Methodological Framing of a Case Born from the Contemporary Clown

Detalhes bibliográficos
Autor(a) principal: Vieira, Hugo Américo
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34639/rpea.v6i2.35
Resumo: This article aims at approaching the issue and the methodological strategy of an investigation project “in progress”, which has as the main vertebral spine “the clown”. The “hearing” is the main topic of the character construction to be created by laboratorial creative processes with others, followed by the investigator’s artistic work in the elaboration of a show, which will be the object of the thesis. This clown will summon other areas such as yoga, kung-fu, dance-theatre, and will be supported by Bogart’s viewpoints technique. On inserting ourselves in a qualitative investigation paradigm I am entering the methodological issue with some concerns regarding sensitivities. This study focuses strongly on the a/r/ tographic contour, which lays “in-between” spaces of theory, praxis and creation. Therefore in this article I try to enlightenissues within these pertinences corresponding to issues involving feelings, laboratory and the character in the creative process and more precisely in this project. 
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spelling Methodological Framing of a Case Born from the Contemporary ClownEnquadramento Metodológico de um Estudo que Nasce do Clown ContemporâneoClownA/r/tografiaLaboratórioCriaçãoSentimentosClownA/r/tographyLaboratoryFeelingsCreationThis article aims at approaching the issue and the methodological strategy of an investigation project “in progress”, which has as the main vertebral spine “the clown”. The “hearing” is the main topic of the character construction to be created by laboratorial creative processes with others, followed by the investigator’s artistic work in the elaboration of a show, which will be the object of the thesis. This clown will summon other areas such as yoga, kung-fu, dance-theatre, and will be supported by Bogart’s viewpoints technique. On inserting ourselves in a qualitative investigation paradigm I am entering the methodological issue with some concerns regarding sensitivities. This study focuses strongly on the a/r/ tographic contour, which lays “in-between” spaces of theory, praxis and creation. Therefore in this article I try to enlightenissues within these pertinences corresponding to issues involving feelings, laboratory and the character in the creative process and more precisely in this project. Este artigo pretende abordar a questão e o dispositivo metodológico de um projeto de investigação in progress, que tem como coluna vertebral o clown. A “escuta” é o tema principal da construção de uma personagem a ser criada em processos criativos laboratoriais com outros, seguido do trabalho artístico do investigador na elaboração de um espetáculo que será o objeto de tese. Este clown vai convocar outras áreas como: yoga, kung fu, dança-teatro e serão apoiadas pela técnica viewpoints de Bogart. Ao nos inserirmos num paradigma de investigação qualitativa, parto para a questão metodológica com preocupações ao nível de sensibilidades. A investigação deste estudo é de forte contorno a/r/tográfico que se situa nos entrelugares da teoria, prática e criação. Porquanto, neste artigo tento esclarecer questões dentro destas pertinências que correspondem a questões que envolvem os sentimentos, o laboratório e a personagem, no processo criativo e mais precisamente neste projeto.CEPAM2017-02-16info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34639/rpea.v6i2.35https://doi.org/10.34639/rpea.v6i2.35Portuguese Journal of Artistic Education; Vol. 6 No. 2 (2016): Revista Portuguesa de Educação Artística; 55-68Revista Portuguesa de Educação Artística; Vol. 6 N.º 2 (2016): Revista Portuguesa de Educação Artística; 55-682183-74811647-905X10.34639/rpea.v6i2reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://rpea.madeira.gov.pt/index.php/rpea/article/view/35https://rpea.madeira.gov.pt/index.php/rpea/article/view/35/43Direitos de Autor (c) 2017 Hugo Américo Vieirainfo:eu-repo/semantics/openAccessVieira, Hugo Américo2024-01-31T10:28:58Zoai:rpea.madeira.gov.pt:article/35Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T20:31:23.799145Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Methodological Framing of a Case Born from the Contemporary Clown
Enquadramento Metodológico de um Estudo que Nasce do Clown Contemporâneo
title Methodological Framing of a Case Born from the Contemporary Clown
spellingShingle Methodological Framing of a Case Born from the Contemporary Clown
Vieira, Hugo Américo
Clown
A/r/tografia
Laboratório
Criação
Sentimentos
Clown
A/r/tography
Laboratory
Feelings
Creation
title_short Methodological Framing of a Case Born from the Contemporary Clown
title_full Methodological Framing of a Case Born from the Contemporary Clown
title_fullStr Methodological Framing of a Case Born from the Contemporary Clown
title_full_unstemmed Methodological Framing of a Case Born from the Contemporary Clown
title_sort Methodological Framing of a Case Born from the Contemporary Clown
author Vieira, Hugo Américo
author_facet Vieira, Hugo Américo
author_role author
dc.contributor.author.fl_str_mv Vieira, Hugo Américo
dc.subject.por.fl_str_mv Clown
A/r/tografia
Laboratório
Criação
Sentimentos
Clown
A/r/tography
Laboratory
Feelings
Creation
topic Clown
A/r/tografia
Laboratório
Criação
Sentimentos
Clown
A/r/tography
Laboratory
Feelings
Creation
description This article aims at approaching the issue and the methodological strategy of an investigation project “in progress”, which has as the main vertebral spine “the clown”. The “hearing” is the main topic of the character construction to be created by laboratorial creative processes with others, followed by the investigator’s artistic work in the elaboration of a show, which will be the object of the thesis. This clown will summon other areas such as yoga, kung-fu, dance-theatre, and will be supported by Bogart’s viewpoints technique. On inserting ourselves in a qualitative investigation paradigm I am entering the methodological issue with some concerns regarding sensitivities. This study focuses strongly on the a/r/ tographic contour, which lays “in-between” spaces of theory, praxis and creation. Therefore in this article I try to enlightenissues within these pertinences corresponding to issues involving feelings, laboratory and the character in the creative process and more precisely in this project. 
publishDate 2017
dc.date.none.fl_str_mv 2017-02-16
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://doi.org/10.34639/rpea.v6i2.35
https://doi.org/10.34639/rpea.v6i2.35
url https://doi.org/10.34639/rpea.v6i2.35
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://rpea.madeira.gov.pt/index.php/rpea/article/view/35
https://rpea.madeira.gov.pt/index.php/rpea/article/view/35/43
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2017 Hugo Américo Vieira
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2017 Hugo Américo Vieira
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv CEPAM
publisher.none.fl_str_mv CEPAM
dc.source.none.fl_str_mv Portuguese Journal of Artistic Education; Vol. 6 No. 2 (2016): Revista Portuguesa de Educação Artística; 55-68
Revista Portuguesa de Educação Artística; Vol. 6 N.º 2 (2016): Revista Portuguesa de Educação Artística; 55-68
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