From the 19-century novel to the portuguese contemporary film adaptation
Autor(a) principal: | |
---|---|
Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.14/19584 |
Resumo: | The literary adaptations of canonical novels for film provide a unique repository of both identity contents and socio-cultural observations which can be revisited through the filmic representations. These recreations symbolize not only a privileged visual interpretation of a nation, but they also allow us to examine how a given society reflects itself through the fiction. In this sense, the objective of this paper is to reflect upon the Portuguese updated filmic adaptation of The Crime of Father Amaro (1880) by the canonical author Eça de Queiroz. On one hand, the author intends to rethink about the Portuguese identity portrayed by the film and, at the same time, the author manages to observe how the Portuguese society is revealed. On the other hand, the paper aims to analyze the particular process of the adaptation of The Crime of Father Amaro following a qualitative methodology. |
id |
RCAP_570b3938eabfd8a740f19396997b1b20 |
---|---|
oai_identifier_str |
oai:repositorio.ucp.pt:10400.14/19584 |
network_acronym_str |
RCAP |
network_name_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository_id_str |
7160 |
spelling |
From the 19-century novel to the portuguese contemporary film adaptationCinemaAdaptationLiteratureEça de QueirozClassical novelsThe literary adaptations of canonical novels for film provide a unique repository of both identity contents and socio-cultural observations which can be revisited through the filmic representations. These recreations symbolize not only a privileged visual interpretation of a nation, but they also allow us to examine how a given society reflects itself through the fiction. In this sense, the objective of this paper is to reflect upon the Portuguese updated filmic adaptation of The Crime of Father Amaro (1880) by the canonical author Eça de Queiroz. On one hand, the author intends to rethink about the Portuguese identity portrayed by the film and, at the same time, the author manages to observe how the Portuguese society is revealed. On the other hand, the paper aims to analyze the particular process of the adaptation of The Crime of Father Amaro following a qualitative methodology.David PublishingVeritati - Repositório Institucional da Universidade Católica PortuguesaSobral, Filomena Antunes2016-04-07T10:05:22Z20142014-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/19584engSOBRAL, Filomena Antunes - From the 19-Century Novel to the Portuguese Contemporary Film Adaptation. Journal of Literature and Art Studies. ISSN 2159-5836. Vol. 4, n.º 8 (2014), p. 618-6272159-5836info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-12T17:24:48Zoai:repositorio.ucp.pt:10400.14/19584Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T18:15:51.094117Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
From the 19-century novel to the portuguese contemporary film adaptation |
title |
From the 19-century novel to the portuguese contemporary film adaptation |
spellingShingle |
From the 19-century novel to the portuguese contemporary film adaptation Sobral, Filomena Antunes Cinema Adaptation Literature Eça de Queiroz Classical novels |
title_short |
From the 19-century novel to the portuguese contemporary film adaptation |
title_full |
From the 19-century novel to the portuguese contemporary film adaptation |
title_fullStr |
From the 19-century novel to the portuguese contemporary film adaptation |
title_full_unstemmed |
From the 19-century novel to the portuguese contemporary film adaptation |
title_sort |
From the 19-century novel to the portuguese contemporary film adaptation |
author |
Sobral, Filomena Antunes |
author_facet |
Sobral, Filomena Antunes |
author_role |
author |
dc.contributor.none.fl_str_mv |
Veritati - Repositório Institucional da Universidade Católica Portuguesa |
dc.contributor.author.fl_str_mv |
Sobral, Filomena Antunes |
dc.subject.por.fl_str_mv |
Cinema Adaptation Literature Eça de Queiroz Classical novels |
topic |
Cinema Adaptation Literature Eça de Queiroz Classical novels |
description |
The literary adaptations of canonical novels for film provide a unique repository of both identity contents and socio-cultural observations which can be revisited through the filmic representations. These recreations symbolize not only a privileged visual interpretation of a nation, but they also allow us to examine how a given society reflects itself through the fiction. In this sense, the objective of this paper is to reflect upon the Portuguese updated filmic adaptation of The Crime of Father Amaro (1880) by the canonical author Eça de Queiroz. On one hand, the author intends to rethink about the Portuguese identity portrayed by the film and, at the same time, the author manages to observe how the Portuguese society is revealed. On the other hand, the paper aims to analyze the particular process of the adaptation of The Crime of Father Amaro following a qualitative methodology. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014 2014-01-01T00:00:00Z 2016-04-07T10:05:22Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.14/19584 |
url |
http://hdl.handle.net/10400.14/19584 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
SOBRAL, Filomena Antunes - From the 19-Century Novel to the Portuguese Contemporary Film Adaptation. Journal of Literature and Art Studies. ISSN 2159-5836. Vol. 4, n.º 8 (2014), p. 618-627 2159-5836 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
David Publishing |
publisher.none.fl_str_mv |
David Publishing |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
|
_version_ |
1799131839959400448 |