Ícones sacros e ícones de design : entre espiritualidade e tecnologia

Detalhes bibliográficos
Autor(a) principal: Kudelska, Ana, 1984-
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/20357
Resumo: This dissertation intends to analyze and understand the icons. Some of these icons are shape by scientific and technological cultures and others by its religious tradition and its spiritual meaning. Exploring the meaning of the sacred and profane terms or simply observing the difference between them, we will make an analysis of the meaning and justification of the social values that interacts daily with these objects. The work starts from biblical-theological grounds and continues to identify and explore the links and philosophical interpretations that demonstrate the relationship between sacred and profane in the course of human history, reaching the industrial age. In the context of the new century, a time of significant and anthropological transformations of material objects and culture expressing the social life style, this work will help to visualize several new links material or imaterial between humans and its objects. With the consolidation of design, in the last thirty years, and the contributions of other subjects such as semiotics and sociology, it is real challenge to question these matters with a more eclectic perspective, comparing spiritual and technological, sacred and profane. We conclude stressing the importance of the new paradigms and cultural changes, as well as the developing of a new dialogue between faith and technology, and new ways to expose and to communicate spiritual experiences, allowing the gathering between sacred and profane realities. The main purpose of this thesis is to highlight the paradigms that emerge from the new ways of exposing these reference objects, with a professional approach, in a museum or in the spiritual dimension of a sacred space. In particular, the context to analyze these objects will be, preferentially, exhibitions in spaces located between "art" and "architecture" and positioned between "spiritual" and "functional." We will try to identify a new exhibition identity that could be defined and implemented by architecture or design. Bearing this in mind we will show a new proposal for a conceptual exhibition, in a post-industrial era, in the context of the designer Paulo Parra collection, located in the St. Vincent´s Church, in Évora (Portugal), that promoted the memory of the "Icons of Design". The exhibition was a retrospective of times, issues and protagonists of modern industrial design, from the beginning to the present days; from here we will try to understand and illustrate the actuality and importance of the relationship between these realities
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spelling Ícones sacros e ícones de design : entre espiritualidade e tecnologiaDesign de equipamentoIconesObjectosTecnologiaEspiritualidadeCuradoriaColecção Paulo ParraDesign de Equipamento - Especialização em Design de ProdutoThis dissertation intends to analyze and understand the icons. Some of these icons are shape by scientific and technological cultures and others by its religious tradition and its spiritual meaning. Exploring the meaning of the sacred and profane terms or simply observing the difference between them, we will make an analysis of the meaning and justification of the social values that interacts daily with these objects. The work starts from biblical-theological grounds and continues to identify and explore the links and philosophical interpretations that demonstrate the relationship between sacred and profane in the course of human history, reaching the industrial age. In the context of the new century, a time of significant and anthropological transformations of material objects and culture expressing the social life style, this work will help to visualize several new links material or imaterial between humans and its objects. With the consolidation of design, in the last thirty years, and the contributions of other subjects such as semiotics and sociology, it is real challenge to question these matters with a more eclectic perspective, comparing spiritual and technological, sacred and profane. We conclude stressing the importance of the new paradigms and cultural changes, as well as the developing of a new dialogue between faith and technology, and new ways to expose and to communicate spiritual experiences, allowing the gathering between sacred and profane realities. The main purpose of this thesis is to highlight the paradigms that emerge from the new ways of exposing these reference objects, with a professional approach, in a museum or in the spiritual dimension of a sacred space. In particular, the context to analyze these objects will be, preferentially, exhibitions in spaces located between "art" and "architecture" and positioned between "spiritual" and "functional." We will try to identify a new exhibition identity that could be defined and implemented by architecture or design. Bearing this in mind we will show a new proposal for a conceptual exhibition, in a post-industrial era, in the context of the designer Paulo Parra collection, located in the St. Vincent´s