Digital Printing in Contemporary Art. A review for conservation decision-making

Detalhes bibliográficos
Autor(a) principal: Anthonisen-Añabeitia, Iraia
Data de Publicação: 2020
Outros Autores: Maguregui Olabarria, Itxaso
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.14568/cp2019028
Resumo: Art uses the contemporary tools developed at the time, because of their material and conceptual possibilities. Comparing with other media, computers and output devices have transformed our society and culture in the last decades more than ever. These resources offered an interesting research path for artists, generating consideration and discussion concerning its use and conservation. On this regard this paper focuses on two main aspects: the materials employed to produce digital prints (technologies, inks, substrates, finishing and mounting) and conservation issues such as terminology concerns, documentation and recording, long-term stability, and reproduction matters. Clear standards are needed in order to guarantee the conservation of these artworks, representative of this century.   Received: 2019-8-13 Revised: 2019-11-13 Accepted: 2020-1-6 Online: 2020-5-13 Publication: 2020-11-27
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spelling Digital Printing in Contemporary Art. A review for conservation decision-makingImpressão Digital em Arte Contemporânea. Uma revisão para decidir sobre a sua conservaçãoArticlesArt uses the contemporary tools developed at the time, because of their material and conceptual possibilities. Comparing with other media, computers and output devices have transformed our society and culture in the last decades more than ever. These resources offered an interesting research path for artists, generating consideration and discussion concerning its use and conservation. On this regard this paper focuses on two main aspects: the materials employed to produce digital prints (technologies, inks, substrates, finishing and mounting) and conservation issues such as terminology concerns, documentation and recording, long-term stability, and reproduction matters. Clear standards are needed in order to guarantee the conservation of these artworks, representative of this century.   Received: 2019-8-13 Revised: 2019-11-13 Accepted: 2020-1-6 Online: 2020-5-13 Publication: 2020-11-27A arte utiliza as ferramentas contemporâneas desenvolvidas na época, pelas suas possibilidades materiais e conceituais. Comparando com outros meios de comunicação, os computadores e os dispositivos de saída transformaram a nossa sociedade e cultura mais do que nunca nas últimas décadas. Esses recursos ofereceram um interessante campo exploratório para os artistas, gerando considerações e discussões sobre seu uso e conservação. Nesse sentido, este artigo está focado em dois temas principais: os materiais usados para produzir impressões digitais (tecnologias, tintas, substratos, acabamentos e montagens) e as questões de conservação, como o cuidado na terminologia, documentação e gravação, estabilidade a longo prazo, e problemas de reprodução. São necessários procedimentos claros para garantir a conservação dessas obras de arte, representativas deste século.   Recebido: 2019-8-13 Revisto: 2019-11-13 Aceite: 2020-1-6 Online: 2020-5-13 Publicação: 2020-11-27ARP - Associação Profissional de Conservadores-Restauradores de Portugal2020-11-27T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.14568/cp2019028eng2182-99421646-043XAnthonisen-Añabeitia, IraiaMaguregui Olabarria, Itxasoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-09-20T11:11:16Zoai:ojs.revistas.rcaap.pt:article/21570Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:49:08.999950Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Digital Printing in Contemporary Art. A review for conservation decision-making
Impressão Digital em Arte Contemporânea. Uma revisão para decidir sobre a sua conservação
title Digital Printing in Contemporary Art. A review for conservation decision-making
spellingShingle Digital Printing in Contemporary Art. A review for conservation decision-making
Anthonisen-Añabeitia, Iraia
Articles
title_short Digital Printing in Contemporary Art. A review for conservation decision-making
title_full Digital Printing in Contemporary Art. A review for conservation decision-making
title_fullStr Digital Printing in Contemporary Art. A review for conservation decision-making
title_full_unstemmed Digital Printing in Contemporary Art. A review for conservation decision-making
title_sort Digital Printing in Contemporary Art. A review for conservation decision-making
author Anthonisen-Añabeitia, Iraia
author_facet Anthonisen-Añabeitia, Iraia
Maguregui Olabarria, Itxaso
author_role author
author2 Maguregui Olabarria, Itxaso
author2_role author
dc.contributor.author.fl_str_mv Anthonisen-Añabeitia, Iraia
Maguregui Olabarria, Itxaso
dc.subject.por.fl_str_mv Articles
topic Articles
description Art uses the contemporary tools developed at the time, because of their material and conceptual possibilities. Comparing with other media, computers and output devices have transformed our society and culture in the last decades more than ever. These resources offered an interesting research path for artists, generating consideration and discussion concerning its use and conservation. On this regard this paper focuses on two main aspects: the materials employed to produce digital prints (technologies, inks, substrates, finishing and mounting) and conservation issues such as terminology concerns, documentation and recording, long-term stability, and reproduction matters. Clear standards are needed in order to guarantee the conservation of these artworks, representative of this century.   Received: 2019-8-13 Revised: 2019-11-13 Accepted: 2020-1-6 Online: 2020-5-13 Publication: 2020-11-27
publishDate 2020
dc.date.none.fl_str_mv 2020-11-27T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.14568/cp2019028
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dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2182-9942
1646-043X
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dc.publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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instacron_str RCAAP
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collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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