“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/fb.v0i17.27109 |
Resumo: | Constança Capdeville (1937-1992) pursued her creative activity in various fields. The unbroken alliance between music and scenic art appears in her work, linked to musical theater. The sound, the sound space and the space of the multimedia, theatrical and plastic arts deserve, on their part, a detailed attention. They are identically in a close relationship with the body and a performative gesture inherent in the creation / interpretation of the work. With a very strong multidisciplinary component and a pronounced desire for open forms, her work also reflects the influence of several authors, namely Cage, Schwitters, Berio or Kagel; but also, the work of Lorca, Joyce, Cendrars, Poe or Elliot. In this work, we also can see the influence of Picasso or Dalí. From a technical point of view, the author uses collage, indicating those influences. She also uses juxtaposition and intertextuality. According to the author, her work still contains an incessant mystique view, as well as a dialectic language with the invisible. In this sense, and through Double (1982), we want to show how the author reflects on the Narcis- sus Myth, the Egotism and the Alienation that comes from it, through the dialogue that she establishes with herself in a total disagreement with others. Through the analysis of this work, we will understand how an interpretation can reveal the imagistic contents proposed by the author revealing the self and the other, in a confrontation between dissimilar elements in an intense and revealing counterpoint. |
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“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself“Double” (1982) de Constança Capdeville: a obra onde o ego se descobre num universo outro que não o de si próprioConstança Capdeville (1937-1992) pursued her creative activity in various fields. The unbroken alliance between music and scenic art appears in her work, linked to musical theater. The sound, the sound space and the space of the multimedia, theatrical and plastic arts deserve, on their part, a detailed attention. They are identically in a close relationship with the body and a performative gesture inherent in the creation / interpretation of the work. With a very strong multidisciplinary component and a pronounced desire for open forms, her work also reflects the influence of several authors, namely Cage, Schwitters, Berio or Kagel; but also, the work of Lorca, Joyce, Cendrars, Poe or Elliot. In this work, we also can see the influence of Picasso or Dalí. From a technical point of view, the author uses collage, indicating those influences. She also uses juxtaposition and intertextuality. According to the author, her work still contains an incessant mystique view, as well as a dialectic language with the invisible. In this sense, and through Double (1982), we want to show how the author reflects on the Narcis- sus Myth, the Egotism and the Alienation that comes from it, through the dialogue that she establishes with herself in a total disagreement with others. Through the analysis of this work, we will understand how an interpretation can reveal the imagistic contents proposed by the author revealing the self and the other, in a confrontation between dissimilar elements in an intense and revealing counterpoint.Constança Capdeville (1937-1992) exerceu a sua atividade criadora em vários domínios, sendo que a contante aliança entre a música e a arte cénica aparece, na sua obra, ligada, e em parti- cular, ao Teatro Musical. O som, o espaço sonoro e o espaço das artes multimédia e plástica, merecem, da sua parte, uma atenção detalhada, sendo que se encontram identicamente em estreita relação com o corpo e uma gestualidade performativa inerente à criação/interpreta- ção da obra. Com uma componente pluridisciplinar marcada, e uma apetência assinalada pela Forma Aberta, a sua obra reflete ainda a influência de vários autores, nomeadamente Cage, Schwitters, Berio ou Kagel. Denotamos também a influência de Lorca, Joyce, Cendrars, Poe ou Elliot e, nesta obra em particular, de Picasso e Dalí, pois que, do ponto de vista técnico utiliza a colagem. Utiliza igualmente a justaposição de materiais e ações diversas, bem como a intertextualidade. Segundo a autora, a sua obra contém ainda uma mística incessante, bem como uma dialética com o invisível. Neste sentido, e através da obra Double (1982), pretendemos mostrar como a autora reflete sobre o Mito de Narciso, o Egotismo e a Alienação que dele se desprende pelo diálogo que estabelece consigo mesmo num despreendimento com o demais. Através da análise de Double iremos perceber de que forma uma interpretação pode revelar os conteúdos imagísticos e imagéticos propostos pela autora revelando o eu e o outro, num con- fronto entre elementos díspares num contraponto intenso e revelador.UA Editora - Universidade de Aveiro2021-12-21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.34624/fb.v0i17.27109https://doi.org/10.34624/fb.v0i17.27109Forma Breve; No 17 (2021): Olhares de Narciso: egotismo e alienação; 139-154Forma Breve; n.