Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'

Detalhes bibliográficos
Autor(a) principal: Guerra, Paula
Data de Publicação: 2019
Outros Autores: Alberto, Thiago Pereira
Tipo de documento: Livro
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://hdl.handle.net/10216/122414
Resumo: In this article, we considered how the exhibition 'Nirvana: Taking Punk To The Masses', held in Brazil in 2017, helps to think about the possible tensions of the relationship between punk and museum. Given the transformations the museum has suffered over the last centuries, it was perceived critically as a mausoleum or a mortuary chamber of history (Adorno, 1998). Now, in its contemporary performance, it serves as an archive for the 'relics' of pop (affected by the logics of entertainment and establishment). Punk's supposedly inadequate adjustment to museum conditions, helps to reassert our investigative motto, thinking what are the potential implications, extended and upgraded, for punk when a band like Nirvana is set up in this system
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spelling Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'Ciências SociaisSocial sciencesIn this article, we considered how the exhibition 'Nirvana: Taking Punk To The Masses', held in Brazil in 2017, helps to think about the possible tensions of the relationship between punk and museum. Given the transformations the museum has suffered over the last centuries, it was perceived critically as a mausoleum or a mortuary chamber of history (Adorno, 1998). Now, in its contemporary performance, it serves as an archive for the 'relics' of pop (affected by the logics of entertainment and establishment). Punk's supposedly inadequate adjustment to museum conditions, helps to reassert our investigative motto, thinking what are the potential implications, extended and upgraded, for punk when a band like Nirvana is set up in this system20192019-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/122414engGuerra, PaulaAlberto, Thiago Pereirainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-29T15:38:45Zoai:repositorio-aberto.up.pt:10216/122414Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:28:38.500477Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
title Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
spellingShingle Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
Guerra, Paula
Ciências Sociais
Social sciences
title_short Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
title_full Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
title_fullStr Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
title_full_unstemmed Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
title_sort Punk and museum: notes about the exposition 'Nirvana: Taking Punk to the Masses'
author Guerra, Paula
author_facet Guerra, Paula
Alberto, Thiago Pereira
author_role author
author2 Alberto, Thiago Pereira
author2_role author
dc.contributor.author.fl_str_mv Guerra, Paula
Alberto, Thiago Pereira
dc.subject.por.fl_str_mv Ciências Sociais
Social sciences
topic Ciências Sociais
Social sciences
description In this article, we considered how the exhibition 'Nirvana: Taking Punk To The Masses', held in Brazil in 2017, helps to think about the possible tensions of the relationship between punk and museum. Given the transformations the museum has suffered over the last centuries, it was perceived critically as a mausoleum or a mortuary chamber of history (Adorno, 1998). Now, in its contemporary performance, it serves as an archive for the 'relics' of pop (affected by the logics of entertainment and establishment). Punk's supposedly inadequate adjustment to museum conditions, helps to reassert our investigative motto, thinking what are the potential implications, extended and upgraded, for punk when a band like Nirvana is set up in this system
publishDate 2019
dc.date.none.fl_str_mv 2019
2019-01-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/book
format book
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/122414
url https://hdl.handle.net/10216/122414
dc.language.iso.fl_str_mv eng
language eng
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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