Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.24840/2183-8976_2016-0001_0001_05 |
Resumo: | Nils Strindberg (1872-1897) was a Swedish photographer that took part in Salomon August Andrée’s Balloon Expedition to the North Pole in 1897. The expedition failed – three days after the departure, the balloon landed on frozen sea and the three men tried to walk homewards for three months until they died. Thirty-three years later, their remains were found and, among them, Strindberg’s camera and exposed films. This article considers not only the questions that arise when we first see Strindberg’s images – how did this photograph survived and came to us? What happened after the balloon disappeared in the horizon? – but also aims to contextualize this photographic set in the history of Arctic imagery and to analyse its semantic resonances on artistic and authorial creation, thus demonstrating its importance, beyond an historical approach |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils StrindbergVoyageNarrativeResonancephotographsNils StrindbergNils Strindberg (1872-1897) was a Swedish photographer that took part in Salomon August Andrée’s Balloon Expedition to the North Pole in 1897. The expedition failed – three days after the departure, the balloon landed on frozen sea and the three men tried to walk homewards for three months until they died. Thirty-three years later, their remains were found and, among them, Strindberg’s camera and exposed films. This article considers not only the questions that arise when we first see Strindberg’s images – how did this photograph survived and came to us? What happened after the balloon disappeared in the horizon? – but also aims to contextualize this photographic set in the history of Arctic imagery and to analyse its semantic resonances on artistic and authorial creation, thus demonstrating its importance, beyond an historical approachCITYSCOPIO, CULTURAL ASSOCIATION2016-12-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.24840/2183-8976_2016-0001_0001_05https://doi.org/10.24840/2183-8976_2016-0001_0001_05Sophia Journal ; Vol. 1 No. 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the Image; 15-29Sophia Journal ; Vol. 1 N.º 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the Image; 15-292183-94682183-897610.24840/2183-8976_2016-0001_0001reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://www.up.pt/revistas/index.php/sophia/article/view/200https://www.up.pt/revistas/index.php/sophia/article/view/200/185Copyright (c) 2016 Eduardo Britoinfo:eu-repo/semantics/openAccessBrito, Eduardo2023-12-09T05:10:48Zoai:www.up.pt/revistas:article/200Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:41:41.486152Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg |
title |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg |
spellingShingle |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg Brito, Eduardo Voyage Narrative Resonance photographs Nils Strindberg |
title_short |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg |
title_full |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg |
title_fullStr |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg |
title_full_unstemmed |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg |
title_sort |
Wandering in a Sea of Ice: Voyage, Narrative and Resonance in the photographs of Nils Strindberg |
author |
Brito, Eduardo |
author_facet |
Brito, Eduardo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Brito, Eduardo |
dc.subject.por.fl_str_mv |
Voyage Narrative Resonance photographs Nils Strindberg |
topic |
Voyage Narrative Resonance photographs Nils Strindberg |
description |
Nils Strindberg (1872-1897) was a Swedish photographer that took part in Salomon August Andrée’s Balloon Expedition to the North Pole in 1897. The expedition failed – three days after the departure, the balloon landed on frozen sea and the three men tried to walk homewards for three months until they died. Thirty-three years later, their remains were found and, among them, Strindberg’s camera and exposed films. This article considers not only the questions that arise when we first see Strindberg’s images – how did this photograph survived and came to us? What happened after the balloon disappeared in the horizon? – but also aims to contextualize this photographic set in the history of Arctic imagery and to analyse its semantic resonances on artistic and authorial creation, thus demonstrating its importance, beyond an historical approach |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-01 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.24840/2183-8976_2016-0001_0001_05 https://doi.org/10.24840/2183-8976_2016-0001_0001_05 |
url |
https://doi.org/10.24840/2183-8976_2016-0001_0001_05 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://www.up.pt/revistas/index.php/sophia/article/view/200 https://www.up.pt/revistas/index.php/sophia/article/view/200/185 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Eduardo Brito info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Eduardo Brito |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
publisher.none.fl_str_mv |
CITYSCOPIO, CULTURAL ASSOCIATION |
dc.source.none.fl_str_mv |
Sophia Journal ; Vol. 1 No. 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the Image; 15-29 Sophia Journal ; Vol. 1 N.º 1 (2016): Crossing Borders, Shifting Boundaries: The Aura of the Image; 15-29 2183-9468 2183-8976 10.24840/2183-8976_2016-0001_0001 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
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1799136319448809472 |