Murals as Memorials

Detalhes bibliográficos
Autor(a) principal: Blankley, Bridget
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48619/uxuc.v3i1.486
Resumo: This paper, short though it is, represents my first thoughts on the overlap between street art as memoria and the concept of the artist as implicated subject. That is should we consider the artist who create memorial graffiti as documenters of societies memories or creators of them. In examining the extent to which the making of such art can be considered as an act of shaping rather than reflecting cultural memory I will seek to establish that the artist promotes interaction with both their art and the subject of that art.
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spelling Murals as MemorialsThis paper, short though it is, represents my first thoughts on the overlap between street art as memoria and the concept of the artist as implicated subject. That is should we consider the artist who create memorial graffiti as documenters of societies memories or creators of them. In examining the extent to which the making of such art can be considered as an act of shaping rather than reflecting cultural memory I will seek to establish that the artist promotes interaction with both their art and the subject of that art.Urbancreativity.org2021-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/uxuc.v3i1.486oai:journals.ap2.pt:article/486UXUC - User Experience and Urban Creativity; Vol 3 No 1 (2021): Research through Interaction Design (RtD + IxD = RtIxD); 144 - 147reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/UXUC/article/view/486https://doi.org/10.48619/uxuc.v3i1.486https://journals.ap2.pt/index.php/UXUC/article/view/486/301Blankley, Bridgetinfo:eu-repo/semantics/openAccess2022-09-20T16:05:40Zoai:journals.ap2.pt:article/486Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:53:30.896182Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Murals as Memorials
title Murals as Memorials
spellingShingle Murals as Memorials
Blankley, Bridget
title_short Murals as Memorials
title_full Murals as Memorials
title_fullStr Murals as Memorials
title_full_unstemmed Murals as Memorials
title_sort Murals as Memorials
author Blankley, Bridget
author_facet Blankley, Bridget
author_role author
dc.contributor.author.fl_str_mv Blankley, Bridget
description This paper, short though it is, represents my first thoughts on the overlap between street art as memoria and the concept of the artist as implicated subject. That is should we consider the artist who create memorial graffiti as documenters of societies memories or creators of them. In examining the extent to which the making of such art can be considered as an act of shaping rather than reflecting cultural memory I will seek to establish that the artist promotes interaction with both their art and the subject of that art.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-30T00:00:00Z
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https://journals.ap2.pt/index.php/UXUC/article/view/486/301
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dc.publisher.none.fl_str_mv Urbancreativity.org
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dc.source.none.fl_str_mv UXUC - User Experience and Urban Creativity; Vol 3 No 1 (2021): Research through Interaction Design (RtD + IxD = RtIxD); 144 - 147
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