Church, in Évora (Portugal), that promoted the memory of the "Icons of Design". The exhibition was a retrospective of times, issues and protagonists of modern industrial design, from the beginning to the present days; from here we will try to understand and illustrate the actuality and importance of the relationship between these realitiesParra, Paulo, 1961-Repositório da Universidade de LisboaKudelska, Ana, 1984-2015-11-03T10:39:31Z2015-07-172015-11-032015-07-17T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/20357TID:201280493porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T16:05:44Zoai:repositorio.ul.pt:10451/20357Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T21:38:23.664045Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Ícones sacros e ícones de design : entre espiritualidade e tecnologia
title Ícones sacros e ícones de design : entre espiritualidade e tecnologia
spellingShingle Ícones sacros e ícones de design : entre espiritualidade e tecnologia
Kudelska, Ana, 1984-
Design de equipamento
Icones
Objectos
Tecnologia
Espiritualidade
Curadoria
Colecção Paulo Parra
Design de Equipamento - Especialização em Design de Produto
title_short Ícones sacros e ícones de design : entre espiritualidade e tecnologia
title_full Ícones sacros e ícones de design : entre espiritualidade e tecnologia
title_fullStr Ícones sacros e ícones de design : entre espiritualidade e tecnologia
title_full_unstemmed Ícones sacros e ícones de design : entre espiritualidade e tecnologia
title_sort Ícones sacros e ícones de design : entre espiritualidade e tecnologia
author Kudelska, Ana, 1984-
author_facet Kudelska, Ana, 1984-
author_role author
dc.contributor.none.fl_str_mv Parra, Paulo, 1961-
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Kudelska, Ana, 1984-
dc.subject.por.fl_str_mv Design de equipamento
Icones
Objectos
Tecnologia
Espiritualidade
Curadoria
Colecção Paulo Parra
Design de Equipamento - Especialização em Design de Produto
topic Design de equipamento
Icones
Objectos
Tecnologia
Espiritualidade
Curadoria
Colecção Paulo Parra
Design de Equipamento - Especialização em Design de Produto
description This dissertation intends to analyze and understand the icons. Some of these icons are shape by scientific and technological cultures and others by its religious tradition and its spiritual meaning. Exploring the meaning of the sacred and profane terms or simply observing the difference between them, we will make an analysis of the meaning and justification of the social values that interacts daily with these objects. The work starts from biblical-theological grounds and continues to identify and explore the links and philosophical interpretations that demonstrate the relationship between sacred and profane in the course of human history, reaching the industrial age. In the context of the new century, a time of significant and anthropological transformations of material objects and culture expressing the social life style, this work will help to visualize several new links material or imaterial between humans and its objects. With the consolidation of design, in the last thirty years, and the contributions of other subjects such as semiotics and sociology, it is real challenge to question these matters with a more eclectic perspective, comparing spiritual and technological, sacred and profane. We conclude stressing the importance of the new paradigms and cultural changes, as well as the developing of a new dialogue between faith and technology, and new ways to expose and to communicate spiritual experiences, allowing the gathering between sacred and profane realities. The main purpose of this thesis is to highlight the paradigms that emerge from the new ways of exposing these reference objects, with a professional approach, in a museum or in the spiritual dimension of a sacred space. In particular, the context to analyze these objects will be, preferentially, exhibitions in spaces located between "art" and "architecture" and positioned between "spiritual" and "functional." We will try to identify a new exhibition identity that could be defined and implemented by architecture or design. Bearing this in mind we will show a new proposal for a conceptual exhibition, in a post-industrial era, in the context of the designer Paulo Parra collection, located in the St. Vincent´s Church, in Évora (Portugal), that promoted the memory of the "Icons of Design". The exhibition was a retrospective of times, issues and protagonists of modern industrial design, from the beginning to the present days; from here we will try to understand and illustrate the actuality and importance of the relationship between these realities
publishDate 2015
dc.date.none.fl_str_mv 2015-11-03T10:39:31Z
2015-07-17
2015-11-03
2015-07-17T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/20357
TID:201280493
url http://hdl.handle.net/10451/20357
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dc.language.iso.fl_str_mv por
language por
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application/pdf
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instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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