Digital Printing in Contemporary Art. A review for conservation decision-making
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Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.14568/cp2019028 |
Resumo: | Art uses the contemporary tools developed at the time, because of their material and conceptual possibilities. Comparing with other media, computers and output devices have transformed our society and culture in the last decades more than ever. These resources offered an interesting research path for artists, generating consideration and discussion concerning its use and conservation. On this regard this paper focuses on two main aspects: the materials employed to produce digital prints (technologies, inks, substrates, finishing and mounting) and conservation issues such as terminology concerns, documentation and recording, long-term stability, and reproduction matters. Clear standards are needed in order to guarantee the conservation of these artworks, representative of this century. Received: 2019-8-13 Revised: 2019-11-13 Accepted: 2020-1-6 Online: 2020-5-13 Publication: 2020-11-27 |
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Digital Printing in Contemporary Art. A review for conservation decision-makingImpressão Digital em Arte Contemporânea. Uma revisão para decidir sobre a sua conservaçãoArticlesArt uses the contemporary tools developed at the time, because of their material and conceptual possibilities. Comparing with other media, computers and output devices have transformed our society and culture in the last decades more than ever. These resources offered an interesting research path for artists, generating consideration and discussion concerning its use and conservation. On this regard this paper focuses on two main aspects: the materials employed to produce digital prints (technologies, inks, substrates, finishing and mounting) and conservation issues such as terminology concerns, documentation and recording, long-term stability, and reproduction matters. Clear standards are needed in order to guarantee the conservation of these artworks, representative of this century. Received: 2019-8-13 Revised: 2019-11-13 Accepted: 2020-1-6 Online: 2020-5-13 Publication: 2020-11-27A arte utiliza as ferramentas contemporâneas desenvolvidas na época, pelas suas possibilidades materiais e conceituais. Comparando com outros meios de comunicação, os computadores e os dispositivos de saída transformaram a nossa sociedade e cultura mais do que nunca nas últimas décadas. Esses recursos ofereceram um interessante campo exploratório para os artistas, gerando considerações e discussões sobre seu uso e conservação. Nesse sentido, este artigo está focado em dois temas principais: os materiais usados para produzir impressões digitais (tecnologias, tintas, substratos, acabamentos e montagens) e as questões de conservação, como o cuidado na terminologia, documentação e gravação, estabilidade a longo prazo, e problemas de reprodução. São necessários procedimentos claros para garantir a conservação dessas obras de arte, representativas deste século. Recebido: 2019-8-13 Revisto: 2019-11-13 Aceite: 2020-1-6 Online: 2020-5-13 Publicação: 2020-11-27ARP - Associação Profissional de Conservadores-Restauradores de Portugal2020-11-27T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.14568/cp2019028eng2182-99421646-043XAnthonisen-Añabeitia, IraiaMaguregui Olabarria, Itxasoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-09-20T11:11:16Zoai:ojs.revistas.rcaap.pt:article/21570Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:49:08.999950Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Digital Printing in Contemporary Art. A review for conservation decision-making Impressão Digital em Arte Contemporânea. Uma revisão para decidir sobre a sua conservação |
title |
Digital Printing in Contemporary Art. A review for conservation decision-making |
spellingShingle |
Digital Printing in Contemporary Art. A review for conservation decision-making Anthonisen-Añabeitia, Iraia Articles |
title_short |
Digital Printing in Contemporary Art. A review for conservation decision-making |
title_full |
Digital Printing in Contemporary Art. A review for conservation decision-making |
title_fullStr |
Digital Printing in Contemporary Art. A review for conservation decision-making |
title_full_unstemmed |
Digital Printing in Contemporary Art. A review for conservation decision-making |
title_sort |
Digital Printing in Contemporary Art. A review for conservation decision-making |
author |
Anthonisen-Añabeitia, Iraia |
author_facet |
Anthonisen-Añabeitia, Iraia Maguregui Olabarria, Itxaso |
author_role |
author |
author2 |
Maguregui Olabarria, Itxaso |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Anthonisen-Añabeitia, Iraia Maguregui Olabarria, Itxaso |
dc.subject.por.fl_str_mv |
Articles |
topic |
Articles |
description |
Art uses the contemporary tools developed at the time, because of their material and conceptual possibilities. Comparing with other media, computers and output devices have transformed our society and culture in the last decades more than ever. These resources offered an interesting research path for artists, generating consideration and discussion concerning its use and conservation. On this regard this paper focuses on two main aspects: the materials employed to produce digital prints (technologies, inks, substrates, finishing and mounting) and conservation issues such as terminology concerns, documentation and recording, long-term stability, and reproduction matters. Clear standards are needed in order to guarantee the conservation of these artworks, representative of this century. Received: 2019-8-13 Revised: 2019-11-13 Accepted: 2020-1-6 Online: 2020-5-13 Publication: 2020-11-27 |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-11-27T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.14568/cp2019028 |
url |
https://doi.org/10.14568/cp2019028 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2182-9942 1646-043X |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
ARP - Associação Profissional de Conservadores-Restauradores de Portugal |
publisher.none.fl_str_mv |
ARP - Associação Profissional de Conservadores-Restauradores de Portugal |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130357115650048 |