Ondulação de Projecto: casa-de-casas
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/129291 |
Resumo: | The following essay emerges from a certain restlessness that has risen in a period of travel and exploration amongst what would be a "foreign", unknown environment. Once the inevitable conflict with what would have been the methodologies and principles [pre]acquired throughout an academic path, an interval of time and space is created to fulfill such transitional period with a theoretical and practical work of reflection, that dives into architectural production, having what is most proximate and intimate in its origin - the house - as main "object" and instrument of study. Between school and what will be the professional world, this essay pursues a certain clarification among questions such as 'what is a house?', and 'how can we provide such condition for [an authentic] house?', which will search for tools of support where these will be rehearsed, and where a sequence of (un)conscious references is reflected. In an undulate movement, constant and permanent, a project that searches sucessively to question according to a list of variables evolves, and the sistematization of such proccess results into a simultaneous clarification and construction of the problem. It is acknowledged the [limited-]circumstance of a (de)terminable test in a proccess that subtracts the family/ies-house out of its own context, in order to understand the morphologies of such habitational space. A house "for all" pursues a "tectonic" of relations by meaning to act on the coexistence of different generations, genders, permanencies, aptitudes... The evolution of this movement enables the transformation of the object towards a vision of what is [a manifestation of] a habitation problem nowadays, which sustains itself from the most variable possibilities of answer. Through a personal voice and other summoned ones, writings or "talkative" drawings - a course is taken towards a [possible] answer to the family/ies-house as a nurturing enclosure of a creative freedom, but also to a personal significance of house. A third look is built - resulting from the (re)conciliation of a first "academic" one, and the second of a "traveler" - acting as a molder of a position facing the profession, unequivocally bounded to a [sense of] personal project. |
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Ondulação de Projecto: casa-de-casasArtesArtsThe following essay emerges from a certain restlessness that has risen in a period of travel and exploration amongst what would be a "foreign", unknown environment. Once the inevitable conflict with what would have been the methodologies and principles [pre]acquired throughout an academic path, an interval of time and space is created to fulfill such transitional period with a theoretical and practical work of reflection, that dives into architectural production, having what is most proximate and intimate in its origin - the house - as main "object" and instrument of study. Between school and what will be the professional world, this essay pursues a certain clarification among questions such as 'what is a house?', and 'how can we provide such condition for [an authentic] house?', which will search for tools of support where these will be rehearsed, and where a sequence of (un)conscious references is reflected. In an undulate movement, constant and permanent, a project that searches sucessively to question according to a list of variables evolves, and the sistematization of such proccess results into a simultaneous clarification and construction of the problem. It is acknowledged the [limited-]circumstance of a (de)terminable test in a proccess that subtracts the family/ies-house out of its own context, in order to understand the morphologies of such habitational space. A house "for all" pursues a "tectonic" of relations by meaning to act on the coexistence of different generations, genders, permanencies, aptitudes... The evolution of this movement enables the transformation of the object towards a vision of what is [a manifestation of] a habitation problem nowadays, which sustains itself from the most variable possibilities of answer. Through a personal voice and other summoned ones, writings or "talkative" drawings - a course is taken towards a [possible] answer to the family/ies-house as a nurturing enclosure of a creative freedom, but also to a personal significance of house. A third look is built - resulting from the (re)conciliation of a first "academic" one, and the second of a "traveler" - acting as a molder of a position facing the profession, unequivocally bounded to a [sense of] personal project.2020-04-212020-04-21T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/129291TID:202630765porAna Sofia Ramos Alexandreinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:55:36Zoai:repositorio-aberto.up.pt:10216/129291Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:50:49.514373Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Ondulação de Projecto: casa-de-casas |
title |
Ondulação de Projecto: casa-de-casas |
spellingShingle |
Ondulação de Projecto: casa-de-casas Ana Sofia Ramos Alexandre Artes Arts |
title_short |
Ondulação de Projecto: casa-de-casas |
title_full |
Ondulação de Projecto: casa-de-casas |
title_fullStr |
Ondulação de Projecto: casa-de-casas |
title_full_unstemmed |
Ondulação de Projecto: casa-de-casas |
title_sort |
Ondulação de Projecto: casa-de-casas |
author |
Ana Sofia Ramos Alexandre |
author_facet |
Ana Sofia Ramos Alexandre |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ana Sofia Ramos Alexandre |
dc.subject.por.fl_str_mv |
Artes Arts |
topic |
Artes Arts |
description |
The following essay emerges from a certain restlessness that has risen in a period of travel and exploration amongst what would be a "foreign", unknown environment. Once the inevitable conflict with what would have been the methodologies and principles [pre]acquired throughout an academic path, an interval of time and space is created to fulfill such transitional period with a theoretical and practical work of reflection, that dives into architectural production, having what is most proximate and intimate in its origin - the house - as main "object" and instrument of study. Between school and what will be the professional world, this essay pursues a certain clarification among questions such as 'what is a house?', and 'how can we provide such condition for [an authentic] house?', which will search for tools of support where these will be rehearsed, and where a sequence of (un)conscious references is reflected. In an undulate movement, constant and permanent, a project that searches sucessively to question according to a list of variables evolves, and the sistematization of such proccess results into a simultaneous clarification and construction of the problem. It is acknowledged the [limited-]circumstance of a (de)terminable test in a proccess that subtracts the family/ies-house out of its own context, in order to understand the morphologies of such habitational space. A house "for all" pursues a "tectonic" of relations by meaning to act on the coexistence of different generations, genders, permanencies, aptitudes... The evolution of this movement enables the transformation of the object towards a vision of what is [a manifestation of] a habitation problem nowadays, which sustains itself from the most variable possibilities of answer. Through a personal voice and other summoned ones, writings or "talkative" drawings - a course is taken towards a [possible] answer to the family/ies-house as a nurturing enclosure of a creative freedom, but also to a personal significance of house. A third look is built - resulting from the (re)conciliation of a first "academic" one, and the second of a "traveler" - acting as a molder of a position facing the profession, unequivocally bounded to a [sense of] personal project. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-04-21 2020-04-21T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
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publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/129291 TID:202630765 |
url |
https://hdl.handle.net/10216/129291 |
identifier_str_mv |
TID:202630765 |
dc.language.iso.fl_str_mv |
por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799135828096581632 |