Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa

Detalhes bibliográficos
Autor(a) principal: Roldão, Élia
Data de Publicação: 2023
Outros Autores: França de Sá, Susana, Pinto Rodrigues, Alexandra, Tavares, Emília
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.14568/cp27337
Resumo: This paper discusses the conservation challenges posed by the mixed-media photographic artwork, Revolução, Corpo, Tempo (1978) by Ernesto de Sousa, from Museu Nacional de Arte Contemporânea do Chiado, in Portugal. Due to the artwork's poor condition and an exhibition request, a conservation intervention was needed. However, the definition of a conservation plan was challenging because of the complex and singular creative process of Ernesto and the highly deteriorated exhibition mounting. The lack of existing information led to the start of a research study and to the production of new documentation. This paper examines the gathered knowledge on Ernesto de Sousa's work and case study, and his possible position regarding the artwork’s deterioration and evolution over time – fundamental issues for decision-making in conservation. Based on visual observation, archive research, informal interviews, photo-documentation, infrared spectroscopy, and x-ray fluorescence spectroscopy, this paper discusses the challenges, the methodology and the applied treatment.
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spelling Decision-making process and restoration work of a photographic-based artwork by Ernesto de SousaTomada de decisão e intervenção numa obra de arte fotográfica de Ernesto de SousaArticlesThis paper discusses the conservation challenges posed by the mixed-media photographic artwork, Revolução, Corpo, Tempo (1978) by Ernesto de Sousa, from Museu Nacional de Arte Contemporânea do Chiado, in Portugal. Due to the artwork's poor condition and an exhibition request, a conservation intervention was needed. However, the definition of a conservation plan was challenging because of the complex and singular creative process of Ernesto and the highly deteriorated exhibition mounting. The lack of existing information led to the start of a research study and to the production of new documentation. This paper examines the gathered knowledge on Ernesto de Sousa's work and case study, and his possible position regarding the artwork’s deterioration and evolution over time – fundamental issues for decision-making in conservation. Based on visual observation, archive research, informal interviews, photo-documentation, infrared spectroscopy, and x-ray fluorescence spectroscopy, this paper discusses the challenges, the methodology and the applied treatment.Este artigo discute os desafios na conservação da obra fotográfica de técnica mista, Revolução, Corpo, Tempo (1978) de Ernesto de Sousa, do Museu Nacional de Arte Contemporânea do Chiado (Portugal). Devido aos danos na obra e um pedido para exposição, foi necessário realizar uma intervenção de conservação. A definição de um plano de conservação foi desafiante devido à falta de informação sobre o complexo e singular processo criativo do autor e aos extensos danos nos elementos da montagem. Este artigo analisa a informação recolhida sobre a obra e o caso de estudo, e discute a possível posição do artista face à deterioração e evolução da obra ao longo do tempo – questões fundamentais para a tomada de decisão em conservação. Através da observação visual, pesquisa em arquivos, entrevistas informais, foto-documentação, espectroscopia de infravermelho e micro-fluorescência de raios X, apresentam-se os desafios, a metodologia e o tratamento realizado.ARP - Associação Profissional de Conservadores-Restauradores de Portugal2023-07-08info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.14568/cp27337eng2182-99421646-043XRoldão, ÉliaFrança de Sá, SusanaPinto Rodrigues, AlexandraTavares, Emíliainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-08-01T02:31:46Zoai:ojs.revistas.rcaap.pt:article/27337Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:02:56.254274Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
Tomada de decisão e intervenção numa obra de arte fotográfica de Ernesto de Sousa
title Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
spellingShingle Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
Roldão, Élia
Articles
title_short Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
title_full Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
title_fullStr Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
title_full_unstemmed Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
title_sort Decision-making process and restoration work of a photographic-based artwork by Ernesto de Sousa
author Roldão, Élia
author_facet Roldão, Élia
França de Sá, Susana
Pinto Rodrigues, Alexandra
Tavares, Emília
author_role author
author2 França de Sá, Susana
Pinto Rodrigues, Alexandra
Tavares, Emília
author2_role author
author
author
dc.contributor.author.fl_str_mv Roldão, Élia
França de Sá, Susana
Pinto Rodrigues, Alexandra
Tavares, Emília
dc.subject.por.fl_str_mv Articles
topic Articles
description This paper discusses the conservation challenges posed by the mixed-media photographic artwork, Revolução, Corpo, Tempo (1978) by Ernesto de Sousa, from Museu Nacional de Arte Contemporânea do Chiado, in Portugal. Due to the artwork's poor condition and an exhibition request, a conservation intervention was needed. However, the definition of a conservation plan was challenging because of the complex and singular creative process of Ernesto and the highly deteriorated exhibition mounting. The lack of existing information led to the start of a research study and to the production of new documentation. This paper examines the gathered knowledge on Ernesto de Sousa's work and case study, and his possible position regarding the artwork’s deterioration and evolution over time – fundamental issues for decision-making in conservation. Based on visual observation, archive research, informal interviews, photo-documentation, infrared spectroscopy, and x-ray fluorescence spectroscopy, this paper discusses the challenges, the methodology and the applied treatment.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-08
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
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dc.identifier.uri.fl_str_mv https://doi.org/10.14568/cp27337
url https://doi.org/10.14568/cp27337
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2182-9942
1646-043X
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dc.publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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