From the 19-Century Novel to the Portuguese Contemporary Film Adaptation

Detalhes bibliográficos
Autor(a) principal: Sobral, Filomena Antunes
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.19/2349
Resumo: The literary adaptations of canonical novels for film provide a unique repository of both identity contents and socio-cultural observations which can be revisited through the filmic representations. These recreations symbolize not only a privileged visual interpretation of a nation, but they also allow us to examine how a given society reflects itself through the fiction. In this sense, the objective of this paper is to reflect upon the Portuguese updated filmic adaptation of The Crime of Father Amaro (1880) by the canonical author Eça de Queiroz. On one hand, the author intends to rethink about the Portuguese identity portrayed by the film and, at the same time, the author manages to observe how the Portuguese society is revealed. On the other hand, the paper aims to analyze the particular process of the adaptation of The Crime of Father Amaro following a qualitative methodology.
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spelling From the 19-Century Novel to the Portuguese Contemporary Film AdaptationCinemaAdaptationLiteratureClassical novelsThe literary adaptations of canonical novels for film provide a unique repository of both identity contents and socio-cultural observations which can be revisited through the filmic representations. These recreations symbolize not only a privileged visual interpretation of a nation, but they also allow us to examine how a given society reflects itself through the fiction. In this sense, the objective of this paper is to reflect upon the Portuguese updated filmic adaptation of The Crime of Father Amaro (1880) by the canonical author Eça de Queiroz. On one hand, the author intends to rethink about the Portuguese identity portrayed by the film and, at the same time, the author manages to observe how the Portuguese society is revealed. On the other hand, the paper aims to analyze the particular process of the adaptation of The Crime of Father Amaro following a qualitative methodology.David PublishingRepositório Científico do Instituto Politécnico de ViseuSobral, Filomena Antunes2014-11-10T12:13:35Z2014-082014-08-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.19/2349porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-01-16T15:25:37Zoai:repositorio.ipv.pt:10400.19/2349Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:41:33.124485Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
title From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
spellingShingle From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
Sobral, Filomena Antunes
Cinema
Adaptation
Literature
Classical novels
title_short From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
title_full From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
title_fullStr From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
title_full_unstemmed From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
title_sort From the 19-Century Novel to the Portuguese Contemporary Film Adaptation
author Sobral, Filomena Antunes
author_facet Sobral, Filomena Antunes
author_role author
dc.contributor.none.fl_str_mv Repositório Científico do Instituto Politécnico de Viseu
dc.contributor.author.fl_str_mv Sobral, Filomena Antunes
dc.subject.por.fl_str_mv Cinema
Adaptation
Literature
Classical novels
topic Cinema
Adaptation
Literature
Classical novels
description The literary adaptations of canonical novels for film provide a unique repository of both identity contents and socio-cultural observations which can be revisited through the filmic representations. These recreations symbolize not only a privileged visual interpretation of a nation, but they also allow us to examine how a given society reflects itself through the fiction. In this sense, the objective of this paper is to reflect upon the Portuguese updated filmic adaptation of The Crime of Father Amaro (1880) by the canonical author Eça de Queiroz. On one hand, the author intends to rethink about the Portuguese identity portrayed by the film and, at the same time, the author manages to observe how the Portuguese society is revealed. On the other hand, the paper aims to analyze the particular process of the adaptation of The Crime of Father Amaro following a qualitative methodology.
publishDate 2014
dc.date.none.fl_str_mv 2014-11-10T12:13:35Z
2014-08
2014-08-01T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.19/2349
url http://hdl.handle.net/10400.19/2349
dc.language.iso.fl_str_mv por
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv David Publishing
publisher.none.fl_str_mv David Publishing
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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