Casa Experimental: Projecto e Memória

Detalhes bibliográficos
Autor(a) principal: José Pedro Ribeiro de Oliveira Guedes
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/128191
Resumo: This is the memory of a project. An experimental project in Vila Nova de Gaia (Portugal) gives voice to a set of ideas, concerns and standpoints - developed throughout the learning of architecture - giving rise to a pre-existing dwelling - the subject matter of the present dissertation. The dissertation begins by presenting, through rigorous representations and three-dimensional objects, the status of the case study. This is a case that expresses itself as an unfinished product - were it not an attempt to shape the intrinsic faculties of the author - that, like knowledge, is an act of progressive learning, continuous updating and inconstant definition. It is followed by showing two aspects of a methodological discussion. A set of fragments is presented in a logical sequence - proving to be a frequent exercise throughout the development process of the project - manifesting themselves in the form of written thoughts. Whether in moments of enormous clarity or unprecise circumstances, they gather a set of readings and references that seek to contextualize and elucidate the reader on the image created by the author for the development of the proposed conception. A set of dense, intense images is presented - selected from the more academic means of production - capable of portraying a chronological order of the evolutionary process which, amid advances, setbacks, waivers and options, reveals the complexity of the project. A journey between theoretical and practical realities is suggested, understanding that both are inter-dependent and never pertinent as isolated elements. Additionally, a less unanimous format is proposed which explores the graphic aspect of an editorial document that presents a practical project, freeing it from the formal impositions of a particularly theoretical investigation, enhancing its experimental genesis. It is a cycle of studies that ends the same way it started: experimenting.
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spelling Casa Experimental: Projecto e MemóriaArtesArtsThis is the memory of a project. An experimental project in Vila Nova de Gaia (Portugal) gives voice to a set of ideas, concerns and standpoints - developed throughout the learning of architecture - giving rise to a pre-existing dwelling - the subject matter of the present dissertation. The dissertation begins by presenting, through rigorous representations and three-dimensional objects, the status of the case study. This is a case that expresses itself as an unfinished product - were it not an attempt to shape the intrinsic faculties of the author - that, like knowledge, is an act of progressive learning, continuous updating and inconstant definition. It is followed by showing two aspects of a methodological discussion. A set of fragments is presented in a logical sequence - proving to be a frequent exercise throughout the development process of the project - manifesting themselves in the form of written thoughts. Whether in moments of enormous clarity or unprecise circumstances, they gather a set of readings and references that seek to contextualize and elucidate the reader on the image created by the author for the development of the proposed conception. A set of dense, intense images is presented - selected from the more academic means of production - capable of portraying a chronological order of the evolutionary process which, amid advances, setbacks, waivers and options, reveals the complexity of the project. A journey between theoretical and practical realities is suggested, understanding that both are inter-dependent and never pertinent as isolated elements. Additionally, a less unanimous format is proposed which explores the graphic aspect of an editorial document that presents a practical project, freeing it from the formal impositions of a particularly theoretical investigation, enhancing its experimental genesis. It is a cycle of studies that ends the same way it started: experimenting.2020-07-072020-07-07T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttps://hdl.handle.net/10216/128191TID:202669645porJosé Pedro Ribeiro de Oliveira Guedesinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T13:54:43Zoai:repositorio-aberto.up.pt:10216/128191Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T23:50:34.894113Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Casa Experimental: Projecto e Memória
title Casa Experimental: Projecto e Memória
spellingShingle Casa Experimental: Projecto e Memória
José Pedro Ribeiro de Oliveira Guedes
Artes
Arts
title_short Casa Experimental: Projecto e Memória
title_full Casa Experimental: Projecto e Memória
title_fullStr Casa Experimental: Projecto e Memória
title_full_unstemmed Casa Experimental: Projecto e Memória
title_sort Casa Experimental: Projecto e Memória
author José Pedro Ribeiro de Oliveira Guedes
author_facet José Pedro Ribeiro de Oliveira Guedes
author_role author
dc.contributor.author.fl_str_mv José Pedro Ribeiro de Oliveira Guedes
dc.subject.por.fl_str_mv Artes
Arts
topic Artes
Arts
description This is the memory of a project. An experimental project in Vila Nova de Gaia (Portugal) gives voice to a set of ideas, concerns and standpoints - developed throughout the learning of architecture - giving rise to a pre-existing dwelling - the subject matter of the present dissertation. The dissertation begins by presenting, through rigorous representations and three-dimensional objects, the status of the case study. This is a case that expresses itself as an unfinished product - were it not an attempt to shape the intrinsic faculties of the author - that, like knowledge, is an act of progressive learning, continuous updating and inconstant definition. It is followed by showing two aspects of a methodological discussion. A set of fragments is presented in a logical sequence - proving to be a frequent exercise throughout the development process of the project - manifesting themselves in the form of written thoughts. Whether in moments of enormous clarity or unprecise circumstances, they gather a set of readings and references that seek to contextualize and elucidate the reader on the image created by the author for the development of the proposed conception. A set of dense, intense images is presented - selected from the more academic means of production - capable of portraying a chronological order of the evolutionary process which, amid advances, setbacks, waivers and options, reveals the complexity of the project. A journey between theoretical and practical realities is suggested, understanding that both are inter-dependent and never pertinent as isolated elements. Additionally, a less unanimous format is proposed which explores the graphic aspect of an editorial document that presents a practical project, freeing it from the formal impositions of a particularly theoretical investigation, enhancing its experimental genesis. It is a cycle of studies that ends the same way it started: experimenting.
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