Geräusch as presentness: the critique by Stockhausen and Eisenman
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.7559/citarj.v6i2.111 |
Resumo: | This paper proposes an idea of noise [Geräusch] as presentness in order to think about the critical works of Karlheinz Stockhausen (1928-2007) and Peter Eisenman (1932-). This idea implies that there is a connection between these both aspects: Geräusch [noise] in relation to Stockhausen’s work, and presentness, linked to the displacement of what Eisenman called the metaphysical presence of architecture. In a strict sense, we must show how noises are draw out in Stockhausen’s music and how Eisenman deals with the metaphysical presence of architecture – articulating them beyond the limits of both areas, i.e., noise with architecture and presentness with music. In general terms, when we articulate theses concepts beyond the limits of music and architecture, paradoxically, we are focusing on the critique of their internal autonomy. Thus, when we are approaching Eisenman’s and Stockhausen’s works in terms of the subjects noise and presentness, we are talking about the relationship between music and architecture. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Geräusch as presentness: the critique by Stockhausen and EisenmanThis paper proposes an idea of noise [Geräusch] as presentness in order to think about the critical works of Karlheinz Stockhausen (1928-2007) and Peter Eisenman (1932-). This idea implies that there is a connection between these both aspects: Geräusch [noise] in relation to Stockhausen’s work, and presentness, linked to the displacement of what Eisenman called the metaphysical presence of architecture. In a strict sense, we must show how noises are draw out in Stockhausen’s music and how Eisenman deals with the metaphysical presence of architecture – articulating them beyond the limits of both areas, i.e., noise with architecture and presentness with music. In general terms, when we articulate theses concepts beyond the limits of music and architecture, paradoxically, we are focusing on the critique of their internal autonomy. Thus, when we are approaching Eisenman’s and Stockhausen’s works in terms of the subjects noise and presentness, we are talking about the relationship between music and architecture.Universidade Católica Portuguesa2014-07-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.7559/citarj.v6i2.111oai:ojs.revistas.ucp.pt:article/7223Journal of Science and Technology of the Arts; Vol 6 No 2 (2014); 15-20Journal of Science and Technology of the Arts; v. 6 n. 2 (2014); 15-202183-00881646-979810.34632/citarj.2014.6.2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://revistas.ucp.pt/index.php/jsta/article/view/7223https://doi.org/10.7559/citarj.v6i2.111https://revistas.ucp.pt/index.php/jsta/article/view/7223/7178Copyright (c) 2014 Francisco Palmeira Lucenahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLucena, Francisco Palmeira2022-09-22T16:19:18Zoai:ojs.revistas.ucp.pt:article/7223Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:59:00.124819Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Geräusch as presentness: the critique by Stockhausen and Eisenman |
title |
Geräusch as presentness: the critique by Stockhausen and Eisenman |
spellingShingle |
Geräusch as presentness: the critique by Stockhausen and Eisenman Lucena, Francisco Palmeira |
title_short |
Geräusch as presentness: the critique by Stockhausen and Eisenman |
title_full |
Geräusch as presentness: the critique by Stockhausen and Eisenman |
title_fullStr |
Geräusch as presentness: the critique by Stockhausen and Eisenman |
title_full_unstemmed |
Geräusch as presentness: the critique by Stockhausen and Eisenman |
title_sort |
Geräusch as presentness: the critique by Stockhausen and Eisenman |
author |
Lucena, Francisco Palmeira |
author_facet |
Lucena, Francisco Palmeira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lucena, Francisco Palmeira |
description |
This paper proposes an idea of noise [Geräusch] as presentness in order to think about the critical works of Karlheinz Stockhausen (1928-2007) and Peter Eisenman (1932-). This idea implies that there is a connection between these both aspects: Geräusch [noise] in relation to Stockhausen’s work, and presentness, linked to the displacement of what Eisenman called the metaphysical presence of architecture. In a strict sense, we must show how noises are draw out in Stockhausen’s music and how Eisenman deals with the metaphysical presence of architecture – articulating them beyond the limits of both areas, i.e., noise with architecture and presentness with music. In general terms, when we articulate theses concepts beyond the limits of music and architecture, paradoxically, we are focusing on the critique of their internal autonomy. Thus, when we are approaching Eisenman’s and Stockhausen’s works in terms of the subjects noise and presentness, we are talking about the relationship between music and architecture. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-07-01T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.7559/citarj.v6i2.111 oai:ojs.revistas.ucp.pt:article/7223 |
url |
https://doi.org/10.7559/citarj.v6i2.111 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/7223 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/jsta/article/view/7223 https://doi.org/10.7559/citarj.v6i2.111 https://revistas.ucp.pt/index.php/jsta/article/view/7223/7178 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 Francisco Palmeira Lucena http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 Francisco Palmeira Lucena http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Journal of Science and Technology of the Arts; Vol 6 No 2 (2014); 15-20 Journal of Science and Technology of the Arts; v. 6 n. 2 (2014); 15-20 2183-0088 1646-9798 10.34632/citarj.2014.6.2 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799130456822644736 |