º 17 (2021): Olhares de Narciso: egotismo e alienação; 139-1542183-47091645-927Xreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/formabreve/article/view/27109https://proa.ua.pt/index.php/formabreve/article/view/27109/19684Direitos de Autor (c) 2021 Helena Maria da Silva Santana, Maria do Rosário da Silva Santanahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSantana, Helena Maria da SilvaSantana, Maria do Rosário da Silva2023-11-23T18:47:17Zoai:proa.ua.pt:article/27109Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T16:03:20.880609Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself “Double” (1982) de Constança Capdeville: a obra onde o ego se descobre num universo outro que não o de si próprio |
title |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself |
spellingShingle |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself Santana, Helena Maria da Silva |
title_short |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself |
title_full |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself |
title_fullStr |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself |
title_full_unstemmed |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself |
title_sort |
“Double” (1982) by Constança Capdeville: the work where the ego finds itself in a universe other than itself |
author |
Santana, Helena Maria da Silva |
author_facet |
Santana, Helena Maria da Silva Santana, Maria do Rosário da Silva |
author_role |
author |
author2 |
Santana, Maria do Rosário da Silva |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Santana, Helena Maria da Silva Santana, Maria do Rosário da Silva |
description |
Constança Capdeville (1937-1992) pursued her creative activity in various fields. The unbroken alliance between music and scenic art appears in her work, linked to musical theater. The sound, the sound space and the space of the multimedia, theatrical and plastic arts deserve, on their part, a detailed attention. They are identically in a close relationship with the body and a performative gesture inherent in the creation / interpretation of the work. With a very strong multidisciplinary component and a pronounced desire for open forms, her work also reflects the influence of several authors, namely Cage, Schwitters, Berio or Kagel; but also, the work of Lorca, Joyce, Cendrars, Poe or Elliot. In this work, we also can see the influence of Picasso or Dalí. From a technical point of view, the author uses collage, indicating those influences. She also uses juxtaposition and intertextuality. According to the author, her work still contains an incessant mystique view, as well as a dialectic language with the invisible. In this sense, and through Double (1982), we want to show how the author reflects on the Narcis- sus Myth, the Egotism and the Alienation that comes from it, through the dialogue that she establishes with herself in a total disagreement with others. Through the analysis of this work, we will understand how an interpretation can reveal the imagistic contents proposed by the author revealing the self and the other, in a confrontation between dissimilar elements in an intense and revealing counterpoint. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-21 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34624/fb.v0i17.27109 https://doi.org/10.34624/fb.v0i17.27109 |
url |
https://doi.org/10.34624/fb.v0i17.27109 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://proa.ua.pt/index.php/formabreve/article/view/27109 https://proa.ua.pt/index.php/formabreve/article/view/27109/19684 |
dc.rights.driver.fl_str_mv |
Direitos de Autor (c) 2021 Helena Maria da Silva Santana, Maria do Rosário da Silva Santana http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos de Autor (c) 2021 Helena Maria da Silva Santana, Maria do Rosário da Silva Santana http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UA Editora - Universidade de Aveiro |
publisher.none.fl_str_mv |
UA Editora - Universidade de Aveiro |
dc.source.none.fl_str_mv |
Forma Breve; No 17 (2021): Olhares de Narciso: egotismo e alienação; 139-154 Forma Breve; n.º 17 (2021): Olhares de Narciso: egotismo e alienação; 139-154 2183-4709 1645-927X reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799130497670971392 |