From street art to murals: what have we lost?

Detalhes bibliográficos
Autor(a) principal: Abarca, Javier
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.25765/sauc.v2i2.55
Resumo: The mural festivals that have become common all over the world in the last five years are often called street art festivals, and the murals produced in those festivals are often referred to as street art. This use of the term creates confusion, since there are clear and fundamental differences between the smaller, unsanctioned works we used to call street art in the past decade and the huge institutional murals of today. The aim of this text is to try and identify the differences between these two practices.
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spelling From street art to murals: what have we lost?The mural festivals that have become common all over the world in the last five years are often called street art festivals, and the murals produced in those festivals are often referred to as street art. This use of the term creates confusion, since there are clear and fundamental differences between the smaller, unsanctioned works we used to call street art in the past decade and the huge institutional murals of today. The aim of this text is to try and identify the differences between these two practices.AP22016-11-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.25765/sauc.v2i2.55https://doi.org/10.25765/sauc.v2i2.55SAUC - Street Art and Urban Creativity; Vol 2 No 2 (2016): Center Periphery: Theory; 60 - 672183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/55https://journals.ap2.pt/index.php/sauc/article/view/55/44Abarca, Javierinfo:eu-repo/semantics/openAccess2024-01-26T14:15:31Zoai:journals.ap2.pt:article/55Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:47.337124Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv From street art to murals: what have we lost?
title From street art to murals: what have we lost?
spellingShingle From street art to murals: what have we lost?
Abarca, Javier
title_short From street art to murals: what have we lost?
title_full From street art to murals: what have we lost?
title_fullStr From street art to murals: what have we lost?
title_full_unstemmed From street art to murals: what have we lost?
title_sort From street art to murals: what have we lost?
author Abarca, Javier
author_facet Abarca, Javier
author_role author
dc.contributor.author.fl_str_mv Abarca, Javier
description The mural festivals that have become common all over the world in the last five years are often called street art festivals, and the murals produced in those festivals are often referred to as street art. This use of the term creates confusion, since there are clear and fundamental differences between the smaller, unsanctioned works we used to call street art in the past decade and the huge institutional murals of today. The aim of this text is to try and identify the differences between these two practices.
publishDate 2016
dc.date.none.fl_str_mv 2016-11-23
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dc.language.iso.fl_str_mv eng
language eng
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https://journals.ap2.pt/index.php/sauc/article/view/55/44
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dc.source.none.fl_str_mv SAUC - Street Art and Urban Creativity; Vol 2 No 2 (2016): Center Periphery: Theory; 60 - 67
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