Creative practices and improvisation: proposals for teacher of music education
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.37334/eras.v13i1.236 |
Resumo: | This article is narrated of the experiences in a degree in music and in the process developed by the Course in the construction of a critical teacher. The Course offers several disciplines, but there are absences of creative practices throughout the formation, with them there would be greater independence from teachers in their teaching-learning process, possibilities of increasing pedagogical repertoires and would escape the traditional teaching used. According to Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) and Lino & Dorneles (2019) creative practices can be tools in the development of the learner, expanding criticality and their imaginative intelligence during musical cognitive development, practices that would contribute significantly for a more qualified training of undergraduates. It is proposed to create disciplines that are based on musical improvisation with the aim of inserting content on the theme of creative practices and improvisation and thus supply some deficits in teacher training. |
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Creative practices and improvisation: proposals for teacher of music educationPRÁTICAS CRIATIVAS E IMPROVISAÇÃO: PROPOSTAS PARA FORMAÇÃO DE PROFESSORES DE MÚSICAPrática criativaImprovisação musicalFormação docenteMúsica UFRRCreative practiceMusical improvisationTeacher formationUFRR MusicThis article is narrated of the experiences in a degree in music and in the process developed by the Course in the construction of a critical teacher. The Course offers several disciplines, but there are absences of creative practices throughout the formation, with them there would be greater independence from teachers in their teaching-learning process, possibilities of increasing pedagogical repertoires and would escape the traditional teaching used. According to Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) and Lino & Dorneles (2019) creative practices can be tools in the development of the learner, expanding criticality and their imaginative intelligence during musical cognitive development, practices that would contribute significantly for a more qualified training of undergraduates. It is proposed to create disciplines that are based on musical improvisation with the aim of inserting content on the theme of creative practices and improvisation and thus supply some deficits in teacher training.Este artigo é um relato das experiências em uma licenciatura em música e no processo de desenvolvido pelo Curso na construção de um professor crítico. O Curso oferta diversas disciplinas, mas há ausências de práticas criativas ao longo da formação, com elas haveria maior independência do licenciandos no seu processo de ensino-aprendizagem, possibilidades de aumento dos repertórios pedagógicos e escaparia do tradicional ensino utilizado. Segundo Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) e Lino & Dorneles (2019) as práticas criativas podem ser ferramentas no desenvolvimento do aprendiz, ampliando a criticidade e sua inteligência imaginativa durante o desenvolvimento cognitivo musical, práticas que presentes contribuiriam de maneira significativa para uma formação mais qualificada dos licenciandos. Propõe-se a criação de disciplinas que tenham como base a improvisação musical com o objetivo de inserir conteúdos sobre a temática das práticas criativas e da improvisação e assim suprir alguns déficits da formação docente.MUNDIS2022-08-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://doi.org/10.37334/eras.v13i1.236https://doi.org/10.37334/eras.v13i1.236ERAS | Revista Europeia de Estudos Artísticos ; Vol. 13 N.º 1 (2022): 48.ª Edição | ERAS; 37-501647-35582184-2116reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporenghttps://eras.mundis.pt/index.php/eras/article/view/236https://eras.mundis.pt/index.php/eras/article/view/236/199https://eras.mundis.pt/index.php/eras/article/view/236/214Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticosinfo:eu-repo/semantics/openAccessLopes, Fabricio de OliveiraSilva, Jefferson Tiago de Souza Mendes da2022-12-30T12:45:27Zoai:ojs2.eras.mundis.pt:article/236Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:10:52.858382Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Creative practices and improvisation: proposals for teacher of music education PRÁTICAS CRIATIVAS E IMPROVISAÇÃO: PROPOSTAS PARA FORMAÇÃO DE PROFESSORES DE MÚSICA |
title |
Creative practices and improvisation: proposals for teacher of music education |
spellingShingle |
Creative practices and improvisation: proposals for teacher of music education Lopes, Fabricio de Oliveira Prática criativa Improvisação musical Formação docente Música UFRR Creative practice Musical improvisation Teacher formation UFRR Music |
title_short |
Creative practices and improvisation: proposals for teacher of music education |
title_full |
Creative practices and improvisation: proposals for teacher of music education |
title_fullStr |
Creative practices and improvisation: proposals for teacher of music education |
title_full_unstemmed |
Creative practices and improvisation: proposals for teacher of music education |
title_sort |
Creative practices and improvisation: proposals for teacher of music education |
author |
Lopes, Fabricio de Oliveira |
author_facet |
Lopes, Fabricio de Oliveira Silva, Jefferson Tiago de Souza Mendes da |
author_role |
author |
author2 |
Silva, Jefferson Tiago de Souza Mendes da |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Lopes, Fabricio de Oliveira Silva, Jefferson Tiago de Souza Mendes da |
dc.subject.por.fl_str_mv |
Prática criativa Improvisação musical Formação docente Música UFRR Creative practice Musical improvisation Teacher formation UFRR Music |
topic |
Prática criativa Improvisação musical Formação docente Música UFRR Creative practice Musical improvisation Teacher formation UFRR Music |
description |
This article is narrated of the experiences in a degree in music and in the process developed by the Course in the construction of a critical teacher. The Course offers several disciplines, but there are absences of creative practices throughout the formation, with them there would be greater independence from teachers in their teaching-learning process, possibilities of increasing pedagogical repertoires and would escape the traditional teaching used. According to Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) and Lino & Dorneles (2019) creative practices can be tools in the development of the learner, expanding criticality and their imaginative intelligence during musical cognitive development, practices that would contribute significantly for a more qualified training of undergraduates. It is proposed to create disciplines that are based on musical improvisation with the aim of inserting content on the theme of creative practices and improvisation and thus supply some deficits in teacher training. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-08-23 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.37334/eras.v13i1.236 https://doi.org/10.37334/eras.v13i1.236 |
url |
https://doi.org/10.37334/eras.v13i1.236 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://eras.mundis.pt/index.php/eras/article/view/236 https://eras.mundis.pt/index.php/eras/article/view/236/199 https://eras.mundis.pt/index.php/eras/article/view/236/214 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
MUNDIS |
publisher.none.fl_str_mv |
MUNDIS |
dc.source.none.fl_str_mv |
ERAS | Revista Europeia de Estudos Artísticos ; Vol. 13 N.º 1 (2022): 48.ª Edição | ERAS; 37-50 1647-3558 2184-2116 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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