What’s Up Doc:
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.25765/sauc.v4i2.147 |
Resumo: | Over the past four decades, most large urban settings around the world have experienced an increase in graffiti and street art. One of the consequences of this activity is an attempt to interpret this phenomenon. Not only have popular and scholarly articles and books catalogued, examined, and analyzed graffiti and street art, and the people who engage in and respond to this activity, but so too have documentary movies. In order to better understand this latter method of capturing and explaining graffiti and street art, this paper reviews and analyzes seventeen English language documentary films (produced between 1980-2014) drawing generalizations about the dominant themes that have been expressed in this body of work. This analysis includes a review of the settings, individuals interviewed, and provides a critical commentary on this body of work. |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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7160 |
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What’s Up Doc:Over the past four decades, most large urban settings around the world have experienced an increase in graffiti and street art. One of the consequences of this activity is an attempt to interpret this phenomenon. Not only have popular and scholarly articles and books catalogued, examined, and analyzed graffiti and street art, and the people who engage in and respond to this activity, but so too have documentary movies. In order to better understand this latter method of capturing and explaining graffiti and street art, this paper reviews and analyzes seventeen English language documentary films (produced between 1980-2014) drawing generalizations about the dominant themes that have been expressed in this body of work. This analysis includes a review of the settings, individuals interviewed, and provides a critical commentary on this body of work.AP22018-12-10info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.25765/sauc.v4i2.147https://doi.org/10.25765/sauc.v4i2.147SAUC - Street Art and Urban Creativity; Vol 4 No 2 (2018): Changing times: Resilience2183-99562183-3869reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/sauc/article/view/147https://journals.ap2.pt/index.php/sauc/article/view/147/99Ross, Jeffrey IanKramer, Ronaldinfo:eu-repo/semantics/openAccess2024-01-26T14:15:35Zoai:journals.ap2.pt:article/147Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:49.628323Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
What’s Up Doc: |
title |
What’s Up Doc: |
spellingShingle |
What’s Up Doc: Ross, Jeffrey Ian |
title_short |
What’s Up Doc: |
title_full |
What’s Up Doc: |
title_fullStr |
What’s Up Doc: |
title_full_unstemmed |
What’s Up Doc: |
title_sort |
What’s Up Doc: |
author |
Ross, Jeffrey Ian |
author_facet |
Ross, Jeffrey Ian Kramer, Ronald |
author_role |
author |
author2 |
Kramer, Ronald |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Ross, Jeffrey Ian Kramer, Ronald |
description |
Over the past four decades, most large urban settings around the world have experienced an increase in graffiti and street art. One of the consequences of this activity is an attempt to interpret this phenomenon. Not only have popular and scholarly articles and books catalogued, examined, and analyzed graffiti and street art, and the people who engage in and respond to this activity, but so too have documentary movies. In order to better understand this latter method of capturing and explaining graffiti and street art, this paper reviews and analyzes seventeen English language documentary films (produced between 1980-2014) drawing generalizations about the dominant themes that have been expressed in this body of work. This analysis includes a review of the settings, individuals interviewed, and provides a critical commentary on this body of work. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-10 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.25765/sauc.v4i2.147 https://doi.org/10.25765/sauc.v4i2.147 |
url |
https://doi.org/10.25765/sauc.v4i2.147 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://journals.ap2.pt/index.php/sauc/article/view/147 https://journals.ap2.pt/index.php/sauc/article/view/147/99 |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.publisher.none.fl_str_mv |
AP2 |
publisher.none.fl_str_mv |
AP2 |
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SAUC - Street Art and Urban Creativity; Vol 4 No 2 (2018): Changing times: Resilience 2183-9956 2183-3869 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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