Two mid-sixteenth-century Cecilian parody masses

Detalhes bibliográficos
Autor(a) principal: Henriques, Luís
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10174/30544
Resumo: Musical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century and throughout the sixteenth century. Of the many composers who wrote music for this festivity we find four mid-sixteenth-century compositions by French composers. Two motets Cantantibus orgnis and Cecilia virgo gloriosa - by Pierre Certon which served as models for two parody masses (with same titles as the models) by Pierre Clereau. This text examines both models and the respective masses with a glimpse at the parody procedures used by Clereau in his works.
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spelling Two mid-sixteenth-century Cecilian parody massesmúsicamusicologiapolifoniamúsica sacraPierre CertonPierre Clereaumotetemissa paródiaséculo XVItécnica de paródiaMusical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century and throughout the sixteenth century. Of the many composers who wrote music for this festivity we find four mid-sixteenth-century compositions by French composers. Two motets Cantantibus orgnis and Cecilia virgo gloriosa - by Pierre Certon which served as models for two parody masses (with same titles as the models) by Pierre Clereau. This text examines both models and the respective masses with a glimpse at the parody procedures used by Clereau in his works.Canto Mensurable editions2021-12-20T16:02:52Z2021-12-202021-11-22T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/30544http://hdl.handle.net/10174/30544engHenriques, Luís. "Two mid-sixteenth-century Cecilian parody masses". Canto Mensurable blog (2021-11-22). https://cantomensurable.hcommons.org/cecilian-parody-masses/ | Henriques, Luís. "Two mid-sixteenth-century Cecilian parody masses". Canto Mensurable blog, vol. 1 (2021), pp. 49-59. ISSN 2184-9307https://cantomensurable.hcommons.org/cecilian-parody-masses/nd717Henriques, Luísinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:28:28Zoai:dspace.uevora.pt:10174/30544Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:19:53.562870Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Two mid-sixteenth-century Cecilian parody masses
title Two mid-sixteenth-century Cecilian parody masses
spellingShingle Two mid-sixteenth-century Cecilian parody masses
Henriques, Luís
música
musicologia
polifonia
música sacra
Pierre Certon
Pierre Clereau
motete
missa paródia
século XVI
técnica de paródia
title_short Two mid-sixteenth-century Cecilian parody masses
title_full Two mid-sixteenth-century Cecilian parody masses
title_fullStr Two mid-sixteenth-century Cecilian parody masses
title_full_unstemmed Two mid-sixteenth-century Cecilian parody masses
title_sort Two mid-sixteenth-century Cecilian parody masses
author Henriques, Luís
author_facet Henriques, Luís
author_role author
dc.contributor.author.fl_str_mv Henriques, Luís
dc.subject.por.fl_str_mv música
musicologia
polifonia
música sacra
Pierre Certon
Pierre Clereau
motete
missa paródia
século XVI
técnica de paródia
topic música
musicologia
polifonia
música sacra
Pierre Certon
Pierre Clereau
motete
missa paródia
século XVI
técnica de paródia
description Musical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century and throughout the sixteenth century. Of the many composers who wrote music for this festivity we find four mid-sixteenth-century compositions by French composers. Two motets Cantantibus orgnis and Cecilia virgo gloriosa - by Pierre Certon which served as models for two parody masses (with same titles as the models) by Pierre Clereau. This text examines both models and the respective masses with a glimpse at the parody procedures used by Clereau in his works.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-20T16:02:52Z
2021-12-20
2021-11-22T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10174/30544
http://hdl.handle.net/10174/30544
url http://hdl.handle.net/10174/30544
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv Henriques, Luís. "Two mid-sixteenth-century Cecilian parody masses". Canto Mensurable blog (2021-11-22). https://cantomensurable.hcommons.org/cecilian-parody-masses/ | Henriques, Luís. "Two mid-sixteenth-century Cecilian parody masses". Canto Mensurable blog, vol. 1 (2021), pp. 49-59. ISSN 2184-9307
https://cantomensurable.hcommons.org/cecilian-parody-masses/
nd
717
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Canto Mensurable editions
publisher.none.fl_str_mv Canto Mensurable editions
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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