context of the Ubiquitous Music Research Project at CAp. The course addressed theoretical and practical aspects of Ubiquitous Music (ubimus). Its goal was to produce a collective composition - Sounds of CAp - applying ubimus eco-compositional strategies. During the course, several activities were planned and conducted by the research-students in and outside of the classroom, under teacher/researcher advice. The focus of the experiments was to foster creative experiences through technological support. We describe the experience, the procedures, tools, and the process of collective composition, presentation and assessment of creative products. We also present contributions from the emerging and multidisciplinary research field of Ubiquitous Music for creative studies and educational practices. Ubimus’ research focuses on music making in everyday settings, employing creativity-centered design strategies to support creative experiences within artistic and educational endeavors. More specifically, we discuss undergraduate research in the field, done by basic education students advised by the authors and lead researchers. Hence, we also explore the implications of these experiences to promote and enhance the students’ educational activities.UA Editora2019-03-18info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/musichildren.v0i0.1132https://doi.org/10.34624/musichildren.v0i0.1132Music for and by children; No 1 (2018): Musichildren: Proceedings of the 1st International Conference Music for and by Children; 139-151Music for and by children; n.º 1 (2018): Musichildren: Proceedings of the 1st International Conference Music for and by Children; 139-1512795-5990reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://proa.ua.pt/index.php/musichildren/article/view/1132https://proa.ua.pt/index.php/musichildren/article/view/1132/925de Lima, Maria HelenaKeller, DamiánVargas Flores, Lucianoinfo:eu-repo/semantics/openAccess2023-11-12T10:03:13Zoai:proa.ua.pt:article/1132Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:38:04.241682Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
title Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
spellingShingle Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
de Lima, Maria Helena
title_short Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
title_full Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
title_fullStr Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
title_full_unstemmed Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
title_sort Eco-composition and everyday creative musical practices: Theory and practice experience in Ubiquitous Music research at UFRGS Application School with high school students in and out of the classroom
author de Lima, Maria Helena
author_facet de Lima, Maria Helena
Keller, Damián
Vargas Flores, Luciano
author_role author
author2 Keller, Damián
Vargas Flores, Luciano
author2_role author
author
dc.contributor.author.fl_str_mv de Lima, Maria Helena
Keller, Damián
Vargas Flores, Luciano
description In this article, we describe a longitudinal study featuring group collaborations within the context of educational research done by teenagers in high school. An eco-compositional activity took place during 2015 in an elective course offered to secondary students at the UFRGS Application School (CAp). Fifteen students took part in the course, four of which were already Scientific Initiation students within the context of the Ubiquitous Music Research Project at CAp. The course addressed theoretical and practical aspects of Ubiquitous Music (ubimus). Its goal was to produce a collective composition - Sounds of CAp - applying ubimus eco-compositional strategies. During the course, several activities were planned and conducted by the research-students in and outside of the classroom, under teacher/researcher advice. The focus of the experiments was to foster creative experiences through technological support. We describe the experience, the procedures, tools, and the process of collective composition, presentation and assessment of creative products. We also present contributions from the emerging and multidisciplinary research field of Ubiquitous Music for creative studies and educational practices. Ubimus’ research focuses on music making in everyday settings, employing creativity-centered design strategies to support creative experiences within artistic and educational endeavors. More specifically, we discuss undergraduate research in the field, done by basic education students advised by the authors and lead researchers. Hence, we also explore the implications of these experiences to promote and enhance the students’ educational activities.
publishDate 2019
dc.date.none.fl_str_mv 2019-03-18
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https://doi.org/10.34624/musichildren.v0i0.1132
url https://doi.org/10.34624/musichildren.v0i0.1132
dc.language.iso.fl_str_mv eng
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https://proa.ua.pt/index.php/musichildren/article/view/1132/925
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dc.publisher.none.fl_str_mv UA Editora
publisher.none.fl_str_mv UA Editora
dc.source.none.fl_str_mv Music for and by children; No 1 (2018): Musichildren: Proceedings of the 1st International Conference Music for and by Children; 139-151
Music for and by children; n.º 1 (2018): Musichildren: Proceedings of the 1st International Conference Music for and by Children; 139-151
2795-5990
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