Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934

Detalhes bibliográficos
Autor(a) principal: Spangler,Torin
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322018000100007
Resumo: A major objective of early exhibitions during the Estado Novo was to project an image of universal support for the newly reformulated colonial project in both the metropole and the colonies. Although recent research has shed new light on the 1930s exhibitions from a metropolitan perspective, accessing voices from within “colonial” spaces can often prove more difficult. This article examines the specific case of the Angolan white settler community and the local independent press, observing the complexities of their involvement in, and reactions to, exhibitions in Angola and Portugal. In this context, the special edition of the newspaper A Província de Angola (August 15, 1934), published on the occasion of the Exposição Colonial do Porto, will be used as a central vehicle of intertextual exploration in an effort to uncover the complex interplay between “local” collaboration in colonial exhibitions and resistance to hegemonic control of discourses and images within the empire.
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spelling Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934Colonial exhibitionsAngolaPortugalpressimperial identitiesA major objective of early exhibitions during the Estado Novo was to project an image of universal support for the newly reformulated colonial project in both the metropole and the colonies. Although recent research has shed new light on the 1930s exhibitions from a metropolitan perspective, accessing voices from within “colonial” spaces can often prove more difficult. This article examines the specific case of the Angolan white settler community and the local independent press, observing the complexities of their involvement in, and reactions to, exhibitions in Angola and Portugal. In this context, the special edition of the newspaper A Província de Angola (August 15, 1934), published on the occasion of the Exposição Colonial do Porto, will be used as a central vehicle of intertextual exploration in an effort to uncover the complex interplay between “local” collaboration in colonial exhibitions and resistance to hegemonic control of discourses and images within the empire.Universidade do PortoBrown University2018-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articletext/htmlhttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322018000100007e-Journal of Portuguese History v.16 n.1 2018reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttp://scielo.pt/scielo.php?script=sci_arttext&pid=S1645-64322018000100007Spangler,Torininfo:eu-repo/semantics/openAccess2024-02-06T17:17:39Zoai:scielo:S1645-64322018000100007Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T02:26:10.033673Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
title Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
spellingShingle Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
Spangler,Torin
Colonial exhibitions
Angola
Portugal
press
imperial identities
title_short Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
title_full Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
title_fullStr Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
title_full_unstemmed Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
title_sort Whose Colonial Project? Angolan Elites and the Colonial Exhibitions of the 1930s: Notes on the Special Magazine Edition of A província de Angola, August 15, 1934
author Spangler,Torin
author_facet Spangler,Torin
author_role author
dc.contributor.author.fl_str_mv Spangler,Torin
dc.subject.por.fl_str_mv Colonial exhibitions
Angola
Portugal
press
imperial identities
topic Colonial exhibitions
Angola
Portugal
press
imperial identities
description A major objective of early exhibitions during the Estado Novo was to project an image of universal support for the newly reformulated colonial project in both the metropole and the colonies. Although recent research has shed new light on the 1930s exhibitions from a metropolitan perspective, accessing voices from within “colonial” spaces can often prove more difficult. This article examines the specific case of the Angolan white settler community and the local independent press, observing the complexities of their involvement in, and reactions to, exhibitions in Angola and Portugal. In this context, the special edition of the newspaper A Província de Angola (August 15, 1934), published on the occasion of the Exposição Colonial do Porto, will be used as a central vehicle of intertextual exploration in an effort to uncover the complex interplay between “local” collaboration in colonial exhibitions and resistance to hegemonic control of discourses and images within the empire.
publishDate 2018
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dc.publisher.none.fl_str_mv Universidade do Porto
Brown University
publisher.none.fl_str_mv Universidade do Porto
Brown University
dc.source.none.fl_str_mv e-Journal of Portuguese History v.16 n.1 2018
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