Origem, identidade e obra - Álvaro Siza e Peter Zumthor

Detalhes bibliográficos
Autor(a) principal: Mariana Gilsanz Ramos Gonçalves
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/126040
Resumo: The present thesis aims at an approximation and understanding of the role of architect's origins in the process of making architecture. This work starts with the analysis of Portuguese architect Álvaro Siza and Swiss architect Peter Zumthor jouneys, both contemporaries among themselves. Their distinct cultural realities manifest different attitudes and design choices, allowing them to confront the source of their origins and the performance of the "first memory" (from the earliest times of life). Three works by each of the authors stand out: Piscinas das Marés (1958-63), Thermes of Vals (1989-96), Church of Santa Maria (1994-97), Chapel of Sogn Benedetg (1985-87), Terraços of Bragança (1992-04) and Spittelhof (1987-96), are grouped according to their program. The comparison confirm the influence of their origins and in relation to them, the selection made in their answers.
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spelling Origem, identidade e obra - Álvaro Siza e Peter ZumthorArtesArtsThe present thesis aims at an approximation and understanding of the role of architect's origins in the process of making architecture. This work starts with the analysis of Portuguese architect Álvaro Siza and Swiss architect Peter Zumthor jouneys, both contemporaries among themselves. Their distinct cultural realities manifest different attitudes and design choices, allowing them to confront the source of their origins and the performance of the "first memory" (from the earliest times of life). Three works by each of the authors stand out: Piscinas das Marés (1958-63), Thermes of Vals (1989-96), Church of Santa Maria (1994-97), Chapel of Sogn Benedetg (1985-87), Terraços of Bragança (1992-04) and Spittelhof (1987-96), are grouped according to their program. The comparison confirm the influence of their origins and in relation to them, the selection made in their answers.2019-07-242019-07-24T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/126040TID:202631745porMariana Gilsanz Ramos Gonçalvesinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T12:54:14Zoai:repositorio-aberto.up.pt:10216/126040Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:29:03.980781Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Origem, identidade e obra - Álvaro Siza e Peter Zumthor
title Origem, identidade e obra - Álvaro Siza e Peter Zumthor
spellingShingle Origem, identidade e obra - Álvaro Siza e Peter Zumthor
Mariana Gilsanz Ramos Gonçalves
Artes
Arts
title_short Origem, identidade e obra - Álvaro Siza e Peter Zumthor
title_full Origem, identidade e obra - Álvaro Siza e Peter Zumthor
title_fullStr Origem, identidade e obra - Álvaro Siza e Peter Zumthor
title_full_unstemmed Origem, identidade e obra - Álvaro Siza e Peter Zumthor
title_sort Origem, identidade e obra - Álvaro Siza e Peter Zumthor
author Mariana Gilsanz Ramos Gonçalves
author_facet Mariana Gilsanz Ramos Gonçalves
author_role author
dc.contributor.author.fl_str_mv Mariana Gilsanz Ramos Gonçalves
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description The present thesis aims at an approximation and understanding of the role of architect's origins in the process of making architecture. This work starts with the analysis of Portuguese architect Álvaro Siza and Swiss architect Peter Zumthor jouneys, both contemporaries among themselves. Their distinct cultural realities manifest different attitudes and design choices, allowing them to confront the source of their origins and the performance of the "first memory" (from the earliest times of life). Three works by each of the authors stand out: Piscinas das Marés (1958-63), Thermes of Vals (1989-96), Church of Santa Maria (1994-97), Chapel of Sogn Benedetg (1985-87), Terraços of Bragança (1992-04) and Spittelhof (1987-96), are grouped according to their program. The comparison confirm the influence of their origins and in relation to them, the selection made in their answers.
publishDate 2019
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