Digressões do Ether. A história da fotografia como um hiperdocumento
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://ojs.letras.up.pt/index.php/RL/article/view/3614 |
Resumo: | For the photographic media, remediation between physical and digital archive became a monumental convergence of all sort of images, creating the possibilities to combine, reconnect and retrieve its meaning and authorship, and the resulting review of methods to analyse, read and make its historiography.It was in this period of transition from paper to screen that was published in Portugal an History of Photography which integrates these arguments, using a combinatorial method capable of projecting its continuous update in an hypertext version. 'Hist6ria da Imagem Fotogrdfica em Portugal 1839-1997' (Sena, 1998), applies a digital image database - 'Luzitania/ether pix database' to index and link all the images printed in the book, allowing the reader to explore aesthetic, semantic, technical, geographical and political analogies between them. Upholding a multidirectional and non-linear conception of History, it proposes a rhizomatic structure that implies a method - an history of photography as an hyperdocument - allowing the reader to view, review, compare and question the sense and notion of the historical time of the photographic image.This paper examines how digital media become an essential tool of readability and visibility of History, and how the displacement of perception provided by an hypermedia structure, reflects on dematerialization of the image, the shared notion of authorship, capable of creating a new generation of readers that think towards trajectories formed by the modern media of communication - from press to photography, from cinema to television -to the hypermodern media of computation. |
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Digressões do Ether. A história da fotografia como um hiperdocumentoFor the photographic media, remediation between physical and digital archive became a monumental convergence of all sort of images, creating the possibilities to combine, reconnect and retrieve its meaning and authorship, and the resulting review of methods to analyse, read and make its historiography.It was in this period of transition from paper to screen that was published in Portugal an History of Photography which integrates these arguments, using a combinatorial method capable of projecting its continuous update in an hypertext version. 'Hist6ria da Imagem Fotogrdfica em Portugal 1839-1997' (Sena, 1998), applies a digital image database - 'Luzitania/ether pix database' to index and link all the images printed in the book, allowing the reader to explore aesthetic, semantic, technical, geographical and political analogies between them. Upholding a multidirectional and non-linear conception of History, it proposes a rhizomatic structure that implies a method - an history of photography as an hyperdocument - allowing the reader to view, review, compare and question the sense and notion of the historical time of the photographic image.This paper examines how digital media become an essential tool of readability and visibility of History, and how the displacement of perception provided by an hypermedia structure, reflects on dematerialization of the image, the shared notion of authorship, capable of creating a new generation of readers that think towards trajectories formed by the modern media of communication - from press to photography, from cinema to television -to the hypermodern media of computation.Revelar: Journal of Photography and Image StudiesRevelar: Revista de Estudos da Fotografia e Imagem2018-03-22T00:00:00Zinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.letras.up.pt/index.php/RL/article/view/3614oai:ojs.pkp.sfu.ca:article/3614Revelar: Journal of Photography and Image Studies; Vol. 2 (2017): Revelar: Revista de Estudos da Fotografia e ImagemRevelar: Revista de Estudos da Fotografia e Imagem; Vol. 2 (2017): Revelar: Revista de Estudos da Fotografia e Imagem2183-945Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://ojs.letras.up.pt/index.php/RL/article/view/3614https://ojs.letras.up.pt/index.php/RL/article/view/3614/3373Direitos de Autor (c) 2018 Revelar: Revista de Estudos da Fotografia e Imageminfo:eu-repo/semantics/openAccessMarques, Susana Lourenço2022-05-23T09:36:28Zoai:ojs.pkp.sfu.ca:article/3614Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T14:57:22.810344Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Digressões do Ether. A história da fotografia como um hiperdocumento |
title |
Digressões do Ether. A história da fotografia como um hiperdocumento |
spellingShingle |
Digressões do Ether. A história da fotografia como um hiperdocumento Marques, Susana Lourenço |
title_short |
Digressões do Ether. A história da fotografia como um hiperdocumento |
title_full |
Digressões do Ether. A história da fotografia como um hiperdocumento |
title_fullStr |
Digressões do Ether. A história da fotografia como um hiperdocumento |
title_full_unstemmed |
Digressões do Ether. A história da fotografia como um hiperdocumento |
title_sort |
Digressões do Ether. A história da fotografia como um hiperdocumento |
author |
Marques, Susana Lourenço |
author_facet |
Marques, Susana Lourenço |
author_role |
author |
dc.contributor.author.fl_str_mv |
Marques, Susana Lourenço |
description |
For the photographic media, remediation between physical and digital archive became a monumental convergence of all sort of images, creating the possibilities to combine, reconnect and retrieve its meaning and authorship, and the resulting review of methods to analyse, read and make its historiography.It was in this period of transition from paper to screen that was published in Portugal an History of Photography which integrates these arguments, using a combinatorial method capable of projecting its continuous update in an hypertext version. 'Hist6ria da Imagem Fotogrdfica em Portugal 1839-1997' (Sena, 1998), applies a digital image database - 'Luzitania/ether pix database' to index and link all the images printed in the book, allowing the reader to explore aesthetic, semantic, technical, geographical and political analogies between them. Upholding a multidirectional and non-linear conception of History, it proposes a rhizomatic structure that implies a method - an history of photography as an hyperdocument - allowing the reader to view, review, compare and question the sense and notion of the historical time of the photographic image.This paper examines how digital media become an essential tool of readability and visibility of History, and how the displacement of perception provided by an hypermedia structure, reflects on dematerialization of the image, the shared notion of authorship, capable of creating a new generation of readers that think towards trajectories formed by the modern media of communication - from press to photography, from cinema to television -to the hypermodern media of computation. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-03-22T00:00:00Z |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/other |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.letras.up.pt/index.php/RL/article/view/3614 oai:ojs.pkp.sfu.ca:article/3614 |
url |
https://ojs.letras.up.pt/index.php/RL/article/view/3614 |
identifier_str_mv |
oai:ojs.pkp.sfu.ca:article/3614 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.letras.up.pt/index.php/RL/article/view/3614 https://ojs.letras.up.pt/index.php/RL/article/view/3614/3373 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2018 Revelar: Revista de Estudos da Fotografia e Imagem info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2018 Revelar: Revista de Estudos da Fotografia e Imagem |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Revelar: Journal of Photography and Image Studies Revelar: Revista de Estudos da Fotografia e Imagem |
publisher.none.fl_str_mv |
Revelar: Journal of Photography and Image Studies Revelar: Revista de Estudos da Fotografia e Imagem |
dc.source.none.fl_str_mv |
Revelar: Journal of Photography and Image Studies; Vol. 2 (2017): Revelar: Revista de Estudos da Fotografia e Imagem Revelar: Revista de Estudos da Fotografia e Imagem; Vol. 2 (2017): Revelar: Revista de Estudos da Fotografia e Imagem 2183-945X reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799129847806558208 |