NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses"
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Livro |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/111661 |
Resumo: | In this article, we try to discuss the contemporary tension that crosses pop music, namely punk: in the mass culture, in the collective memory, and in institutions of conservation, preservation and dissemination, such as museums. Punk was always critic aboutof institutionalization, patrimonialization, and museification. However, today, and through processes of preservationist DIY, nostalgia and retromania, this previous condition is eclipsed. The motto of our reflection came through the realization, in Brazil, namely in Rio de Janeiro, of the exhibition "Nirvana: Taking Punk To The Masses" in the National History Museum. Nirvanahas always stood in favor of a certain punk ethos, whether through DIY as a goal of action or as a compositional guide, by triggering certain sonic and lyrical frameworks. In this direction, the exhibition embodies indelible challenges of approach to modern culture: underground vs. mainstream; ephemeral vs. archive; DIY vs. institutionalizations. |
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NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses"Ciências SociaisSocial sciencesIn this article, we try to discuss the contemporary tension that crosses pop music, namely punk: in the mass culture, in the collective memory, and in institutions of conservation, preservation and dissemination, such as museums. Punk was always critic aboutof institutionalization, patrimonialization, and museification. However, today, and through processes of preservationist DIY, nostalgia and retromania, this previous condition is eclipsed. The motto of our reflection came through the realization, in Brazil, namely in Rio de Janeiro, of the exhibition "Nirvana: Taking Punk To The Masses" in the National History Museum. Nirvanahas always stood in favor of a certain punk ethos, whether through DIY as a goal of action or as a compositional guide, by triggering certain sonic and lyrical frameworks. In this direction, the exhibition embodies indelible challenges of approach to modern culture: underground vs. mainstream; ephemeral vs. archive; DIY vs. institutionalizations.20182018-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/111661porGuerra, PaulaAlberto, Thiago Pereirainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T15:05:00Zoai:repositorio-aberto.up.pt:10216/111661Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:15:12.780027Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" |
title |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" |
spellingShingle |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" Guerra, Paula Ciências Sociais Social sciences |
title_short |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" |
title_full |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" |
title_fullStr |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" |
title_full_unstemmed |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" |
title_sort |
NEVERMIND... WHAT?: memória, nostalgia e os tensionamentos possíveis entre o punk e o museu na exposição "Nirvana: Taking Punk To The Masses" |
author |
Guerra, Paula |
author_facet |
Guerra, Paula Alberto, Thiago Pereira |
author_role |
author |
author2 |
Alberto, Thiago Pereira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Guerra, Paula Alberto, Thiago Pereira |
dc.subject.por.fl_str_mv |
Ciências Sociais Social sciences |
topic |
Ciências Sociais Social sciences |
description |
In this article, we try to discuss the contemporary tension that crosses pop music, namely punk: in the mass culture, in the collective memory, and in institutions of conservation, preservation and dissemination, such as museums. Punk was always critic aboutof institutionalization, patrimonialization, and museification. However, today, and through processes of preservationist DIY, nostalgia and retromania, this previous condition is eclipsed. The motto of our reflection came through the realization, in Brazil, namely in Rio de Janeiro, of the exhibition "Nirvana: Taking Punk To The Masses" in the National History Museum. Nirvanahas always stood in favor of a certain punk ethos, whether through DIY as a goal of action or as a compositional guide, by triggering certain sonic and lyrical frameworks. In this direction, the exhibition embodies indelible challenges of approach to modern culture: underground vs. mainstream; ephemeral vs. archive; DIY vs. institutionalizations. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018 2018-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/book |
format |
book |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/111661 |
url |
https://hdl.handle.net/10216/111661 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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