A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"

Detalhes bibliográficos
Autor(a) principal: Maria Eduarda Neumann Pinheiro
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/124173
Resumo: The present dissertation has as its field of study the comprehension of pedestrian occupation in the Brasília Pilot Plan (BPP) - a city considered the best representation of the rationalist modernist urbanism and, consequently, the one that made the pedestrian path unfeasible, being considered an "exceptional city". Given these functional and imagetic ideals of the modernist urbanism of the Athens Charter, and therefore of controlling the form in favor of the landscape of moving car streams, we devoted ourselves to the design of the Underground Pedestrian Crossings (UPC), our "object of study", highlighting the possibility of walking exclusively on the UPC - although they are limited by its narrow design and grounded under the Road Axis. They function as interconnections between Neighborhood Units and bus stops, but despite being built as "human urban corridors" (non-spaces), they critically reveal themselves to be places full of meaning, since they denounce realities, inequalities, transformations and occupations carried out by the "brasilienses" in the capital city. Thus, such axes also reflect social control attenuating the segregated archipelago society (class and race), as well as patriarchal issues (gender), given Brazil's social history. In this way, the study is given by intersecting the links 'formal control' (from the critique "a city is not a tree") and 'social control' (gender, class and race) - which our object emancipates, demystifying ideal and imaginary questions through the search for an alliance between the physical construction of urban space and social relations. Hence, we use the woman's body in "public space" as a "key analysis" since it is from the bias of those who walk that we can better requalify the city space. Therefore, with the approximation of interdisciplinarities that converge to arguments for understanding female urban planning, we sought to consider a better "rehabilitation project" to the studied place, - which is the objective of this study - since the universal questions to such body are more latent here, moving away from the modernist ideal of universal mass flow. In addition, the implementations of the UPCs are in the Residential Scale, which is historically a female primacy location.
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spelling A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"ArtesArtsThe present dissertation has as its field of study the comprehension of pedestrian occupation in the Brasília Pilot Plan (BPP) - a city considered the best representation of the rationalist modernist urbanism and, consequently, the one that made the pedestrian path unfeasible, being considered an "exceptional city". Given these functional and imagetic ideals of the modernist urbanism of the Athens Charter, and therefore of controlling the form in favor of the landscape of moving car streams, we devoted ourselves to the design of the Underground Pedestrian Crossings (UPC), our "object of study", highlighting the possibility of walking exclusively on the UPC - although they are limited by its narrow design and grounded under the Road Axis. They function as interconnections between Neighborhood Units and bus stops, but despite being built as "human urban corridors" (non-spaces), they critically reveal themselves to be places full of meaning, since they denounce realities, inequalities, transformations and occupations carried out by the "brasilienses" in the capital city. Thus, such axes also reflect social control attenuating the segregated archipelago society (class and race), as well as patriarchal issues (gender), given Brazil's social history. In this way, the study is given by intersecting the links 'formal control' (from the critique "a city is not a tree") and 'social control' (gender, class and race) - which our object emancipates, demystifying ideal and imaginary questions through the search for an alliance between the physical construction of urban space and social relations. Hence, we use the woman's body in "public space" as a "key analysis" since it is from the bias of those who walk that we can better requalify the city space. Therefore, with the approximation of interdisciplinarities that converge to arguments for understanding female urban planning, we sought to consider a better "rehabilitation project" to the studied place, - which is the objective of this study - since the universal questions to such body are more latent here, moving away from the modernist ideal of universal mass flow. In addition, the implementations of the UPCs are in the Residential Scale, which is historically a female primacy location.2019-11-252019-11-25T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/124173TID:202378276porMaria Eduarda Neumann Pinheiroinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:59:45Zoai:repositorio-aberto.up.pt:10216/124173Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:51:54.123509Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
title A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
spellingShingle A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
Maria Eduarda Neumann Pinheiro
Artes
Arts
title_short A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
title_full A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
title_fullStr A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
title_full_unstemmed A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
title_sort A invisibilidade do pedestre no Plano Piloto de Brasília: Críticas e novas directrizes ao desenho das Passagens Subterrâneas de Pedestres na perspectiva da mulher no " espaço público"
author Maria Eduarda Neumann Pinheiro
author_facet Maria Eduarda Neumann Pinheiro
author_role author
dc.contributor.author.fl_str_mv Maria Eduarda Neumann Pinheiro
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description The present dissertation has as its field of study the comprehension of pedestrian occupation in the Brasília Pilot Plan (BPP) - a city considered the best representation of the rationalist modernist urbanism and, consequently, the one that made the pedestrian path unfeasible, being considered an "exceptional city". Given these functional and imagetic ideals of the modernist urbanism of the Athens Charter, and therefore of controlling the form in favor of the landscape of moving car streams, we devoted ourselves to the design of the Underground Pedestrian Crossings (UPC), our "object of study", highlighting the possibility of walking exclusively on the UPC - although they are limited by its narrow design and grounded under the Road Axis. They function as interconnections between Neighborhood Units and bus stops, but despite being built as "human urban corridors" (non-spaces), they critically reveal themselves to be places full of meaning, since they denounce realities, inequalities, transformations and occupations carried out by the "brasilienses" in the capital city. Thus, such axes also reflect social control attenuating the segregated archipelago society (class and race), as well as patriarchal issues (gender), given Brazil's social history. In this way, the study is given by intersecting the links 'formal control' (from the critique "a city is not a tree") and 'social control' (gender, class and race) - which our object emancipates, demystifying ideal and imaginary questions through the search for an alliance between the physical construction of urban space and social relations. Hence, we use the woman's body in "public space" as a "key analysis" since it is from the bias of those who walk that we can better requalify the city space. Therefore, with the approximation of interdisciplinarities that converge to arguments for understanding female urban planning, we sought to consider a better "rehabilitation project" to the studied place, - which is the objective of this study - since the universal questions to such body are more latent here, moving away from the modernist ideal of universal mass flow. In addition, the implementations of the UPCs are in the Residential Scale, which is historically a female primacy location.
publishDate 2019
dc.date.none.fl_str_mv 2019-11-25
2019-11-25T00:00:00Z
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