Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios

Detalhes bibliográficos
Autor(a) principal: Flores Moletta, Fernando
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/56697
Resumo: The main concepts that concern the practice of sculpture and video in artistic production may immediately presuppose a distance between these two media, but from a deeper study it is possible to understand that both are related in theory and in practice. However, this convergence is relatively recent in the History of Art, it is possible to mention the Dadaist experiences of the 1920s, but it was only after the diffusion of television and the popularization of the portable video camera, from the 1960s, that artists such as Wolf Vostell and Nam June Paik began to incorporate the audiovisual medium into their artistic creations. The present article has, precisely, the objective of understanding this process of incorporation of video in sculptural matter and vice versa, thus, this Master's Thesis has as its general objective to define the concept of Video-Sculpture for contemporary artistic production. In addition to this, it branches into other specific objectives, which aim to understand the historical context in which Video-Sculpture appears in the History of Art, examine the pioneering artists in this field, document the production of contemporary works of art that fall into this category and finally present my practical work on the topic. In an increasingly virtual world where physical presence is less and less relevant, it is important and necessary to document the works that establish the association between sculptural materiality and the impermanence of the constantly expanding audiovisual field, thus defining a hybrid field in which contemporary art questions in which world one actually wants to be in. Such works are here defined by Video-Sculpture
id RCAP_4faaba0a77a732b7d6203e93e506932c
oai_identifier_str oai:repositorio.ul.pt:10451/56697
network_acronym_str RCAP
network_name_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository_id_str 7160
spelling Vídeo-escultura: a materialidade escultórica em diálogo com os multimeiosArte contemporâneaVídeoEsculturaArte MultimédiaHibridizaçãoDomínio/Área Científica::Humanidades::ArtesThe main concepts that concern the practice of sculpture and video in artistic production may immediately presuppose a distance between these two media, but from a deeper study it is possible to understand that both are related in theory and in practice. However, this convergence is relatively recent in the History of Art, it is possible to mention the Dadaist experiences of the 1920s, but it was only after the diffusion of television and the popularization of the portable video camera, from the 1960s, that artists such as Wolf Vostell and Nam June Paik began to incorporate the audiovisual medium into their artistic creations. The present article has, precisely, the objective of understanding this process of incorporation of video in sculptural matter and vice versa, thus, this Master's Thesis has as its general objective to define the concept of Video-Sculpture for contemporary artistic production. In addition to this, it branches into other specific objectives, which aim to understand the historical context in which Video-Sculpture appears in the History of Art, examine the pioneering artists in this field, document the production of contemporary works of art that fall into this category and finally present my practical work on the topic. In an increasingly virtual world where physical presence is less and less relevant, it is important and necessary to document the works that establish the association between sculptural materiality and the impermanence of the constantly expanding audiovisual field, thus defining a hybrid field in which contemporary art questions in which world one actually wants to be in. Such works are here defined by Video-SculptureFerreira, Ângela Maria Carrajola HenriqueRepositório da Universidade de LisboaFlores Moletta, Fernando2023-03-16T17:26:57Z2023-01-202023-01-20T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/56697TID:203247043porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T17:04:35Zoai:repositorio.ul.pt:10451/56697Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:07:15.281761Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
title Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
spellingShingle Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
Flores Moletta, Fernando
Arte contemporânea
Vídeo
Escultura
Arte Multimédia
Hibridização
Domínio/Área Científica::Humanidades::Artes
title_short Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
title_full Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
title_fullStr Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
title_full_unstemmed Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
title_sort Vídeo-escultura: a materialidade escultórica em diálogo com os multimeios
author Flores Moletta, Fernando
author_facet Flores Moletta, Fernando
author_role author
dc.contributor.none.fl_str_mv Ferreira, Ângela Maria Carrajola Henrique
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Flores Moletta, Fernando
dc.subject.por.fl_str_mv Arte contemporânea
Vídeo
Escultura
Arte Multimédia
Hibridização
Domínio/Área Científica::Humanidades::Artes
topic Arte contemporânea
Vídeo
Escultura
Arte Multimédia
Hibridização
Domínio/Área Científica::Humanidades::Artes
description The main concepts that concern the practice of sculpture and video in artistic production may immediately presuppose a distance between these two media, but from a deeper study it is possible to understand that both are related in theory and in practice. However, this convergence is relatively recent in the History of Art, it is possible to mention the Dadaist experiences of the 1920s, but it was only after the diffusion of television and the popularization of the portable video camera, from the 1960s, that artists such as Wolf Vostell and Nam June Paik began to incorporate the audiovisual medium into their artistic creations. The present article has, precisely, the objective of understanding this process of incorporation of video in sculptural matter and vice versa, thus, this Master's Thesis has as its general objective to define the concept of Video-Sculpture for contemporary artistic production. In addition to this, it branches into other specific objectives, which aim to understand the historical context in which Video-Sculpture appears in the History of Art, examine the pioneering artists in this field, document the production of contemporary works of art that fall into this category and finally present my practical work on the topic. In an increasingly virtual world where physical presence is less and less relevant, it is important and necessary to document the works that establish the association between sculptural materiality and the impermanence of the constantly expanding audiovisual field, thus defining a hybrid field in which contemporary art questions in which world one actually wants to be in. Such works are here defined by Video-Sculpture
publishDate 2023
dc.date.none.fl_str_mv 2023-03-16T17:26:57Z
2023-01-20
2023-01-20T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10451/56697
TID:203247043
url http://hdl.handle.net/10451/56697
identifier_str_mv TID:203247043
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv image/jpeg
application/pdf
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
_version_ 1799134625570750464