Da vida dos líquenes : simbiose entre o desenho científico e artístico

Detalhes bibliográficos
Autor(a) principal: Cristo, Catarina Fernandes
Data de Publicação: 2023
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10451/56775
Resumo: This project consists of an exploration of a sample of lichens, from the urban park of Rinchoa, within the scope of scientific and artistic drawing, based on the conceptions of representation defended by John Ruskin, on fidelity to nature, in contrast to the premeditated accident by Alexander Cozens in landscape drawing. Through these two languages a reflection is made on the symbiotic relationship established by them, contextualizing them historically and analyzing them through the works of various artists. Photography is briefly mentioned as an auxiliary instrument. A brief theoretical context of lichens is also presented, describing their characteristics and categorizing them. Concepts of scale between micro/macro and how these have an impact on the perception of the artist and the observer are addressed. Using the perspectives of some authors, we seek to understand nature and drawing as tools for introspective meditation and knowledge of the world, a relationship that is established between man and the natural space during a walk. The explanation of the process refers to the time and decisions taken, in a constant dialogue between conscious/subconscious, concrete/ambiguous. The deep dive into nature is concluded with a series of drawings that reflects the evolution of the personal artistic path during this project and that comprises the experience gathered over 5 years at the Faculty of Fine Arts.
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spelling Da vida dos líquenes : simbiose entre o desenho científico e artísticoCaminhadasDesenho científicoDesenho artísticoEscalaNaturezaProjeto artísticoDomínio/Área Científica::Humanidades::ArtesThis project consists of an exploration of a sample of lichens, from the urban park of Rinchoa, within the scope of scientific and artistic drawing, based on the conceptions of representation defended by John Ruskin, on fidelity to nature, in contrast to the premeditated accident by Alexander Cozens in landscape drawing. Through these two languages a reflection is made on the symbiotic relationship established by them, contextualizing them historically and analyzing them through the works of various artists. Photography is briefly mentioned as an auxiliary instrument. A brief theoretical context of lichens is also presented, describing their characteristics and categorizing them. Concepts of scale between micro/macro and how these have an impact on the perception of the artist and the observer are addressed. Using the perspectives of some authors, we seek to understand nature and drawing as tools for introspective meditation and knowledge of the world, a relationship that is established between man and the natural space during a walk. The explanation of the process refers to the time and decisions taken, in a constant dialogue between conscious/subconscious, concrete/ambiguous. The deep dive into nature is concluded with a series of drawings that reflects the evolution of the personal artistic path during this project and that comprises the experience gathered over 5 years at the Faculty of Fine Arts.Rego, Jose Domingos Fazenda Coelho de AndradeRepositório da Universidade de LisboaCristo, Catarina Fernandes2023-03-23T12:01:35Z2023-03-142023-03-14T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisimage/jpegapplication/pdfhttp://hdl.handle.net/10451/56775TID:203250877porinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-11-08T17:04:45Zoai:repositorio.ul.pt:10451/56775Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T22:07:20.470881Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Da vida dos líquenes : simbiose entre o desenho científico e artístico
title Da vida dos líquenes : simbiose entre o desenho científico e artístico
spellingShingle Da vida dos líquenes : simbiose entre o desenho científico e artístico
Cristo, Catarina Fernandes
Caminhadas
Desenho científico
Desenho artístico
Escala
Natureza
Projeto artístico
Domínio/Área Científica::Humanidades::Artes
title_short Da vida dos líquenes : simbiose entre o desenho científico e artístico
title_full Da vida dos líquenes : simbiose entre o desenho científico e artístico
title_fullStr Da vida dos líquenes : simbiose entre o desenho científico e artístico
title_full_unstemmed Da vida dos líquenes : simbiose entre o desenho científico e artístico
title_sort Da vida dos líquenes : simbiose entre o desenho científico e artístico
author Cristo, Catarina Fernandes
author_facet Cristo, Catarina Fernandes
author_role author
dc.contributor.none.fl_str_mv Rego, Jose Domingos Fazenda Coelho de Andrade
Repositório da Universidade de Lisboa
dc.contributor.author.fl_str_mv Cristo, Catarina Fernandes
dc.subject.por.fl_str_mv Caminhadas
Desenho científico
Desenho artístico
Escala
Natureza
Projeto artístico
Domínio/Área Científica::Humanidades::Artes
topic Caminhadas
Desenho científico
Desenho artístico
Escala
Natureza
Projeto artístico
Domínio/Área Científica::Humanidades::Artes
description This project consists of an exploration of a sample of lichens, from the urban park of Rinchoa, within the scope of scientific and artistic drawing, based on the conceptions of representation defended by John Ruskin, on fidelity to nature, in contrast to the premeditated accident by Alexander Cozens in landscape drawing. Through these two languages a reflection is made on the symbiotic relationship established by them, contextualizing them historically and analyzing them through the works of various artists. Photography is briefly mentioned as an auxiliary instrument. A brief theoretical context of lichens is also presented, describing their characteristics and categorizing them. Concepts of scale between micro/macro and how these have an impact on the perception of the artist and the observer are addressed. Using the perspectives of some authors, we seek to understand nature and drawing as tools for introspective meditation and knowledge of the world, a relationship that is established between man and the natural space during a walk. The explanation of the process refers to the time and decisions taken, in a constant dialogue between conscious/subconscious, concrete/ambiguous. The deep dive into nature is concluded with a series of drawings that reflects the evolution of the personal artistic path during this project and that comprises the experience gathered over 5 years at the Faculty of Fine Arts.
publishDate 2023
dc.date.none.fl_str_mv 2023-03-23T12:01:35Z
2023-03-14
2023-03-14T00:00:00Z
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TID:203250877
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