Critical Readings of The Salesman in Iran

Detalhes bibliográficos
Autor(a) principal: Jamshidi,Akram
Data de Publicação: 2018
Outros Autores: Esfandiary,Shahab
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-59542018000200005
Resumo: Asghar Farhadi's cinema has found a worldwide audience in recent years, and most of his movies have been globally celebrated. His most recent movie The Salesman, however, has had a dialectical existence in his own homeland. The nature of this controversy reveals up a number of dominant social issues in contemporary Iran. Accordingly, Iranian could be divided into supporters and critics of Farhadi's The Salesman. The former believe that it is about social problems and in association with Farhadi's cinema. The latter see it as his attempt for international celebration even to the point of dishonoring his homeland. This essay offers two contrasting readings of Asghar Farhadi's The Salesman by the Iranian film reviewers and critics. Data collection includes texts which were taken from the most leading cinematic publications, websites and TV shows.
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spelling Critical Readings of The Salesman in IranThe SalesmanAsghar FarhadiCritical readingIranCultureAsghar Farhadi's cinema has found a worldwide audience in recent years, and most of his movies have been globally celebrated. His most recent movie The Salesman, however, has had a dialectical existence in his own homeland. The nature of this controversy reveals up a number of dominant social issues in contemporary Iran. Accordingly, Iranian could be divided into supporters and critics of Farhadi's The Salesman. The former believe that it is about social problems and in association with Farhadi's cinema. The latter see it as his attempt for international celebration even to the point of dishonoring his homeland. This essay offers two contrasting readings of Asghar Farhadi's The Salesman by the Iranian film reviewers and critics. Data collection includes texts which were taken from the most leading cinematic publications, websites and TV shows.OberCom2018-06-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-59542018000200005Observatorio (OBS*) v.12 n.2 2018reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1646-59542018000200005Jamshidi,AkramEsfandiary,Shahabinfo:eu-repo/semantics/openAccess2024-02-06T17:22:21Zoai:scielo:S1646-59542018000200005Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:29:02.282683Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Critical Readings of The Salesman in Iran
title Critical Readings of The Salesman in Iran
spellingShingle Critical Readings of The Salesman in Iran
Jamshidi,Akram
The Salesman
Asghar Farhadi
Critical reading
Iran
Culture
title_short Critical Readings of The Salesman in Iran
title_full Critical Readings of The Salesman in Iran
title_fullStr Critical Readings of The Salesman in Iran
title_full_unstemmed Critical Readings of The Salesman in Iran
title_sort Critical Readings of The Salesman in Iran
author Jamshidi,Akram
author_facet Jamshidi,Akram
Esfandiary,Shahab
author_role author
author2 Esfandiary,Shahab
author2_role author
dc.contributor.author.fl_str_mv Jamshidi,Akram
Esfandiary,Shahab
dc.subject.por.fl_str_mv The Salesman
Asghar Farhadi
Critical reading
Iran
Culture
topic The Salesman
Asghar Farhadi
Critical reading
Iran
Culture
description Asghar Farhadi's cinema has found a worldwide audience in recent years, and most of his movies have been globally celebrated. His most recent movie The Salesman, however, has had a dialectical existence in his own homeland. The nature of this controversy reveals up a number of dominant social issues in contemporary Iran. Accordingly, Iranian could be divided into supporters and critics of Farhadi's The Salesman. The former believe that it is about social problems and in association with Farhadi's cinema. The latter see it as his attempt for international celebration even to the point of dishonoring his homeland. This essay offers two contrasting readings of Asghar Farhadi's The Salesman by the Iranian film reviewers and critics. Data collection includes texts which were taken from the most leading cinematic publications, websites and TV shows.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-01
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dc.language.iso.fl_str_mv eng
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dc.publisher.none.fl_str_mv OberCom
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dc.source.none.fl_str_mv Observatorio (OBS*) v.12 n.2 2018
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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